Twining Flower Pattern
The flower pattern, also known as the "Entangling Branch Pattern" or "Longevity Vine", was a flower pattern that was shaped like a branch. It could be connected to a variety of flowers, such as peonies, chrysanthemums, and lotuses. The flower pattern had a long history. It sprouted in the Han Dynasty, developed and became popular from the Wei, Jin, Southern and Northern Dynasties to the Tang Dynasty, and continued to be popular in the Song, Yuan, Ming, and Qing Dynasties. As for its origin, some Western scholars believed that it originated from Greece, and its embryonic form was a continuous wave-shaped pattern of lotus washi. However, more people believed that it evolved from the China local decorative patterns and originated from the Han Dynasty. For example, the creeper (flower) pattern on the portrait bricks unearthed from Wanxian County, Sichuan Province and Luoyang Zhougong Temple in Luoyang, Henan Province had the characteristics of winding branches. During the Wei, Jin, Southern and Northern Dynasties, with the prosperity of Buddhism, the introduction of the pattern of honeysuckles and lotus promoted its appearance and development. There was a certain pattern to the composition of the twining flower pattern. Generally, there were three types of patterns: vortex line (rotating outward from the center in an arc, shaped like a water vortex. The periphery of the water vortex was branches and vines, and the center was a flower), embarrassed shape (a circle with three small hooks, commonly seen on artifacts in the pre-Qin period. There were many vines and three flower buds on the flower branch), and S shape (the same arc was opposite, the branches and vines extended, and the flower buds bloomed in turn). Its composition is flexible and free. On the wavy curve baseline, it can be circulated in the same direction, left and right (or up and down) or surrounded on all sides. According to the use, it can be combined into two continuous patterns, four continuous patterns, edge decoration, individual patterns, etc. In between the curves of the main trunk, flowers such as lotus, peony, chrysanthemum, etc., as well as various decorative patterns such as characters, birds, animals, and words, were usually inserted. The whole was harmonious and rich, and the decorative beauty was strong. The flower pattern was one of the classics of traditional China decorative patterns. It was widely used on metal ware, embroidery, porcelain, lacquer ware, tiles, jade, carving, and many other types of utensils. It was an auspicious decorative pattern. Its continuous branches had the meaning of "endless life" and carried people's good wishes for the prosperity of the family, the longevity of the generations, good luck, and happiness. It was still widely used in modern times. While waiting for the TV series, he could also read the exciting content related to this site!
The auspicious meaning of the twining pattern
Because of its continuous structure, the twining pattern had the meaning of "endless life" and symbolized good fortune. The lotus flower was a symbol of purity and beauty. The lotus flower in the pattern was usually depicted in a state of full bloom, implying the power of life and a beautiful future. Like the traditional pattern, it also represented the continuity of time, life, and endurance. Lotus flowers were regarded as a symbol of longevity and happiness in Eastern culture, so the pattern was also regarded as a decorative element to pray for longevity and happiness. In Buddhism, the lotus flower was also a symbol of Buddha's wisdom.
Twining Branch Pattern of Song Dynasty
Twining patterns had already appeared in the Song Dynasty, and the earliest could even be traced back to the Warring States Period. The twining pattern used the stems or vines of plants as the skeleton, forming a wavy and curly flower pattern. It had the meaning of " one life gives birth to two, two gives birth to three, and three gives birth to all things." The Entangling Branch Pattern was also known as the " Entangling Branch Flower " and " Longevity Vine ". In the Song Dynasty, the pattern of entangled branches was widely used. For example, the pattern of entangled branches and lotus had been widely used in architecture, painting, embroidery, and blue and white porcelain since the Song Dynasty. The peony pattern on Song Dynasty porcelain was also the main pattern on Song Dynasty porcelain. With peony flowers as the theme, it was connected with vines and grass-like branches and leaves. The structure was continuous and had the meaning of "endless growth".
Flower Pattern
Begonia Flower Pattern
There were different types of crabapple flowers, such as single petals, double petals, wrinkled leaves, and so on.
Embroidered flower pattern
There were many kinds of embroidery related to flower patterns. For example, there were 45 different styles of flower embroidery patterns, as well as the beautiful flower patterns embroidered on Tan Songyun's flower embroidery dress. From the point of view of needlework, different needlework could produce different flower patterns. For example, chrysanthemum embroidery could produce petals, satin embroidery and long and short needlework could also produce beautiful flowers. In addition, spider web rose embroidery, roll thread embroidery, back stitch embroidery, straight line embroidery, outline embroidery and other needlework could be used to embroider flower patterns. Different needlework combinations could also create a variety of flower patterns. " Palace Wall Flower Shadow: The Legendary Life of the Mute Embroidery Girl " was equally exciting. Everyone was welcome to click and read it!
Phoenix Flower Pattern
The flowers of the Phoenix Flower were large and beautiful. They were bright red to orange-red in color. The leaves were like the feathers of a phoenix, and the flowers were like the crown of a red phoenix. If it was designed as a flower pattern, these characteristics could be used: - The overall design was based on the shape of the phoenix flower. It was full and flame-like. The shape of the petals could be carefully outlined to show its beauty when it was in full bloom. The flowers could be displayed individually or in groups. For example, they could form a flower cluster, reflecting the growth state of the Phoenix Flower when it bloomed. - In terms of color, the main color was bright red to orange-red to highlight the gorgeous color characteristics of the phoenix flower. - When it was matched with other elements, it could be matched with the feather compound leaf element. The compound leaf was opposite to the flower, reflecting the complete plant form of the phoenix flower. It could also be matched with some traditional China elements, such as phoenix (echoing the name of the phoenix flower), auspicious clouds, etc. Because the phoenix flower had a beautiful meaning in China culture, such a combination could enhance the cultural meaning and make the pattern full of auspicious and happy meaning. "Glazed Flame" is equally exciting. Everyone is welcome to click and read it!
Twined flower pattern
The flower pattern was a common traditional decorative pattern, which was widely used in many cultural relics and works of art. In terms of jade artifacts, there were ancient jade artifacts such as the flower pattern cover furnace in the Shanghai Museum. Flower patterns were also commonly seen on porcelain. For example, the blue-and-white porcelain made by the Jingdezhen Imperial Kiln Factory during the Xuande period of the Ming Dynasty mainly had flower patterns. At that time, the patterns on blue-and-white porcelain were drawn very regularly. The brush was divided into two types: real brush and rough rendering. The real brush was mostly fine lines, and the rough rendering was mostly thick lines and patterns. The lines were smooth and the lines were clear. The blue-and-white yurts made in Jingdezhen in the Yuan Dynasty were divided into five layers, including entwined chrysanthemum, entwined lotus, and other entwined flower patterns. The flat pot made in the Yongzheng period of the Qing Dynasty was full of entwined flower patterns, and the patterns were perfect in all aspects. The shape and patterns were also very compatible. There was also the bowl made in the Yongzheng period of the Qing Dynasty. Ming Dynasty Zhengde, Jiajing baby play bowl, although it is a baby play bowl, but the main pattern is also entangled branches and broken flowers and so on. In terms of fabrics, there was a golden satin woven with flower patterns produced in Nanjing during the Ming Dynasty, which was stored in the Palace Museum. It was also used in wine vessels. For example, there was a dragon altar in Pingba with flower patterns on the branches, and the bottleneck was hollow with hexagonal auspicious clouds. After drinking the wine, the empty bottle could also be used to display the cabinet because of its shape.
flower pattern decorative painting
There were many characteristics and related knowledge in decorative paintings with floral patterns. In terms of style, the floral design could be simple, retro, or fresh. The style would depend on the overall design style of the space. For example, decorative paintings of flowers and plants often gave people a fresh, natural, and leisurely feeling. In terms of creative work, there were books published specifically on floral decorative patterns, such as "floral decorative patterns", and books on the basics of the transformation of floral black and white decorative patterns, such as "Basics of the Transformation of Black and White Floral Decorations". From the perspective of the hanging of decorative paintings, if it was a single flower pattern decorative painting, it was generally hung in the visual center, which could be used in the living room, bedroom, study, stairwell, etc. The combination of multiple flower pattern decorative paintings was more flexible and interesting. There were many ways to hang multiple hanging paintings, such as lining up in a row (small paintings of the same style are placed side by side, and the wall is left with a moderate amount of white space to make it look more advanced; when the frame size is different, you can hang them in a horizontal line), side by side combination (paintings of the same size, style, and material are placed side by side, symmetrical layout makes people comfortable), random combination (different paintings are randomly arranged, and the wall is layered and highlighted by different elements). In terms of color matching, the floral pattern decorative painting could echo other decorative elements in the room, such as echoing the color of the flowers on the table to make it more warm, or echoing the color of the furniture and fabric to make the color of the space harmonious; it could also use the color contrast to highlight the personality. The novel "Mixed Flowers" is equally exciting. Everyone is welcome to click and read it!
Corner Flower Pattern Collection
Panda Office gathered the picture materials of the corner flower, including the corner flower no-cut elements, high-definition pictures, background pictures, advertising design materials, etc. You can find more picture materials of the corner flower in Panda Office to view the corner flower pattern. In addition, in the art of paper-cutting, there were folk corner flowers and edge flower paper-cuts for appreciation. For example, the corner flowers used to decorate the paper flowers at the Kang kiln and the ceiling of the house in the cave. Although there was no complete picture, some inspiration for the corner flower paper-cut patterns could be obtained from it. There were also corner patterns in the embroidery works, but it was not mentioned that it was a complete collection of corner flower patterns. The novel "Ledge" is equally exciting. Everyone is welcome to click and read it!
Entangling Flower Pattern Encyclopedia
The flower pattern was a flower pattern in the shape of branches and vines. It could be connected to many flowers. The common patterns of entangled flowers were entangled peony, entangled chrysanthemum, entangled lotus, entangled morning glory, entangled clematis, etc. People often referred to these as entangled lotus. Other than that, there were also grape patterns. In the flower pattern, it wasn't just one type of flower, but could be composed of many types of flowers. There were three types of flower patterns: vortex line (rotating outward from the center in an arc, like a water vortex. The outer part of the water vortex was a branch, and the center of the water vortex was a flower), embarrassed (three small hooks appeared in a circle, like a bright window. The flower pattern under the composition formed a flower branch with many vines and three flower buds), and S (the same arc was opposite to each other. The branches and vines were endless, and the flower buds bloomed one after another). Its composition was flexible and free. On the base line of the wavy curve, it could circulate in the same direction, left and right (or up and down), and circle around the four sides, such as two-sided continuous patterns, four-sided continuous patterns, edge decorations, individual patterns, etc. Moreover, between the main curves, there were usually various decorative patterns that were inserted and fused. In addition to flowers, there were also people, birds, animals, words, etc.