Destroying cultural relics during filming
The phenomenon of destroying cultural relics during filming often occurred. On the one hand, with the development of the film and television industry, the phenomenon of shooting movies and television shows about cultural relics and historical sites, as well as using cultural relics and historical sites as scenes to shoot feature films and television dramas, was increasing day by day. However, some of the crew lacked knowledge about cultural relics protection. When filming in cultural relics and historical sites, they would cause damage to cultural relics. For example, in May 2004, in order to shoot "The Promise," the film crew built roads and temporary buildings in Bigu Heavenly Lake, and even destroyed the mountain azalea. In order to ensure the safety of cultural relics and historical sites, the Ministry of Culture issued the "Temporary Regulations on Cultural Relics in Film and Television Filming" on April 19, 1985. It clearly stipulated that the interior of the ancient buildings of the national key cultural relics protection units shall not be used as shooting scenes; The key cultural relics protection units of provinces, autonomous regions and cities directly under the Central Government may be relaxed appropriately, but the ancient buildings with specific important cultural relics shall not be provided for shooting interior scenes; The supply of key cultural relics protection units at the city and county levels and ancient buildings that have not been announced as cultural relics protection units shall be decided by the cultural relics administrative departments of provinces, autonomous regions and cities directly under the Central Government according to relevant principles. The introduction of these regulations was aimed at regulating film and television shooting behavior, reducing the damage to cultural relics during filming, and protecting the rights and interests of the country. Read more exciting novels for free
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Be wary of hype in the name of destroying cultural relics
In the field of cultural relics protection, it was indeed necessary to be wary of the act of creating hype in the name of destroying cultural relics. For example, there was a netizen named " Thousand Mountains " who claimed to have taken stones from the Nine Dragon Wall and Yuanmingyuan Palace as " family heirlooms " on Weibo. He claimed that the yellow stone was bitten off from the dragon head of the Nine Dragon Wall in the Forbidden City. This remark caused a lot of criticism from netizens, but the netizen later clarified that it was a joke. The Palace Museum confirmed on the spot that there was no man-made damage to the Nine Dragon Wall. It was not advisable to use the public's attention to the protection of cultural relics to create hype. On the one hand, it would mislead the public and cause unnecessary panic and misunderstanding. On the other hand, such false hype would interfere with the normal protection of cultural relics and divert the attention of society from the real protection of cultural relics. The real protection of cultural relics required people to uphold a serious and responsible attitude, not to use cultural relics for improper hype. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
353 new cultural relics discovered in the cultural relics survey
Please clarify the question. For example, do you want to know the specific areas of these discoveries, the scope of the survey, or other related content? The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Rebirth Cultural Relics
The following were some recommendations for novels related to the cultural relic category: " The Reborn Cultural Relic Master,"" The Great Appraiser,"" The Antique Appraiser,"" The Golden Eye Appraiser of Antiques,"" I Can Repair Antiques,"" The Foreignland's Ace Appraiser,"" The World's Collection," and so on. These novels covered topics such as the identification of cultural relics and the restoration of cultural relics. They were suitable for readers who liked such topics.
Lovesickness in the cultural relics
The cultural relics contained many feelings of longing. For example, in the Book of Songs, Xiaoya, Yuanyang, the mandarin duck was compared to the love between husband and wife, and the "red bean" mentioned in Wen Tingyun's "Two Songs of Southern Songs" represented deep love. These literary works also echoed the cultural significance embodied in cultural relics. For cultural relics like the engraved silver box, the bottom of the box was engraved with a pair of men and women standing side by side and the words "two people of the same heart". It was as if one could see the scene of a man giving a powder box to a woman he liked a thousand years ago. It contained the love between a man and a woman. The Western Zhou jade pendant was two meters long. It was the only thing Marquis Mu of Jin cared about and doted on the second wife. It reflected the deep feelings between husband and wife. Even if they were separated by yin and yang, it contained the thoughts of the living for the deceased. The golden hairpin in the Suzhou Museum had witnessed the love between Sun Ce and Da Qiao. Now, it could also make people feel the yearning and nostalgia that spanned thousands of years. More than 4800 pieces of exquisite jewelry were unearthed from the tomb of the King of Mingliang Zhuang and his step-concubine, which witnessed the experience of the husband and wife living together. Behind their "living in the same quilt and dying in the same cave", there was also endless longing and attachment for each other. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of "Everlasting Lovesickness 2: A Vow of Love"!
Taicang cultural relics
Taicang was rich in cultural relics. In terms of ancient bridges, Taicang Stone Arch Bridge was built in the first year of Yuan Dynasty (1330). There are five well-preserved bridges, including Zhou Bridge, Zhoujing Bridge, Gao Bridge, Jingting Bridge and Jinji Bridge. In 2006, it was announced as the sixth batch of national key cultural relics protection units; Boxun Bridge was built in 1934, which is the junction bridge between Taicang and Kunshan. In terms of ancient architecture, Yanshan Garden was the home of Wang Shizhen, a writer and historian of the Ming Dynasty. There were many scenic spots in the garden. Wang Xijue's former residence was built during the Wanli period of the Ming Dynasty. The existing gate house and Wang's ancestral hall had three entrances. The calligraphy stele of Zhao Mengfu of the Yuan Dynasty in the stele corridor of the courtyard was a valuable ancient stele inscription and was listed as a provincial cultural relic protection unit in Jiangsu Province. The West Tower of Huangjing Town was built during the Wanli period of the Ming Dynasty and rebuilt during the Qianlong period of the Qing Dynasty. It was the only well-preserved ancient tower in Taicang, and also the cultural relic protection unit and red ruins of Taicang City. The "Little Red Tower" in Chengxiang Town is now the theme art museum of the Wanguo Wharf. The Liuhe Tianfei Palace was built in the fifth year of Xuanhe of the Northern Song Dynasty (1123 AD). It was moved to the current site in the Yuan Dynasty and promoted to the national key cultural relic protection unit in 2013. Its sleeping hall architectural style is simple and elegant. In terms of ancient ruins, Liangzhu Culture and Maqiao Culture were excavated in 2003, filling the gaps in Taicang's primitive culture. Taicang's history was traced back to 4500 years ago, and it was called the "Root of Taicang". In addition, by 2011, there were 2 national cultural relics protection units, 6 provincial cultural relics protection units, and 29 city (county) level cultural relics protection units. Liuhe Tianfei Palace was listed as a national key cultural relics protection unit in 2014. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Xuanzang cultural relics
The cultural relics related to Xuanzang included two cultural relics unearthed from the ruins of Yuhua Palace in Jinsuoguan Town, Tongchuan City, Shaanxi Province. One was the stone carved Vajra Seat, on which there were twenty words: "In the second year of Longshuo of Tang Dynasty, Master Xuanzang of Sanzang respectfully made the Buddha statue of Sakyamuni to support"; The other was the stone carved Buddha footprint (remnant stone), on which there was an inscription: "The Buddha's Traces, the Buddha of Sakyamuni in Bozhali City of Magadha State, left traces on the stone, and the Buddha himself watched the ceremony". These cultural relics not only reflected Xuanzang's calligraphy art, but also indirectly confirmed the authenticity of his experiences in the Western Paradise. In addition, the Xuanzang Memorial Hall (located in Yuhua Palace in the northern suburbs of Tongchuan City, Shaanxi Province) exhibited cultural relics, scriptures, pictures and statues related to Xuanzang. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nanyatang cultural relics
The document mentioned the Complete Collection of Nanyatang Medical Books, but it did not clearly indicate that it was detailed information about cultural relics, such as the age of cultural relics, texture, archaeological excavation, etc. He only mentioned that he had carried out an exploratory restoration of the Complete Collection of Nanyatang Medical Books. He adhered to the principle of repairing the old as it was, and compared the cleaning effects of different cleaning reagents. For the large number of mold spots in the book, he found that the solution of potassium Permanganate was more thorough in cleaning, and the solution of CaClO was more suitable for oil pollution treatment. Because the paper was too thin, it was easy to store it in the form of a full-page frame, and it was bound in a thread form. Therefore, more information about the cultural relics of Nanya Hall could not be accurately given. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
30 billion cultural relics
There were several mentions of cultural relics related to 30 billion yuan: First, the cultural relics on the South China Sea No. 1 shipwreck, which World Heritage expert Jones had said could be worth more than 30 billion US dollars; Second, the more than 380,000 cultural relics collected by the folk collector Li Jiquan, whose total value was estimated to be more than 30 billion yuan by the cultural relics experts in the collection industry. The ancient plate in his bedroom was valued at 600 million yuan. There was also the collection of Li Jiquan, the owner of the Silk Road Ancient Culture Museum in Beihai, Guangxi. The total value of the cultural relics collected exceeded 30 billion yuan. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Maye Cultural Relics
Ma Wei Du had many precious cultural relics. For example, he bought the Northern Song Dynasty Ru kiln wash from a Japanese collector at a low price, and the same model was sold at Sotheby's for 300 million yuan. He had four Jun porcelain hanging screens, which were very valuable. A thief once broke into the house and stole a TV set, but the Jun porcelain hanging screen was kept. He also had a Southern Song Dynasty official kiln long-necked vase, which had a legendary origin. He bought it from a friend for 1% of the cost of the porcelain, and its value could reach nine figures. There was also the only Ming Chenghua imitation Ru glaze elephant ear furnace in the world. These collections of cultural relics reflected Ma Weidu's achievements in the field of cultural relics collection. Some of the collections were collected in the Shanghai Guanfu Museum he founded. The Shanghai Guanfu Museum is located on the 37th floor of the Shanghai Center Building, No. 479, Lujiazui Ring Road, Pudong New District. As of 2024, there are 348 pieces/set in the museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relics and utensils
There were many kinds of cultural relics and instruments, covering different historical periods and regions. For example, the copper button bell from the Warring States Period (475 - 221 B.C.) was an old folk collection and was now stored in the Qiang Museum in Mao County, Sichuan Province; The high pottery plate from the Neoliths in China was excavated and collected in Jingzhou Museum in Hubei Province; There was also a crystal cup unearthed in the Warring States Period ancient tomb in Shitang Village, Banshan Town, Hangzhou, Zhejiang Province in 1990. It was collected by Hang Bo and was the treasure of the museum. It was the largest ancient crystal product unearthed in China and was a first-class cultural relic prohibited from being displayed abroad. There were also many cultural relics abroad, such as the Smiling Figure from Mexico in the 6th to 8th centuries, and the hollowed-out human basin unearthed in Shaanxi from 4000 to 3500 B.C. In addition, there was a Derry Iron Pillar built in 415 AD in the Kudub Tower in the southern suburbs of New Delhi, India. It weighed 6.5 tons and was 7.25 meters high. It had almost no rust after thousands of years. The reason why it did not rust was still puzzling to experts. The Antikythera robot, discovered in 1900, had 37 gears inside, exquisite workmanship and mysterious inscriptions. It was considered to be the earliest computer in the world, but its manufacturing principle and other issues had not been solved by archaeologists. In China, there were also the Yachou Yue of the Shang Dynasty, which was unearthed in Subutun, Qingzhou, Shandong Province in 1965 and now stored in the Shandong Provincial Museum, as well as the Siwei Bodhisattva of the Northern Qi Dynasty unearthed in Luancheng, Hebei Province. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>