Cultural relic site map
Archeological drawing was an important method for archaeologists to record the original information of the site, the shape, size, decoration, and relative position of the cultural relics in detail through field investigation, careful observation, and professional tools. Together with photos and texts, it could replace the cultural relics to " speak." In our country, archaeological drawings were indispensable since the beginning of archaeology, and they were mainly done by hand. Although photography was highly developed nowadays, and new technologies had been added to archaeological drawing work, a large number of hand-drawn drawings based on the actual situation and artifacts were still first-hand information collected on the spot. Their value could not be compared to second-hand information such as copying, modifying, copying, and printing. For example, using a computer to draw, the drawing might have perspective changes, and the accuracy and speed might not be as good as hand-drawn. The basic requirements for archaeological drawings were accuracy and visualization. This was the biggest advantage that differentiated it from photographs and text. Because the overall structure and internal situation of a site were difficult to be visualized through photography, unearthed cultural relics might also be unclear due to subtle marks, rust, burial environment, and other factors. This information was crucial for determining the age of cultural relics and analyzing the origin of culture in archaeological research. Archaic drawings could use concise but accurate lines to extract the " identity password " of relics and cultural relics for scholars to carry out academic research. Furthermore, the drawings would be bound together with the text into a "personal file" of the cultural relic. Read more exciting novels for free
Cultural relic auction site
The auction site of cultural relics was actually a place full of psychological games. Auctioneers faced many psychological challenges and contests, such as the phenomenon of " decision fatigue." After frequent bidding decisions, their decision-making ability would gradually decline. At this time, they were easily impulsive or irrational when facing new bidding decisions. At the same time," group thinking " also exerted a strong influence. Once someone took the lead in raising the price, other bidders might be affected by the psychological factors of " social recognition " and might follow suit. This kind of group behavior easily drowned out individual rational thinking and pushed the price up continuously. Successful bidders were good at using psychological tactics. They would suddenly increase the price by a large margin to create momentum and cause psychological pressure on their opponents. If the bidder wanted to successfully bid, he had to remain calm, like a general who made a strategy. He had to use his psychological intelligence and make decisions without being affected by emotions. They had to formulate a clear bidding strategy, adopt anti-psychological tactics by thinking about the opponent's behavior in reverse. At the same time, they had to be good at collecting information about the auction target, observing the competitor's expression, movements, and bidding habits to understand the opponent's psychological state and respond accordingly. They also had to set a clear bottom line to avoid impulsive bidding, and they could also communicate with the opponent appropriately. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Spoof cultural relic map
The reference materials mentioned some content related to spoof cultural relics, such as the cultural relic Sanxing Dui You're Not Right emoji gif, which was based on the Three Gorge cultural relics as the design theme, adding the ancient Shu civilization, Sichuan Guanghan, spoof cultural relics, Sanxing Dui and other design elements into the emoji. There were also some cultural relics that had the interest of spoof because of their strange shapes and modern objects or images. For example, the cloud pattern copper five-pillar ware stored in the Anhui Museum was ridiculed as a modern gateway, the silver incense box of the Ming Dynasty was regarded as a beer bottle cap, and the standing bronze statue looked like Ultraman. The images of these cultural relics may be used to make spoof pictures or have a spoof visual effect, but they did not specifically focus on the content of the spoof cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Liangzhu site was successfully declared as a cultural relic.
The Liangzhu site was successfully declared as a World Heritage site at the World Heritage Conference of the United Nations Cultural and Scientific Organization in July 2019. This site was regarded as the center of power and belief of Liangzhu culture. It witnessed the birth of an early regional country in the lower reaches of the Yangtze River in the late Neoliths period of China. It proved the 5,000-year history of Chinese civilization and transformed Liangzhu Ancient City from a national treasure of China to a cultural treasure of all mankind. The novel " Watching the Moon on Fish Island " is equally exciting. Everyone is welcome to click and read it!
Construction site cultural relic protection system
No other construction projects, blasting, drilling, excavation, etc. shall be carried out within the scope of protection of the cultural relics protection unit. However, if it is necessary to carry out these operations within the protection area of a protected site due to special circumstances, the safety of the site must be guaranteed and the approval of the people's government that has verified and announced the site must be obtained. Before approval, the approval of the administrative department of cultural relics of the people's government at the next higher level must be obtained. If the operation is carried out within the protection area of a major site of cultural relics protection at the national level, the approval of the people's government of the province, autonomous region or directly under the Central Government must be obtained. Before approval, the approval of the administrative department of cultural relics of the State Council must be obtained. There were also relevant requirements for construction workers, such as organizing all employees to seriously study the Cultural Relics Protection Law and effectively enhance their awareness of cultural relics protection. The Cultural Relics Bureau of Hebei Province issued a notice to strengthen the management of the construction site of cultural relics protection projects. The specific requirements are as follows: 1. ** Strictly close the construction site **: The construction site shall be subject to closed management. Close fences and signs shall be set up according to the specifications. The fences shall not lean against the cultural relics and maintain a safe distance from the cultural relics. Set up a guard duty management system, register visitors, and prohibit unrelated personnel from entering the construction site. 2. ** Scientify-set construction site zones **: Rationally arrange the construction site, material storage area, living area, office area, and other zones. Take corresponding isolation measures, set up guide signs, warning signs, and other signs to meet the safety, fire protection, hygiene, and environmental protection requirements. In principle, the processing area and living area shall not be located within the scope of cultural relics protection. 3. ** Strengthening the safety management of the construction site **: improve the management system, identify the responsible personnel, strengthen safety education and training, formulate various fire safety management systems such as fire and electricity, and regularly organize the inspection of electricity, fire safety and equipment at the construction site. Safety measures such as the construction of a protective canopy and the like shall be regulated. We will establish and improve the emergency response mechanism for safety incidents and report any problems in a timely manner. Without the approval of the relevant departments, it is illegal to carry out construction projects within the protection area of the cultural relics protection unit without authorization and will be punished. For example, a unit in NanNing City was fined 100,000 yuan for carrying out a construction project within the protection scope of a municipal cultural relic protection unit without obtaining the approval of the relevant department. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic with inscriptions
The following are some of the cultural relics with inscriptions: - There were 29 inscriptions on the base of the "Eight-year-old Lacquer Wood Tall Bean" that was recovered from the Eastern Tomb of Qin Dynasty. The interpretation of some inscriptions helped to determine whether Lord Mengchang had served as the prime minister of Qin Dynasty. This cultural relic was determined to be a national first-class cultural relic. - He Zun, a national treasure of the Western Zhou Dynasty, had an inscription that recorded the important historical fact that King Cheng of the Zhou Dynasty inherited the will of King Wu of the Zhou Dynasty and moved the capital to Luoyi (now Luoyang, Henan Province), which was called "Cheng Zhou". The earliest source of the word "China" was "Staying in China". - There were four lines and 33 words of inscriptions cast on the bottom of the Gui of the Western Zhou Dynasty. The content was related to King Wu of Zhou's conquest of King Zhou of the Shang Dynasty. This Gui was also known as the Gui of King Wu's conquest of the Shang Dynasty. It had great historical significance and was listed as one of the nine national treasures. - There were two circles of words on the outer wall of a certain drum seat. The upper circle had about 98 words and the lower circle had 52 words. Although some of the words were vague and some were written in reverse, the word "Yu" in one of the lines was believed by experts to be more than a third-level cultural relic and should be classified as a first-level national treasure. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic box
Casing cultural relics was a method of disposal during archaeological excavation. During an archaeological excavation, the unearthed cultural relics that were important but could not be cleaned up in time would be extracted in a box. For example, a large number of chariots and horses were unearthed from Tomb M1901 at the Liulihe archaeological site. Because their relative position was very important for archaeological research, the archaeologists carried out box extraction. These carriages were large, heavy, and in the mud. It might not be possible to insert them according to the usual steel plate extraction method. The team members listened to the advice of the old gentleman in the cultural relic protection and inserted a row of steel pipes under the boxes to reinforce the boxes. Also, in the archaeological research of the Marquis of Haiying's tomb, a large number of cultural relics excavated on the spot were transported to the laboratory in boxes for protection and research. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic bottle
There were many kinds of bottles and jars in the cultural relics. There were all kinds of bottles and jars in different periods and regions. In the blue and white flowers of the Yuan Dynasty, there was a vase with four paintings of love. The blessed part of the vase had four paintings related to "love". They were Wang Xizhi's love for orchids, Tao Yuanming's love for chrysanthemums, Zhou Dunyi's love for lotuses, and Lin Hejing's love for plum blossoms and cranes. It was originally bought by a cultural relic store for 600 yuan, and was later identified as the Yuan Dynasty, becoming the treasure of the museum. There were also some bottles and cultural relics in the museum, such as the white glazed brown flower plum vase and the white glazed black animal pattern plum vase unearthed in 2017 from the tomb of the high-level noble family of the Khitan in the Liao Dynasty. There were also the Ming Jiajing blue and white cloud dragon auspicious phoenix cloud crane pattern cover jar, Ming Zhengde blue and white figure gourd vase, etc. In addition, in the Shandong Museum, there are various kinds of bronze "bottles and jars", such as You, which holds wine, has a large mouth and lower abdomen, with a cover and a beam; Gu, which holds wine, has a long body, luxurious mouth, mouth and bottom in the shape of a trumpet; The Zhi used for drinking wine, round belly, luxurious mouth, circle foot, looks like a small bottle, most of which have a cover; Gui, which holds cooked food, has a round mouth and two ears; Square pot for millet, rice and other meals; From Gui, there are oval mouths, lids, two ears, circular feet or four feet, etc. These bottles and cultural relics have their own characteristics in terms of shape and use. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic maintenance
Cultural relics were divided into movable cultural relics and immovable cultural relics. The principle of not changing the original state of the cultural relics and the principle of minimum intervention must be adhered to when repairing, maintaining and migrating immovable cultural relics, so as to preserve the historical information and historical value of the cultural relics to the greatest extent. Taking Binzhou City as an example, in terms of cultural relics protection, they completed the confirmation of the protection scope and construction control zone of the sixth batch of provincial cultural relics protection units, strengthened the management of cultural relics protection qualification units, submitted the cultural relics protection project plan for the cultural relics protection units, strictly enforced the filing of cultural relics protection projects and the inspection of cultural relics protection projects, and successively carried out on-site supervision work for many cultural relics repair and protection projects. In addition, the relevant departments also attached great importance to the repair and maintenance of the original body of the small source conference site, Jiang Xianyun's former residence, and other places. All regions should also promote the protection of cultural relics from the legal and policy levels. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic model
The following are some of the cultural relics and their characteristics: - ** Gold hairpin with red and sapphire inlaid with jade flowers (Ming Dynasty)**: The hairpin is inlaid with jade and red and sapphire. The top of the hairpin was made into a flower holder with silk craftsmanship. Three layers of jade flower pieces were stacked. The center of the flower was inlaid with rubies, and the bottom of the flower holder was decorated with small petals carved with gold. Under the jade flower, there was a butterfly-shaped shape with a sapphire embedded in the middle. There was a small ball of silk on the top of each butterfly wing. When walking, it could shake slightly. The lower end was connected with circular flower ornaments. The center of the flower was ruby, surrounded by eight silk leaves. The whole showed an elegant and noble atmosphere. - ** Qing Dynasty white jade fancy cup **: It is a Hendustan jade, a royal jade used by the Qing Dynasty. It was composed of two parts, the upper part was a flower mouth, the mouth edge was in the shape of a five-petal flower, the abdomen was thinner, the lower part was a high foot, the cup body and the high foot were connected by a hollow Ruyi shaped cloud head, the middle part of the cup body had a raised string pattern, the whole body was made of white jade, the texture was fine and smooth, and the polishing was exquisite. - Empress Xiaojing's Twelve Dragon Nine Phoenix Crown: One of the four remaining Ming Dynasty phoenix crowns in China. It was 35.5 centimeters tall, 20 centimeters in diameter, and weighed 2.95 kilograms. The crown was decorated with twelve golden dragons and nine golden phoenixes. The dragons had different postures, and the lower part was a flying green phoenix. A total of 121 gemstones and 3588 pearls were inlaid. They were made of silk, jade, inlaid, and tied. The design was solemn. - ** Li Lianying's opal ring **: The opal inlaid on the ring is larger than the one on Queen Elizabeth's crown, reflecting the superb craftsmanship and aesthetic standards of jewelry production during the Qing Dynasty. - ** Qing Emperor Qianlong Furong Stone Coiled Dragon Ear Cover Furnace **: Using Furong Stone as raw material, the whole body is pink and covered with natural veins. The abdomen was carved with symmetrical decorations, with two sets of coiling dragons and a head with ring ears. The top of the cover was carved with four small coiling dragons. It was 17 centimeters tall and 14.9 centimeters in diameter. It was simple and well-carved. - ** Yue King Gou Jian Sword **: The blade is slender, 55.6cm high, 4.6cm wide, 8.4cm long hilt, and weighs 875g. There were dark diamond-shaped patterns on both sides of the sword body. The front was inlaid with blue glaze, and the back was inlaid with turquoise patterns. The head of the sword was circular, with 11 concentric circles inside. There was a middle ridge. The two blades were sharp, and the front arc was concave. - ** Antler Crane of the Warring States Period (Unearthed from the Tomb of Marquis Zeng Yi)**: The body of a crane with antlers was unearthed from the Tomb of Marquis Zeng Yi in 1978. When it was unearthed, it was located to the east of the main coffin, with its head facing south, symbolizing good luck and longevity. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The cultural relic was swapped
The swapping of cultural relics was a bad behavior that harmed the rights and interests of the owners of cultural relics and destroyed the protection of cultural relics. For example, there was an incident in Wenzhou where antique crafts were swapped. There was an antique art collector, Uncle Liu, who bought antique artworks from the sellers, Mr. Li and Mr. Rao. During the transaction, the seller took advantage of Uncle Liu's trust and his habit of not inspecting the goods on the spot to replace the antique artworks he bought with cheap porcelain and mud. The two of them traded with Uncle Liu for a total of 10 times, five of which were exchanged, involving more than 3000 bracelets, more than 150 necklaces, more than 70 bronze ware, etc., worth more than 90,000 yuan. In addition, there was also a case of cultural relics being swapped in the British Museum. The Brazilian concept artist Ilée Sartuzi replaced a 17th-century silver coin with counterfeit money. The whole process happened under the nose of the museum staff. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>