A man smashed a window and damaged the cultural relics of the Forbidden City.
At 11:10 on May 4,2013, a 22-year-old man from Tuanfeng County, Huanggang City, Hubei Province, broke a window glass in the original exhibition room of the main hall with his bare hands at the Yikun Palace in the West Road Open Area of the Forbidden City, causing a Qing Dynasty copper-plated water-turning clock (Grade 2 cultural relic) to fall and be damaged. The staff at the scene immediately found and restrained the perpetrator and reported the case at the same time. After receiving the call, the police quickly rushed to the scene to deal with, the suspect was brought back to the police station for examination, Wang Mou was suspected of deliberately damaging cultural relics by the police according to law criminal detention. Read more exciting novels for free
English for cultural relics in the Forbidden City
"Cultural Relic in the Forbidden City" or "Cultural Relic in the Palace Museum". In international exchanges and exhibition situations, these expressions can be used to introduce the cultural relics collected by the Forbidden City. For example, in the relevant exhibition of the China-France Cultural and Cultural Year, when it comes to the cultural relics of the Forbidden City and the Palace of Versailles, such English expressions may be used to convey relevant information to the international audience. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The definition of damaged cultural relics
The so-called damaged cultural relics referred to the partial damage or complete destruction of precious cultural relics or cultural relics that were identified as national key cultural relics protection units or provincial cultural relics protection units. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Enjoying the sight of the cultural relics in the Forbidden City
The Forbidden City had a rich collection of cultural relics. For example, when the cultural relics of the Forbidden City moved southward, there were many types of cultural relics involved, including more than 9000 paintings and calligraphy, more than 7000 porcelain, more than 2600 bronzes, bronze mirrors, bronze seals, jade articles, documents, etc. The documents included the archives of the Qing court collected by the imperial historian and the inner government, the imperial records of the Ming and Qing Dynasties, the daily life notes, and the archives and historical materials of the Taiping Heavenly Kingdom. There were also the Siku Quanshu and various rare and engraved copies, such as the five generations of the Dharani Sutra, one of the earliest printed works discovered in China. The oldest stone inscriptions in the country, such as the Qiyang Stone Drum. In addition, the Palace Museum also collected many cultural relics related to the zodiac, such as the dragon offering auspicious--the dragon year cultural relics, the jade rabbit welcoming the spring--the rabbit year cultural relics, the auspicious tiger welcoming the auspicious--the tiger year cultural relics,"Hundred Oxen Celebrating the New Year"--the "cow" cultural relics in the Forbidden City, the Yin Ruins oracle bone inscriptions collected by the Palace Museum, etc. There was also "Palace Museum Calendar·2025·Innocent Version" that explored the colorful stories of 100 cultural relics in the Palace Museum from the perspective of innocence. It told the stories of 100 selected cultural relics in the Palace Museum. You could learn about the Palace Museum's cultural relics from these stories. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
New collection of cultural relics in the Forbidden City
The Palace Museum in Shenyang has launched a variety of new creative products, such as the "Begonia Palace Magpie" fruit tea from Yongfu Tea Restaurant, the "Taro Crisp Cheese from the West Garden of the Forbidden City, the Mousse Cake of Dazheng Hall, Desheng Castle, Peach Cheese Bun, etc. In terms of creative products, there are woodblock dragon-shaped seals, metal refrigerator sticker of Wensu Pavilion, metal bookmark of Dazheng Hall," Dragon "metal refrigerator sticker, etc. In addition, the Gulangyu Foreign Cultural Relics Museum of the Forbidden City welcomed the exchange of 32 foreign cultural relics collected by the Palace Museum, including 29 pieces of lacquer ware and 3 diplomatic friendship gifts. Among the newly arrived lacquer ware cultural relics, there were unique gold-painted geometric patterns. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The cultural relics in the Forbidden City can speak
Although the cultural relics in the Forbidden City could not speak like humans, they had a unique " language " that silently told the story of history. In terms of architecture, the Forbidden City itself was a huge cultural relic. Its magnificent palace complex reflected the imperial majesty and architectural craftsmanship of the Ming and Qing Dynasties. Its layout followed the imperial capital's construction principle of " the former dynasty, the latter, the left ancestor, and the right community ", as well as the concept of the innate and acquired eight trigrams. This layout reflected the political ideas, cultural beliefs, and understanding of the relationship between heaven and earth at that time. In terms of archaeological excavation, the archaeological discoveries in the Forbidden City also allowed cultural relics to "tell" history. For example, in the archaeological excavation in the area west of Longzong Gate, the unearthed cultural relics and soil information revealed the location of the ruins of the Imperial Palace of the Yuan Dynasty. The royal porcelain fragments unearthed from the Yuan Dynasty, as well as the structure of the soil layer, the soil color, etc., all seemed to be telling the story of the changes of palaces, the changes of the central axis, and the ancient architectural techniques of the Yuan, Ming, and Qing Dynasties. The relocation of the Forbidden City's cultural relics to the south was also an important event for cultural relics to "tell" history. During the turbulent years of war, the cultural relics of the Forbidden City were transferred in batches and moved to many places. After fourteen years, almost none of them were damaged or lost. Behind these cultural relics were the great efforts made by the people of the Forbidden City to protect the treasures of Chinese civilization during difficult times. They witnessed the persistence and persistence of people in that special historical period. In addition, there were many collections in the Forbidden City, such as paintings, porcelain, bronzeware, jade ware, documents, etc. Each of them carried the craftsmanship, cultural aesthetics, and historical events behind them. They were the witnesses of history, silently showing the glory and vicissitudes of the past to future generations. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The number of cultural relics exceeds the Forbidden City
The number of cultural relics unearthed from some archaeological sites exceeded the number of cultural relics currently in the Forbidden City. For example, more than 10,000 pieces of cultural relics have been extracted from Wuwangdun in Huainan, Anhui Province, and the exact number of cultural relics unearthed from Mawangdui Han Tomb in Changsha is 26937. Although the Forbidden City had a large number of cultural relics, there was no specific number to show that it could exceed the number of cultural relics unearthed at these sites. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relics damaged, people panic
Damage to cultural relics could cause panic among the people, which was caused by many reasons. From the perspective of cultural value, cultural relics were an important carrier of history and culture. They had witnessed the development of human society. Once damaged, it was like destroying historical memories. The people would worry that there would be a fault in cultural inheritance. For example, a large number of cultural relics unearthed in Dingling Mausoleum were damaged. Among them, precious cultural relics such as the golden crown of Emperor Wanli were damaged. These cultural relics carried various information such as the technological level and cultural style of the Ming Dynasty. After being damaged, the people would panic about the disappearance of cultural heritage. From an emotional perspective, cultural relics could often inspire people's sense of national pride and belonging. For example, the three-hole ancient architectural complex was an important example of the continuation of Chinese civilization. If it was seriously damaged, the people would find it emotionally unacceptable, just like their family treasures being destroyed. In terms of economic value, cultural relics had immeasurable potential economic value, which was of great significance to the development of tourism and cultural industries. If the cultural relics were damaged and affected their display functions, it might affect the development of related industries and cause public concern about local economic development. For example, the destruction of the cultural relics in the National Palace Museum in Taiwan was not only a loss of the cultural relics themselves, but it could also affect the development of local tourism and other related industries, causing panic among the people. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The show smashed 200 million cultural relics
In the program " The World's Collection," a doctor named Fu Changyong brought a pair of sweet white glazed hand mugs to participate in the program. This pair of hand mugs was said to be a gift from a patient. The experts in the show identified the cup as a fake. According to the rules of the show, if the collection was identified as a fake, the host, Wang Gang, would smash it with a hammer. Hence, Wang Gang smashed the opponent's cup. However, Fu Changyong later found another appraisal agency to appraise it. The results showed that the cup was authentic and worth 200 million yuan. Therefore, he sued Wang Gang and the program team in court. However, Fu Changyong lost the lawsuit because he had signed an agreement before the show started. The agreement stated that once the treasure was identified as a fake, it would be smashed and the production team would not be responsible. Although Fu Changyong appealed until July 2016, the final verdict still upheld the original sentence. However, this incident attracted widespread public attention and caused the program to be suspended. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Now he is repairing cultural relics in the Forbidden City
Nowadays, repairing cultural relics in the Forbidden City was a meaningful job that combined traditional and modern technology. The Palace Museum Cultural Relics Hospital gathered a professional team that mastered various restoration techniques. The restoration technicians regarded cultural relics as their lives and treated each cultural relic with the benevolence of doctors. They restored a wide variety of cultural relics, such as ancient paintings, pottery, clocks, bronzes, palace embroidery, and so on. The restoration work not only used ancient traditional restoration techniques, but also combined modern science and technology. For example, in the restoration of bronze ware, from the initial gilding technique to the current gilding technique, from manual polishing to the application of transparent photography techniques; In the restoration of porcelain, some people introduced the concepts of materials science and plastic medicine, which made the restoration of cultural relics more precise and efficient, so that ancient cultural relics could be reborn and continue historical memory. The staff who repaired the cultural relics in the Forbidden City included the older generation of masters who passed down their skills, such as Wang Youliang, who had more than 40 years of experience in bronze restoration, and the younger generation of restorers who paid attention to the combination of technology and art, such as Gao Fei and Ji Dongge. There was also a strong culture of inheritance between master and disciple. The older generation of masters carefully taught, and the new generation continued to pass on and carry forward. Moreover, in recent years, the Palace Museum had launched a World Cultural Heritage monitoring project system, including cultural relics buildings, outdoor furnishings, ancient and famous trees, and other heritage elements and influencing factors into the monitoring scope. At the same time, it was also actively protecting and inheriting traditional craftsmanship such as tile, wood, stone, tile, soil, paint, color painting, and paste. In addition, the related documentary " I Repair Cultural Relics in the Forbidden City " also allowed the public to see the daily work of the cultural relics restoration technicians in the Forbidden City and their persistent attitude. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
New Ways to Protect Cultural Relics in the Forbidden City
At present, the Forbidden City had taken many measures to protect cultural relics, such as restricting tourists from entering certain areas to reduce the corrosion of carbon dioxide on wooden structures, setting up railings to prevent tourists from approaching ancient buildings, arranging security guards to manage them, closing the museum so that staff had enough time to clean up, verify the number of cultural relics, help tourists leave and guard against criminals. It also chose to close the museum before sunset based on folklore and tourists 'psychological experience. In terms of educational communication, develop handcraft experience courses, organize comprehensive inquiry activities, publish popular reading books, and carry out online classes to allow cultural relics knowledge to be disseminated in an interesting and interacting manner. In the future, new ways of exploration may be carried out from the following aspects: First, science and technology, using more advanced environmental monitoring technology to accurately control the temperature, humidity, air quality, etc. of the cultural relics preservation environment, and using non-destructive testing technology to assess the health status of cultural relics; Secondly, in terms of management, the management model of security guards and staff should be optimized to ensure the safety of cultural relics and avoid damage to the cultural relics environment. The volunteer management mechanism could also be further improved to improve management efficiency and enhance the tourist experience. Third, in the display and activation of cultural relics, new display technologies such as augmented reality (AR) and virtual reality (VR) were adopted to allow tourists to have a deeper understanding of the history and culture behind the cultural relics. At the same time, they could explore more modes of cooperation with local governments like Xiangxi Journey to achieve a win-win situation between cultural relics protection, local culture, and tourism development. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>