Cultural relic collection photography
Cultural relics collection photography had a certain uniqueness. It mainly served the cultural and cultural business. It was an important means to record the images of cultural relics and to recognize and appreciate cultural relics. Safety was the primary consideration when taking photos of cultural relics. For example, when taking photos of cultural relics in a museum, in order to ensure the safety of cultural relics, the "mini photography studio" could be moved to the cultural relics storage place, so that the cultural relics could be placed on the built-in photography platform to avoid direct contact with the cultural relics. At the same time, the solid and stable steel frame structure and wide internal space could ensure the safety of the movable cultural relics. In terms of operation, there was a relatively simple way to operate it. For example, there were only three steps to operate a piece of equipment: First, the cultural relic was gently placed on the photography table, then the camera was set up and turned on. Finally, according to the cultural relic's type, size, degree of reflection, etc., the computer software selected the shooting mode and automatically took photos. The software would automatically set the shutter, aperture, USB, brightness of various light sources, etc. This would allow ordinary cultural relic workers without photography knowledge to take high-quality photos, and they could obtain high-definition images of cultural relics from all angles at the same time and in the same environment. To avoid the loss of cultural relics information due to changes in environmental conditions during multiple filming. There were also techniques when using a mobile phone to take photos of cultural relics. Because there were many glass windows around the collection and lighting, it was easy to reflect light when shooting from the front. You could walk to the side to shoot. Find a dark background and turn on the phone's telephoto lens to reduce the distortion of the wide-angle lens. If the background is not dark enough, you can click on the screen focus collection and drag the small sun next to the focus frame to adjust the brightness. Cultural relic photography was different from ordinary photography. Ordinary photography, such as advertising photography, should arouse consumers 'desire to buy; portrait photography should meet the needs of the subject to show beauty; landscape photography should pay attention to the selection of scenes to create an artistic conception; news photography should have a story; and cultural relics photography should truly reproduce the original appearance of things, and the details of the image should be accurate, showing normal perspective, size, shape, and proportion to properly present the true form of the object. Although most of the cultural relics were lifeless, cultural relics photography had to be flexible and changeable. Through setting up the scene, placing the cultural relics, choosing equipment, lighting treatment, etc., one had to grasp the best angle to explore the beauty. Only after long-term practice and patient exploration could one master the shooting skills. Read more exciting novels for free
Cultural relic clothing collection
The following are some works related to cultural relics and costumes: Shen Congwen's Talk on Cultural Relics and Costumes, and Traditional Colors of China: A Color Atlas of the Imperial Palace's Costumes. "Traditional China Colors: The book," Color Illustrations of the Palace Museum's Costume ", featured 220 rare pieces of clothing from the collection of the Palace Museum. It covered eight major modules, including formal wear, auspicious wear, casual wear, travel wear, military wear, casual wear, and accessories. There were 220 high-definition large pictures, including cultural relics, literature, and crafts. The color rings, patterns, and annotations were all included. The annotations included cultural relic numbers, background interpretation, cultural relic names, cultural relic size, cultural relic eras, color rings, and the color values of MCYK and Hongyan. At the end of the book, there was also a color spectrum of dynasty clothing. In the literary work " Dream of the Red Chamber," there was also a wonderful description of the details of clothing at that time. For example, when Wang Xifeng appeared," the colorful embroidery was brilliant, like a fairy. She was wearing a golden bun with eight treasures on her head and a pearl hairpin with five phoenixes hanging from the sun. She had a red gold dragon necklace on her neck. Her skirt was tied with a bean-green palace sash and a rose pendant. She was wearing a narrow red satin jacket with a hundred butterflies in gold, covered with a five-colored silk carved stone green silver mouse jacket. She was wearing a jadeite crepe skirt. From these descriptions, one could also see the aesthetic clothing of the upper class of the Qing Dynasty. In addition, there was also the " Sparrow Gold Furs " of Empress Dowager Cixi in the late Qing Dynasty. It was woven with expensive peacock feather thread and had a sleeveless round collar. It was composed of ten layers of silk embroidered pieces in the style of peacock feathers. The embroidered pieces were made of bright yellow satin, with golden and blue silk threads embroidered with sparrow feather eyes and peacock feather thread embroidered with feathers. The whole was emerald green. This embroidery method would show a colorful effect under the sun. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic brother
I'm not sure what specific questions you want to ask about cultural relics. You can give me some more specific questions, such as the definition of cultural relics, classification, introduction of specific cultural relics, and so on. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relic Series
The following are some examples of cultural relics: - The case of Liu Lin, Yan Anmin, and other 16 people robbing ancient cultural sites and ancient tombs handled by the People's Republic of China's People's Republic of China. In order to accurately determine the facts of the crime, the prosecutor's office invited cultural relics protection professionals to participate in the investigation, so as to clarify the scope of ancient sites and ancient tombs, so as to implement the criminal policy of tempering leniency with severity and accurately convict and sentence them. - The case of Cheng Bengang's reselling of cultural relics handled by the Lianhu District People's Office in Xi'an City. The prosecutor's office guided the investigation and evidence collection in various aspects, listened to professional opinions, accurately distinguished the crime of reselling cultural relics from legal collection, and severely cracked down on the crime of reselling cultural relics. - The case of Wang Daqing, Wu Xiaoxiao, and the other four people digging ancient tombs was handled by the People's Republic of China in the southern foot of the Qinling Mountains. The cross-administrative district's prosecutor's office paid attention to the integration of their duties, set up professional teams to improve the depth and quality of their duties, and also initiated criminal collateral civil public interest litigation to promote the source of cultural relics crimes. - The case of Wang Xinchun and seven other people digging ancient tombs handled by the People's Republic of Xianyang City's Weicheng District People's Republic of China's People's Republic of China. The entire chain of the prosecutor's office cracked down on cultural relics crimes, taking individual cases as the starting point, pursuing and pursuing missing crimes and criminals, recovering the cultural relics involved and promoting professional storage. - Baoji City Feng County People's Hospital handled the case of Cheng Yibo, Shi Shiping, four people digging ancient tombs, Ren Yantao and three others concealing the crime. The judicial organ took the initiative to intervene and guide the investigation, strengthen the discussion and judgment between departments, accurately identify the relevant information of cultural relics, dig deep into related crimes and perform their duties according to law to realize the organic unity of the effect of handling cases. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Fan cultural relic
There were many kinds of cultural relics on the fan surface. The following are some examples: - During the period of the Republic of China, there were calligraphy and paintings on the fan surface of Yu Shao Song Zhangcao. The fan surface was arranged up and down. On the top was the fan surface of Yu Shao Song Zhangcao, facing the "Moon Ceremony Post". The brush technique was rigorous and unrestrained, full of charm, and the inscription was in the upper left corner. On the bottom was the fan surface of the ink plum painting. The ink painting on the paper was painted with the branches of the old plum tree that were bent along the wind. The branches were tall and straight. The painting style was magnificent. The ink was light and the style was refreshing. The inscription on the upper right corner of the Zhang Cao was on the right side of the painting core. It was now collected in Jinyun County Museum. - The authentic paintings of the famous painters of the Song Dynasty, such as Song Huizong, Ma Yuan, Xia Gui, etc., were very precious, such as the fan of Song Huizong's "Bird Painting of the Mountain". - The imperial concubine of the Qing Dynasty had a "Qing Emperor Qianlong·Gauze Sticky Velvet Silk Flower Fruit Picture Face Dye Carved Bone Handle Round Fan", 50cm long and 33cm in diameter. It would be auctioned on June 14 at the Spring Auction of Zhongmao Shengjia 2024,"Silk Road Heaven and Earth-Weaving and Embroidery Art Grand View", with an estimated value of 150,000 - 250,000 RMB. This round fan was exactly the same as the round fan of the same style collected in the Forbidden City. It was made in the same batch and was an object of the palace. The craftsmanship had been lost for a long time, and there were very few pieces of shaved velvet left in the world. By the Qianlong period, it was already regarded as a masterpiece. It was the only piece of shaved velvet round fan in the market at present. It had a high aesthetic appreciation value, extremely high academic value, and aesthetic value. It was extremely precious. The round fan is made of twelve sunflower petals. The upper end is tilted up. The ground is light blue gauze. The two sides are pasted with velvet embroidery such as pomegranate and two sparrows. The patterns on both sides are symmetrical and consistent. The lower part of the fan is equipped with four persimmon-shaped retainers. The handle of the fan is made of round bone. The handle is engraved with dyed dragon patterns. - Deng Tingzhen's fan was a cultural relic from the collection of Lin Zexu Memorial Hall in Fuzhou City. It was made of paper, 50cm in width and 18.2 cm in length. The inscription read "Deng Tingzhen in September of the Year Yisi", the seal of "Deng Tingzhen Seal"(white text), and the seal of "Miaoji Zen Room"(Zhu text). The strokes were well-proportioned and beautiful. The inscription on the fan was a paragraph of text copied from the old traces of Wu Zetian and Shi Cong in the book "Song Luo Visiting Stele Painting." - Wu Changshuo had many fan works, such as the round fan written by Lu You in Xia Xingkai in 1886 and the fan made by himself in April 1887. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What is a cultural relic?
Cultural relics are the general term for all valuable material relics left over from the historical development of human society, created by humans or related to human activities. Its basic characteristic is that it must be created by humans or related to human activities, and it must be a part of the past that has become history and cannot be recreated. Different countries have different titles, meanings, and scope of cultural relics, and there has not been a unified definition. The term "cultural relic" in China was basically the same as the concept of tangible cultural heritage in the world. In China,"cultural relic" was first seen in Zuo Zhuan. The "cultural relic" mentioned in the Tang Dynasty and Song Dynasty referred to the relics of the previous generation, which was close to the modern meaning. The concept and content of antiques in the Republic of China period were more extensive. After the establishment of the People's Republic of China, a series of laws and regulations to protect cultural relics followed the concept of "cultural relics". In addition, cultural relics have the characteristics of material (resource), epochal (historical), irreplaceable, non-regenerative, individual differences, and durability. They have historical value, artistic value, cultural value, and scientific value. According to the grading standards of cultural relics, they can be divided into first-class cultural relics, second-class cultural relics, third-class cultural relics, and general cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cardboard as a cultural relic
There were many examples of cardboard artifacts. For example, in school activities, students could cleverly combine cardboard boxes and paper cups into three Simuwu cauldrons. First, the cardboard boxes were cut and folded into rough shapes, and then carefully pieced together to make them three-dimensional and realistic. There were also parents who did manual work for their children. They took apart the cardboard at home and remolded it into the shape of a bronze cauldron. They used moldable clay to pinch out the patterns on the outside of the cauldron and stuck them on it. After drying, they were colored. In some school activities, students would also use cardboard to make magnificent works like the Simuwu Cauldron. Although the cardboard joining process was more difficult, it could produce very realistic effects. These cultural relics made of cardboard not only trained their hands-on ability, but also allowed people to feel the historical and cultural content carried by the cultural relics more deeply. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
12.10 Cultural Relic Case
The "12/10" cultural relic case was an extremely complicated and wide-ranging case. This was a case of a mafia group that controlled the underground tomb raiding market and the cultural relics reselling market in Luoyang. The four Song brothers were "two red and two black". Boss Song and Third Song were responsible for the theft and reselling of cultural relics. Second Song and Fourth Song were working in the Luoyang City force and were suspected of being responsible for mediating relationships and providing protection. At the end of 2002, the Ministry of Public Security began to pay attention to the case after receiving a report letter from overseas. The informant said that he saw a large number of precious cultural relics in the Song brothers 'possession, far exceeding the collection of Luoyang Museum. At that time, the Deputy Minister of the Ministry of Public Security instructed the Henan Province Public Security Bureau to directly organize a special force to investigate the case. The case was specifically handled by the Luoyang City Security Bureau. The "12·10" special task force was established and became the case supervised by the Ministry of Public Security. However, the case went through many twists and turns in the investigation process. Later, it was put on hold for more than ten years until December 2,2021. The Public Security Bureau of Luoyang City, Henan Province, issued a notice to publicly collect clues about the crimes committed by the four brothers, Song Yanbin, Song Yanhai, Song Yanqing and Song Yanhong. This meant that the case was reopened for investigation. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic survey
The following is an example of a survey on cultural relics: * * 1. Basic Personal Information ** 1. Your age? A. under the age of 18 B. 18 - 30 years old C. 31 - 50 D. 51 - 65 E. over 65 2. Your education level? A. primary and lower B. junior high school C. high school/secondary school D. junior college E. regular college course F. master's degree or above * * 2. Understanding and Contact with Cultural Relics ** 1. How much do you know about cultural relics? A. know a lot about B. understand some C. knows very little about D. know nothing about 2. How do you learn about cultural relics? A. journalism B.短视频 C. offline visit D. books E. Other (please specify) 3. How often do you visit cultural relics? A. Visit often (at least once a month) B. Occasionally (a few times a year) C. never visited D. not convenient to disclose * * 3. Thoughts on the Protection of Cultural Relics ** 1. What do you think of the current state of cultural relics protection? A. great satisfaction B. be fairly satisfied C. not quite satisfied with D. very dissatisfied 2. What do you think about the smuggling and theft of cultural relics? A. Crack down and strengthen legal penalties B. strengthen supervision and improve preventive measures C. It should be handled by professional institutions without the participation of the public. D. I don't understand, it's hard to evaluate. 3. How do you think we should raise the public's awareness and protection of cultural relics? A. strengthen publicity and education to increase the popularity of cultural relics knowledge B. Set up relevant associations, organize activities, and increase public participation C. Development of cultural tourism, allowing tourists to experience the charm of cultural relics D. Other (please specify) 4. Are you willing to participate in the restoration of cultural relics? A. very willing B. be willing to C. indeterminacy D. unwillingness * * 4. Likes for different types of cultural relics ** 1. What's your favorite type of cultural relic? A. bronze ware B. ceramic C. painting and calligraphy D. Other (please specify) 2. If you like bronzes, which of the following do you like? A. simuwu ding B. chimes C. The Sword of Gou Jian, King of Yue D. Gan Jiang Mo Xie E. Other (please specify) 3. If you like porcelain, which of the following would you like? A. Qin Terracotta Warriors B. drumming and singing figurines C. Pig-patterned pottery bowl D. Tang Sancai E. Other (please specify) 4. If you like painting, which one of the following do you like? A. The Painting of Luoshen Fu B. Along the River During the Qingming Festival C. [Walking Carriage Painting] D. Five Bulls Painting E. Other (please specify) * * 5. Awareness of the value of cultural relics ** 1. How important do you think cultural relics are to history and culture? A. very large B. relatively large C. ordinary D. very small 2. Have you watched the recently popular Escape from the British Museum? A. are B. no 3. Would you recommend Escape from the British Museum to anyone around you? A. meet B. will not * * 6. Pay attention to the recovery and return of cultural relics ** 1. Do you pay attention to the recovery and return of Chinese cultural relics in foreign museum? A. very concerned about B. more concerned C. t pay much attention to D. Completely unconcerned 2. How do you think foreign museum should deal with China's looted cultural relics? A. unconditional return of B. Gradually return through negotiations and other means C. It shouldn't be returned. It's a historical issue. D. Other (please specify) <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic restoration camera
In the restoration of cultural relics, cameras could be used to collect basic information about cultural relics. For example, in the Cultural Protection Laboratory Building of the Cultural Protection Department of the Nanjing City, high-definition cameras were like "doctors" taking the pulse of cultural relics. The staff would use them to take photos and record the damaged forms of the original cultural relics. In the cultural relic restoration hall of the Sanxing Dui Museum, the Central Radio and Television Station set up an intelligent robot camera that could shoot from multiple angles to show the beauty of the revival of newly unearthed cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Unearthed cultural relic hairpin
Many exquisite hairpins were unearthed during archeological work. For example, a Sanskrit gold hairpin was unearthed in Wangjia Village, Changzhou, Jiangsu Province. It was 12 centimeters long, 5.8 centimeters wide, and weighed 31 grams. The golden hairpin of the pavilion figure unearthed from the tomb of Zhu Houye, King Yizhuang of the Ming Dynasty, was amazing. It was 5.5 cm wide, 8.5 cm long, 15 cm long and weighed 119.15 grams. It was collected in the Jiangxi Province Museum. There were exquisite pavilions, pavilions, flowers and trees on the hairpin. The top of the pavilion was a hexagonal double-eave, with pearls on the top, fans on the six sides, and statues outside the door. The craftsmanship was exquisite and shocked the archaeological community when it was unearthed. The treasure of the Nanjing Museum, the "Golden Cicada Jade Leaf" hairpin, was unearthed from the family tomb of Zhang Anwan, a scholar in the Hongzhi year of Dr. Wu Ming in Wufeng Mountain, Suzhou. It was the only one unearthed in China. The gold content of the golden cicada was 95%, the thickness of the cicada wings was only 0.2 mm, and the jade leaf was made of Hetian sheep fat jade from Xinjiang. There was also the Dragon Head Gold Hairpin unearthed in Henan, and the Tang Hairpin collected by the Zhou's Silverware Museum in Luoyang. They were also exquisite hairpin-type cultural relics. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!