A documentary about a major cultural relic case
"National Treasure Case" was a documentary about major cultural relics cases, with a total of four episodes. The content mainly involved the 9/18 case of Kaifeng Museum in Henan Province, the Baoding case of Marquis Zeng in Suizhou, Hubei Province, the gold seal case of Empress Dowager in Shaanxi Province, and the smuggling case of the Bronze Empire in Anhui Province. The documentary showed the story of the public security system fighting with criminals across provinces and regions, recovering national cultural relics, and recovering the heavy losses of national property. With the documentary video archive, it gathered the history of the public security system protecting national treasures, thereby raising the awareness of cultural relics protection and legal awareness of the whole society. Read more exciting novels for free
12.10 Cultural Relic Case
The "12/10" cultural relic case was an extremely complicated and wide-ranging case. This was a case of a mafia group that controlled the underground tomb raiding market and the cultural relics reselling market in Luoyang. The four Song brothers were "two red and two black". Boss Song and Third Song were responsible for the theft and reselling of cultural relics. Second Song and Fourth Song were working in the Luoyang City force and were suspected of being responsible for mediating relationships and providing protection. At the end of 2002, the Ministry of Public Security began to pay attention to the case after receiving a report letter from overseas. The informant said that he saw a large number of precious cultural relics in the Song brothers 'possession, far exceeding the collection of Luoyang Museum. At that time, the Deputy Minister of the Ministry of Public Security instructed the Henan Province Public Security Bureau to directly organize a special force to investigate the case. The case was specifically handled by the Luoyang City Security Bureau. The "12·10" special task force was established and became the case supervised by the Ministry of Public Security. However, the case went through many twists and turns in the investigation process. Later, it was put on hold for more than ten years until December 2,2021. The Public Security Bureau of Luoyang City, Henan Province, issued a notice to publicly collect clues about the crimes committed by the four brothers, Song Yanbin, Song Yanhai, Song Yanqing and Song Yanhong. This meant that the case was reopened for investigation. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Qufu cultural relic case
There were two more typical cases related to cultural relics in Qufu. Firstly, in 1966, under the special historical background, Tan Houlan was instructed by Kang Sheng to lead students to the ruins of the "Three Holes" in Qufu to attack the Confucius Temple. Her team destroyed more than 6000 cultural relics, burned more than 2000 precious ancient books, and smashed thousands of stone tablets. Secondly, in 2007, a grave robbery case occurred in Jiangjia Village, Qufu. Several prisoners who had served their sentences and villagers who guarded the ancient tomb stole the largest ancient tomb in Jiang Village. They dug up eight jade servants and sold them on the black market for only 4 million yuan, causing the ancient tomb with great research value to be looted. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cixi cultural relic case
Cixi had two more typical cases of cultural relics. One was the case of the Yue Kiln site in Shanglin Lake. The defendant, Liang Mou, was 52 years old from Hunan Province and had worked in Cixi for many years. Because he had not worked for a period of time, he was influenced by the value of antiques in movies and Short videos. He remembered that he had heard that there were antiques underground near the lake when he was playing in Shanglin Lake, so he prepared headlights, crowbars, backpacks and other tools. On the morning of August 3,2020, he sneaked into a mountain beside Shanglin Lake, dug two caves, put the celadon fragments in the caves into his backpack and took them away. The next morning, he was caught by the staff when he went into the mountain to dig another cave. He stole 128 pieces of celadon fragments of Yue Kiln in Tang Dynasty, Five Dynasties and Northern Song Dynasty. These fragments were identified as general cultural relics. The excavation site was located within the protection range of Yue Kiln site in Shanglin Lake. The excavation disturbed the local soil layer on the surface of the site and damaged the accumulation of the site. Liang was sentenced to 10 years in prison and fined 5,000 yuan. The second was the case of the destruction of the cultural protection monument at Chai Wan Hill's beacon tower. At the end of 2021, when Cixi Huasheng Mining was carrying out landslide safety hazard treatment, due to work mistakes, the cultural protection sign monument of Chaiwan Mountain Beacon Tower, which was located at the foot of the mountain and outside the "two boundaries" of its protection scope and construction control zone, was damaged. The Beacon Tower was one of the beacon towers of the coastal defense system in eastern Zhejiang during the Ming Dynasty. It was the most complete relic of the Beacon Tower existing in Cixi. In 2011, it was announced as the sixth batch of municipal cultural relics protection units in Cixi City. Because it was not reported to the relevant departments in time, the cultural relics law enforcement department filed a case and warned the unit, ordered it to immediately restore the cultural protection mark monument to its original state, and guaranteed that it would not carry out production activities that would endanger the cultural protection mark and the safety of cultural relics in the future. The unit involved in the case was making a new cultural relic mark monument according to the original specifications. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic survey
The following is an example of a survey on cultural relics: * * 1. Basic Personal Information ** 1. Your age? A. under the age of 18 B. 18 - 30 years old C. 31 - 50 D. 51 - 65 E. over 65 2. Your education level? A. primary and lower B. junior high school C. high school/secondary school D. junior college E. regular college course F. master's degree or above * * 2. Understanding and Contact with Cultural Relics ** 1. How much do you know about cultural relics? A. know a lot about B. understand some C. knows very little about D. know nothing about 2. How do you learn about cultural relics? A. journalism B.短视频 C. offline visit D. books E. Other (please specify) 3. How often do you visit cultural relics? A. Visit often (at least once a month) B. Occasionally (a few times a year) C. never visited D. not convenient to disclose * * 3. Thoughts on the Protection of Cultural Relics ** 1. What do you think of the current state of cultural relics protection? A. great satisfaction B. be fairly satisfied C. not quite satisfied with D. very dissatisfied 2. What do you think about the smuggling and theft of cultural relics? A. Crack down and strengthen legal penalties B. strengthen supervision and improve preventive measures C. It should be handled by professional institutions without the participation of the public. D. I don't understand, it's hard to evaluate. 3. How do you think we should raise the public's awareness and protection of cultural relics? A. strengthen publicity and education to increase the popularity of cultural relics knowledge B. Set up relevant associations, organize activities, and increase public participation C. Development of cultural tourism, allowing tourists to experience the charm of cultural relics D. Other (please specify) 4. Are you willing to participate in the restoration of cultural relics? A. very willing B. be willing to C. indeterminacy D. unwillingness * * 4. Likes for different types of cultural relics ** 1. What's your favorite type of cultural relic? A. bronze ware B. ceramic C. painting and calligraphy D. Other (please specify) 2. If you like bronzes, which of the following do you like? A. simuwu ding B. chimes C. The Sword of Gou Jian, King of Yue D. Gan Jiang Mo Xie E. Other (please specify) 3. If you like porcelain, which of the following would you like? A. Qin Terracotta Warriors B. drumming and singing figurines C. Pig-patterned pottery bowl D. Tang Sancai E. Other (please specify) 4. If you like painting, which one of the following do you like? A. The Painting of Luoshen Fu B. Along the River During the Qingming Festival C. [Walking Carriage Painting] D. Five Bulls Painting E. Other (please specify) * * 5. Awareness of the value of cultural relics ** 1. How important do you think cultural relics are to history and culture? A. very large B. relatively large C. ordinary D. very small 2. Have you watched the recently popular Escape from the British Museum? A. are B. no 3. Would you recommend Escape from the British Museum to anyone around you? A. meet B. will not * * 6. Pay attention to the recovery and return of cultural relics ** 1. Do you pay attention to the recovery and return of Chinese cultural relics in foreign museum? A. very concerned about B. more concerned C. t pay much attention to D. Completely unconcerned 2. How do you think foreign museum should deal with China's looted cultural relics? A. unconditional return of B. Gradually return through negotiations and other means C. It shouldn't be returned. It's a historical issue. D. Other (please specify) <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cardboard as a cultural relic
There were many examples of cardboard artifacts. For example, in school activities, students could cleverly combine cardboard boxes and paper cups into three Simuwu cauldrons. First, the cardboard boxes were cut and folded into rough shapes, and then carefully pieced together to make them three-dimensional and realistic. There were also parents who did manual work for their children. They took apart the cardboard at home and remolded it into the shape of a bronze cauldron. They used moldable clay to pinch out the patterns on the outside of the cauldron and stuck them on it. After drying, they were colored. In some school activities, students would also use cardboard to make magnificent works like the Simuwu Cauldron. Although the cardboard joining process was more difficult, it could produce very realistic effects. These cultural relics made of cardboard not only trained their hands-on ability, but also allowed people to feel the historical and cultural content carried by the cultural relics more deeply. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Fan cultural relic
There were many kinds of cultural relics on the fan surface. The following are some examples: - During the period of the Republic of China, there were calligraphy and paintings on the fan surface of Yu Shao Song Zhangcao. The fan surface was arranged up and down. On the top was the fan surface of Yu Shao Song Zhangcao, facing the "Moon Ceremony Post". The brush technique was rigorous and unrestrained, full of charm, and the inscription was in the upper left corner. On the bottom was the fan surface of the ink plum painting. The ink painting on the paper was painted with the branches of the old plum tree that were bent along the wind. The branches were tall and straight. The painting style was magnificent. The ink was light and the style was refreshing. The inscription on the upper right corner of the Zhang Cao was on the right side of the painting core. It was now collected in Jinyun County Museum. - The authentic paintings of the famous painters of the Song Dynasty, such as Song Huizong, Ma Yuan, Xia Gui, etc., were very precious, such as the fan of Song Huizong's "Bird Painting of the Mountain". - The imperial concubine of the Qing Dynasty had a "Qing Emperor Qianlong·Gauze Sticky Velvet Silk Flower Fruit Picture Face Dye Carved Bone Handle Round Fan", 50cm long and 33cm in diameter. It would be auctioned on June 14 at the Spring Auction of Zhongmao Shengjia 2024,"Silk Road Heaven and Earth-Weaving and Embroidery Art Grand View", with an estimated value of 150,000 - 250,000 RMB. This round fan was exactly the same as the round fan of the same style collected in the Forbidden City. It was made in the same batch and was an object of the palace. The craftsmanship had been lost for a long time, and there were very few pieces of shaved velvet left in the world. By the Qianlong period, it was already regarded as a masterpiece. It was the only piece of shaved velvet round fan in the market at present. It had a high aesthetic appreciation value, extremely high academic value, and aesthetic value. It was extremely precious. The round fan is made of twelve sunflower petals. The upper end is tilted up. The ground is light blue gauze. The two sides are pasted with velvet embroidery such as pomegranate and two sparrows. The patterns on both sides are symmetrical and consistent. The lower part of the fan is equipped with four persimmon-shaped retainers. The handle of the fan is made of round bone. The handle is engraved with dyed dragon patterns. - Deng Tingzhen's fan was a cultural relic from the collection of Lin Zexu Memorial Hall in Fuzhou City. It was made of paper, 50cm in width and 18.2 cm in length. The inscription read "Deng Tingzhen in September of the Year Yisi", the seal of "Deng Tingzhen Seal"(white text), and the seal of "Miaoji Zen Room"(Zhu text). The strokes were well-proportioned and beautiful. The inscription on the fan was a paragraph of text copied from the old traces of Wu Zetian and Shi Cong in the book "Song Luo Visiting Stele Painting." - Wu Changshuo had many fan works, such as the round fan written by Lu You in Xia Xingkai in 1886 and the fan made by himself in April 1887. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relic Series
The following are some examples of cultural relics: - The case of Liu Lin, Yan Anmin, and other 16 people robbing ancient cultural sites and ancient tombs handled by the People's Republic of China's People's Republic of China. In order to accurately determine the facts of the crime, the prosecutor's office invited cultural relics protection professionals to participate in the investigation, so as to clarify the scope of ancient sites and ancient tombs, so as to implement the criminal policy of tempering leniency with severity and accurately convict and sentence them. - The case of Cheng Bengang's reselling of cultural relics handled by the Lianhu District People's Office in Xi'an City. The prosecutor's office guided the investigation and evidence collection in various aspects, listened to professional opinions, accurately distinguished the crime of reselling cultural relics from legal collection, and severely cracked down on the crime of reselling cultural relics. - The case of Wang Daqing, Wu Xiaoxiao, and the other four people digging ancient tombs was handled by the People's Republic of China in the southern foot of the Qinling Mountains. The cross-administrative district's prosecutor's office paid attention to the integration of their duties, set up professional teams to improve the depth and quality of their duties, and also initiated criminal collateral civil public interest litigation to promote the source of cultural relics crimes. - The case of Wang Xinchun and seven other people digging ancient tombs handled by the People's Republic of Xianyang City's Weicheng District People's Republic of China's People's Republic of China. The entire chain of the prosecutor's office cracked down on cultural relics crimes, taking individual cases as the starting point, pursuing and pursuing missing crimes and criminals, recovering the cultural relics involved and promoting professional storage. - Baoji City Feng County People's Hospital handled the case of Cheng Yibo, Shi Shiping, four people digging ancient tombs, Ren Yantao and three others concealing the crime. The judicial organ took the initiative to intervene and guide the investigation, strengthen the discussion and judgment between departments, accurately identify the relevant information of cultural relics, dig deep into related crimes and perform their duties according to law to realize the organic unity of the effect of handling cases. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic brother
I'm not sure what specific questions you want to ask about cultural relics. You can give me some more specific questions, such as the definition of cultural relics, classification, introduction of specific cultural relics, and so on. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What is a cultural relic?
Cultural relics are the general term for all valuable material relics left over from the historical development of human society, created by humans or related to human activities. Its basic characteristic is that it must be created by humans or related to human activities, and it must be a part of the past that has become history and cannot be recreated. Different countries have different titles, meanings, and scope of cultural relics, and there has not been a unified definition. The term "cultural relic" in China was basically the same as the concept of tangible cultural heritage in the world. In China,"cultural relic" was first seen in Zuo Zhuan. The "cultural relic" mentioned in the Tang Dynasty and Song Dynasty referred to the relics of the previous generation, which was close to the modern meaning. The concept and content of antiques in the Republic of China period were more extensive. After the establishment of the People's Republic of China, a series of laws and regulations to protect cultural relics followed the concept of "cultural relics". In addition, cultural relics have the characteristics of material (resource), epochal (historical), irreplaceable, non-regenerative, individual differences, and durability. They have historical value, artistic value, cultural value, and scientific value. According to the grading standards of cultural relics, they can be divided into first-class cultural relics, second-class cultural relics, third-class cultural relics, and general cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic fan
The cultural relic fan has a rich historical and cultural content. In the Qing Dynasty, there were many famous fan relics, such as Ye Xin's "Jinling Eight Family Fan", which was a traditional Chinese painting on silk. It was now stored in Nanjing Museum in Jiangsu Province, China. The fan had overlapping peaks, mountain streams, and flying springs. It was very quiet and beautiful. The Museum of Shijiazhuang City has many collections of calligraphy and painting, most of which are fine works of the Ming and Qing Dynasties. The museum has selected 34 fan works of the Qing Dynasty and will jointly organize the "Breeze Stone Comes--Excellent Fan Works of the Qing Dynasty in the Museum of Shijiazhuang City Province" in the No.6 exhibition hall on the first floor of the Baoshan City from July 26 to October 9, 2024. These fan surfaces cover the theme of mountains and rivers, flowers and birds, poetry and poetry, and shadow accompanying. It fully reflects the essence of the Qing Dynasty fan art and the cultural artistic conception. The round fans of the imperial concubines of the Qing Dynasty were also very valuable. For example, the round fan with a dyed bone handle with silk flowers and fruit patterns of the Qing Emperor Qianlong, 50cm long and 33cm in diameter, would be auctioned on June 14 at the Spring Auction of Zhongmao Shengjia 2024,"Silk Road Qiankun-Weaving and Embroidery Art Grand View", with an estimated value of RMB 150,000 - 250,000. This round fan was exactly the same as the same type of round fan in the Forbidden City. It was made in the same batch. The craftsmanship had been lost for a long time. There were only three pieces of shaved velvet in the domestic museum, and this was the only one in the market. It had high aesthetic and academic value. In addition, there is also the Deng Tingzhen fan in the collection of Fuzhou City Lin Zexu Memorial Hall. The collection is made of paper, 50cm in width and 18.2cm in length. The inscription reads "Deng Tingzhen in September of the Year Yisi", with the seal of "Deng Tingzhen Seal"(white text) and the seal of "Miaoji Zen Room"(Zhu text). The inscription is a paragraph of text copying the old traces of Wu Zetian's tour and Shi Cong in the book "Song Luo Visiting Monument Painting". The words contain coldness and elegance, and the ancient meaning is abundant in the light. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>