Wu Zetian moved cultural relics
Wu Zetian's only movable cultural relic was the golden slip of Wu Zetian, which was unearthed in 1982 in the stone crevice on the north side of Junji Peak of Mount Song in Dengfeng County, Henan Province. The gold slip was a rectangular gold piece, 36.2 cm long, 8 cm wide, 0.1 cm thick, and weighed 223.5 grams. There were three lines of 63 words carved on it with two hooks. The content was: " Wu Zhao, the ruler of the Great Zhou Dynasty, likes to be happy and live forever. I respectfully visit the high mountain gate of Zhongyue Song and throw a gold slip. Until the three officials and nine governments have removed Wu Zhao's crimes, Hu Chao, the small envoy of Jiayin, kowtowed and reported." The main elements of the gold slip were 90% gold and 10% silver. It was made by hammering, chiseling, and calendering techniques. It was a Taoist sacrificial item. Empress Wu Zetian of the Tang Dynasty threw it on Mount Song in order to get rid of crimes and disasters. It was of great value to the study of Tang Dynasty history, Wu Zetian's political thoughts, Wu Zetian's calligraphy, ancient bamboo slips system, ancient Fengshan, etc. It was now stored in Henan Museum and was one of the nine treasures of the academy. In addition, Empress Wu's gold-embroidered dress discovered in 1987 at the temple in Shaanxi Province was also related to Wu Zetian, but it could not be repaired at present. Read more exciting novels for free
Wu Yue Chu cultural relics
The cultural relics of Wu, Yue and Chu included bronzes, lacquer ware, jade ware, printed hard pottery and primitive porcelain. The cultural relics of Wu, Yue and Chu, with Yue culture as the main line, show the historical fragments of the mutual conquest and cultural integration between Wu, Yue and Chu in the middle and lower reaches of the Yangtze River during the Spring and Autumn Period and the Warring States Period. For example, there were many cultural relics related to Yue culture in Zhejiang, the old land of Yue State, such as the copper cauldron with dragon pattern, bronze socket, copper beam with dragon pattern, jade ear gold and so on unearthed from Tomb 306 of Lion Mountain in Potang, Shaoxing, Zhejiang Province. The cultural relics of the State of Wu include the bronze swords such as the Gufafu Anti-Sword of the King of Wu, the Light Sword of the King of Wu, and the Fu Chai Sword of the King of Wu. The excavation of these swords helps to reveal the history of the rise and fall of Wu and Yue. The cultural relics of the Chu State included the artifacts unearthed from the No. 2 Tomb of Tianxing Temple, the tomb of the nobles of the Chu State, and the fine collections of the Hubei Province Museum and the Jingzhou Museum, including the bronze, gold, lacquer and jade ware of the Chu culture from the Spring and Autumn Period to the Warring States Period. These cultural relics of Wu, Yue and Chu reflected the cultural style, craftsmanship level and historical relationship between the three countries from different aspects. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics 4
The "four possessions" of cultural relics referred to the necessary protection scope, marking instructions, establishing records and archives, and setting up special protection and management agencies around the cultural protection unit. In 1961, the State Council approved the publication of the "Temporary Regulations on the Protection and Administration of Cultural Relics" for the first time, and in 1982, the State Council promulgated the "Law of the People's Republic of China on the Protection of Cultural Relics" for the first time in the form of law. The Law of the People's Republic of China on the Protection of Cultural Relics, which was revised in 2017, also pointed out: "The people's governments of provinces, autonomous regions, and cities directly under the Central Government, as well as the people's governments of cities and counties, respectively, shall define the necessary scope of protection for cultural relics protection units, make signs and descriptions, establish records and archives, and set up specialized agencies or special personnel to manage them according to the circumstances. The scope of protection and the records of the key cultural relics protected throughout the country shall be reported to the cultural relics administration department of the State Council for the record by the cultural relics administration department of the people's government of the province, autonomous region, or directly under the Central Government. The "Four Haves" archives work of cultural relics protection units is the most critical measure for cultural relics protection units to effectively protect cultural relics and the most important foundation for cultural relics management according to law. The contents of the archives involve all aspects of cultural relics protection. The scientific, complete and detailed "Four Haves" archives can provide complete information for the cultural relics protection unit in the protection, utilization, management and publicity of cultural relics, and can also provide reliable evidence for the restoration of cultural relics accidentally damaged by the cultural relics protection unit. In terms of filing, the national cultural relics protection unit shall file according to the requirements of the National Key Cultural Relics Protection Unit Record Archives Work Code and the National Key Cultural Relics Protection Unit Record Archives Description. The provincial cultural relics protection unit shall refer to the requirements of the national cultural relics protection unit to file one by one. The municipal and county (district) level cultural relics protection units shall strictly be equivalent to the requirements of the national cultural relics protection unit to file. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relics
I'm not sure about the specific content of your question about the term "cultural relics museum". If you want to ask about the cultural relics museum, then the cultural relics museum is an important place for education and cultural inheritance. Nowadays, as young people joined the ranks of the museum, there were more innovative exhibition forms. For example, some interesting cultural relics exhibition plans, such as placing bronze swords in the shape of fighter jets, arrowheads in the shape of "Qin", silver coins in the shape of "Yuan", etc., made the cultural relics more concrete. In addition, there were books like the National Treasures of China, which included many top-notch cultural relics, allowing people to understand the full picture of national treasures without leaving their homes. At the same time, there were also many wonderful cultural relics exhibition, such as Beijing Sanxing Dui cultural relics exhibition, Shaanxi History Museum Qin and Han museum exhibition, etc. If that's not your question, please clarify it. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
353 new cultural relics discovered in the cultural relics survey
Please clarify the question. For example, do you want to know the specific areas of these discoveries, the scope of the survey, or other related content? The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Cultural relics, cultural creativity, IP
Cultural relic creative IP was to combine cultural relics and creativity to develop intellectual property with cultural content and commercial value. The following are some key points about cultural relics and creative IP: ** 1. Development Host and Platform ** 1. ** Led by Cultural and Cultural Organization ** - Many of them played an important role in the development of cultural relics and creative IPs. For example, the Shaanxi History Museum's creative products were based on the cultural relics in the museum. For example, although the creative products of wild goose fish copper lamp were suspected of plagiarism, Shaanxi Libo said that they were created according to the cultural relics of the Han Dynasty in the collection, and the copyright of their creation belonged to the museum. - Henan Museum also actively participated, such as hosting the "Wanke Cup" 7th Henan Province Museum Cultural Creation Competition, opening up 53 cultural relics IPs such as Jiahu bone flute, music and dance female figurines, providing materials for creators. 2. ** Participating in creative enterprises ** - For example, Huaxia Culture Creation drew inspiration from six collections of cultural relics, including the Du Hu Talisman of Shaanxi History Museum and the Agate Cup with the head of a gold-inlaid beast, to create the Treasure Treasure Elf IP series of literary creations, integrating cultural relics resources and trend culture to create a unique museum IP newcomer design. 3. ** Support from relevant platforms ** - Daqin Liangzao's creative publishing and cultural IP incubation platform was positioned as "culture + Internet application", focusing on creative publishing and cultural IP incubation. It was the first one-stop vertical service platform in China for cultural, cultural, and creative industries. It covers many modules such as the sorting of cultural and cultural materials, the release of cultural and creative events, copyright registration and trading, and the display and sales of cultural and creative products, promoting the development and protection of cultural relics and creative IP. ** 2. Development Requirements and Characteristics ** 1. ** Design Requirements ** - In some creative competitions, the design elements of the participating works were required to be selected from the cultural relic material library provided by the organizing committee. The works should reflect the information and value of cultural relics, dig deep into the content of cultural relics, give full play to innovative thinking, find the combination point of cultural relics and contemporary public needs, and reflect the local cultural heritage and its practical significance. For example, in the cultural creation competition hosted by Henan Museum, the works were required to reflect the characteristics of the derivative products of Henan Province. At the same time, they should be closely related to the life and culture of modern society. They should be practical, innovative, artistic, and fashionable. They should encourage breakthroughs in science and technology, low carbon, environmental protection, and the design and application of new materials. 2. ** Character and Meaning ** - Compared with traditional historical and cultural science, cultural relics and creative IPs displayed rich cultural expressions and cross-border industrial integration. For example, the joint beauty products of the Palace Museum in Beijing, the archaeological blind box of the Henan Museum, and the "Bronze Mask" ice cream of Sanxing Dui in Sichuan Province, all achieved commercial success with rich cultural elements. These cultural and creative products not only carried the heritage of history and culture, but also highlighted the characteristics of modern cities. They became the space-time link connecting the past, the present, and the future. They had positive significance in spreading traditional culture, attracting young people to pay attention to museum cultural and creative products, and providing new paths for the transformation and upgrading of cultural consumption. ** 3. Development with the help of new technology ** - The museum was also a scene worth exploring with AI+ creative technology. With the help of AIGC, it was possible to make the cold cultural relics "alive", thus further exploring the IP value of cultural relics and providing better cultural services to the public. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Rebirth Cultural Relics
The following were some recommendations for novels related to the cultural relic category: " The Reborn Cultural Relic Master,"" The Great Appraiser,"" The Antique Appraiser,"" The Golden Eye Appraiser of Antiques,"" I Can Repair Antiques,"" The Foreignland's Ace Appraiser,"" The World's Collection," and so on. These novels covered topics such as the identification of cultural relics and the restoration of cultural relics. They were suitable for readers who liked such topics.
Lovesickness in the cultural relics
The cultural relics contained many feelings of longing. For example, in the Book of Songs, Xiaoya, Yuanyang, the mandarin duck was compared to the love between husband and wife, and the "red bean" mentioned in Wen Tingyun's "Two Songs of Southern Songs" represented deep love. These literary works also echoed the cultural significance embodied in cultural relics. For cultural relics like the engraved silver box, the bottom of the box was engraved with a pair of men and women standing side by side and the words "two people of the same heart". It was as if one could see the scene of a man giving a powder box to a woman he liked a thousand years ago. It contained the love between a man and a woman. The Western Zhou jade pendant was two meters long. It was the only thing Marquis Mu of Jin cared about and doted on the second wife. It reflected the deep feelings between husband and wife. Even if they were separated by yin and yang, it contained the thoughts of the living for the deceased. The golden hairpin in the Suzhou Museum had witnessed the love between Sun Ce and Da Qiao. Now, it could also make people feel the yearning and nostalgia that spanned thousands of years. More than 4800 pieces of exquisite jewelry were unearthed from the tomb of the King of Mingliang Zhuang and his step-concubine, which witnessed the experience of the husband and wife living together. Behind their "living in the same quilt and dying in the same cave", there was also endless longing and attachment for each other. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of "Everlasting Lovesickness 2: A Vow of Love"!
Tiancun cultural relics
The cultural relics mentioned in Tian Village included the Houtu Goddess Temple in Tian Village, Fenyang City, Shanxi Province. This was a provincial key cultural relic protection unit, famous for its murals. The year of its establishment was unknown. According to relevant records, it was rebuilt in the 28th year of Jiajing of Ming Dynasty (1549 AD) and rebuilt in the 7th year of Daoguang of Qing Dynasty (1827). In addition, the Cuan Baozi Stele was unearthed in Yangqitian Village, Qujing City, Yunnan Province. This stele was moved to Qujing City in 1852 and is now in the Cuan Stele Pavilion in the Cuan Xuan of Qujing No.1 Middle School. It is the first batch of key protected cultural relics in the country. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Suining cultural relics
There were many cultural relics and historical sites in Suining, covering many types. In terms of temples, there was Guangde Temple, which was a China royal temple. It was located in Crouching Dragon Mountain, three miles west of Chuanshan District, Suining City. It was built before the Kaiyuan year of the Tang Dynasty (before 713 AD). Its original name was Stone Buddha Temple. During the Zhengde years of Emperor Wuzong of the Ming Dynasty, it was granted the "Guangde Temple". There were wooden imperial edict workshops in the Ming Dynasty, Yougu Pagoda built in the third year of Zhenyuan of Emperor Dezong of the Tang Dynasty, and Shanji Pagoda in the Northern Song Dynasty.(Commonly known as stupa, body pagoda) and the stone tablets of the Song, Ming and Qing dynasties; Baofan Temple was located in the middle of Lion Mountain, Baofan Village, Baofan Town, 15 kilometers west of Pengxi County. It was built in the early years of the Northern Song Dynasty and was called Arhat Court. After many reconstructions and constructions, the murals on the main hall were famous for the story of "Buddha's Birthday"; there was also Lingquan Temple. The towers included the Jiufeng Temple Pagoda, also known as the White Pagoda. It was located in the People's Hospital of Pengxi County. It was a pavilion-style square brick tower with 13 levels and a height of 36 meters. Each floor of the tower was built in the fourth year of Jiatai of the Southern Song Dynasty (1204). The Kuita of Pengxi was located in Chicheng Town of Pengxi County and built in the sixth year of Jiaqing of the Qing Dynasty (1801). It was a wooden structure building with five eaves and eight directions. The main hall of Huiyan Temple was located in Guojunba Village, Jinqiao Township, Pengxi County. The Great Buddha Hall was built in the 12th year of Zhengtong of Ming Dynasty (1447). It was built on the top of the mountain with a single eaves and a wooden structure. There were existing murals on the east and west walls of the hall. In addition, there was the Chen Zi 'ang Reading Platform, located on Jinhua Mountain 23 kilometers north of Shehong County, Suining City. It was the place where Chen Zi' ang, a poet of the early Tang Dynasty, studied when he was young. Zhuo Tong Well was a living fossil of handmade salt production, invented during the Qingli period of the Northern Song Dynasty.(AD 1041 - 1048), there are still 41 preserved in Daying County, Suining City; Raoyi Temple is located in Tongji Mountain, two miles southwest of Liushu Town, Shehong County, built in the eighth year of Zhengtong of Ming Dynasty (1443); Eastern Han Cliff Tomb, located in the tomb of Wang Family in Hexing Village, Baosheng Town, High-tech Zone, Suining City. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The treasure of cultural relics
The treasure of the museum was a collection of cultural relics that had extremely high value and could best represent the characteristics of the museum. The following are some of the museum's treasures: - National Museum of China: - ** Painted Stork Stone Axe Porcelain Vat **: Unearthed in 1978 in Yan Village, Linru County, Henan Province (now Ruzhou City), it is a burial tool of the early Neoliths. The overall height was 47 centimeters, the caliber was 32.7 centimeters, and the base diameter was 20.1 centimeters. On the outer wall of the belly, the stork stone axe was 37 centimeters high and 44 centimeters wide, occupying about half of the surface area of the cylinder. The picture was vivid, the colors were harmonious, the simplicity was beautiful, and the artistic conception was rich. It was the earliest and largest pottery painting discovered in China. In 2002, it was determined by the State Council as the first of the 64 precious cultural relics that could not be exhibited abroad. - ** Tao Ying Ding **: A product of the Yangshao culture, unearthed in Taiping Village, Hua County, Shaanxi Province in 1958. It was 35.8 cm tall and 23.3 cm in diameter. It was a model of the perfect combination of primitive art and practical functions. It adopted the shape of an eagle standing on its feet. The eagle's body was strong, the structure was simple, and it was mighty and majestic. - [Stepmother Wu Ding]: A heavy bronze artifact from the late Shang Dynasty. Unearthed in March 1939 in Houjia Village, Anyang, Henan Province. It weighed 832.84 kilograms, was 133 centimeters tall, 110 centimeters long, and 79 centimeters wide. It was the largest and heaviest bronze ware unearthed so far. It was named after the three words "Houmu Wu" cast on the inner wall of the tripod. It was the temple name of the wife of the Empress Wuding of the Shang Dynasty. It was also the largest and heaviest bronze ritual vessel unearthed in the world so far, enjoying the reputation of "the treasure of the country". - ** Queen Xiao Duan's Nine Dragon and Nine Phoenix Crown **: It was collected in the National Museum. It was made of 71 rubies, 57 sapphires, and 5449 Eastern pearls. There were 9 golden dragons on the top and 9 phoenixes on the bottom and top. The value was immeasurable. - ** Confucius Museum **: Topaz Horse of the Warring States Period, unearthed from Tomb No. 3 of the Old City Ruins of the State of Lu. It is 5.7 cm tall and 1.6 cm wide. Standing on a small jade board 2.4 cm long, it carries more than 2000 years of history. - ** Hunan Museum **: - ** Plain gauze unlined garment **: Funeral object of the wife of Li Cang of Changsha State of the Western Han Dynasty, Xin Zhui's wife. It was unearthed in 1972 at the tomb of Xin Zhui at Mawangdui, Changsha. The fabric was made of plain yarn and was woven from silk. There was no lining or color. The silk thread was extremely fine and exquisite. Including the embroidered collar, sleeves, and lapel edges, it weighed 49 grams, 132 centimeters long, and 181.5 centimeters long. It was the pinnacle of textile technology during the Western Han Dynasty. It was the earliest, most well-preserved, most exquisite, and lightest clothing treasure. - ** T-shaped silk painting of Mawangdui No. 1 Han Tomb **: Part of the funeral ceremony at that time. The tomb owner was Li Cang's wife. From top to bottom, the painting depicted the scenery of the earth, the human world, and the sky, interweaving real life and imagination. It had a strong superstitious color, reflecting the concept of worship of gods in the early Western Han Dynasty. - ** Dahe Square Tripod with Human Face Pattern **: 38.5 cm high, 12.85 kg heavy. The body of the tripod is rectangular. The mouth is slightly larger than the bottom. The mouth is turned outwards. The two ears are upright. The belly of the tripod is deeper. There are four cylindrical tripod feet. The inscription "Great Heaven" is on the inner wall near the mouth. A human face was embossed on each of the four sides as the theme, and there were symbolic corners at the corners as decorations. It was the only human face pattern cauldron. - ** Dragon and Phoenix Painting on Silk **: Unearthed in 1949 in the Chu Tomb of Chenjiashan, Changsha, Hunan Province. It is one of the earliest and most well-preserved portraits in China. Together with the "Dragon Painting on Silk", it roughly established the basic expression technique of Chinese meticulous figure painting. The texture was dark brown plain silk, 31 cm in length and 22.5 cm in width. The background was omitted, and the three images of a woman, a dragon and a phoenix were drawn with line drawing and color setting. The artistic expression was strong. - ** Painting of the Imperial Dragon on Silk **: also known as the Painting of Dragon Control. It was 37.5 centimeters long and 28 centimeters wide. When it was unearthed, it was placed flat between the cover of the outer coffin and the coffin. The painting depicted the scene of the tomb owner ascending to the sky on a dragon. There was a bamboo shaft on the top and a silk rope on the shaft. It should be the Ming Jing in the tomb that led the soul to the sky. It was in the late Warring States period. - ** Ming Tombs Museum **: - ** King Xiaojing's Empress 'Twelve Dragons and Nine Phoenixes Crown **: The golden dragon was made of silk. It rose with its head held high and its four legs had different postures. All nine phoenixes spread their wings and flew. Each model was made of 28 feathers stuck together on the neck of a living kingfisher more than 400 years ago. - The crown of King Xiaoduan's empress, the crown of six dragons and three phoenixes: The golden dragon was made of golden silk, and its four feet stood upright on the auspicious cloud inlaid with golden silk and gemstones. The phoenix was made of green silk, and it flew with its head held high and its wings spread. The dragon and phoenix held the pearl string made of eastern pearls in their mouths. - Palace Museum: Queen Xiaojing's three-dragon and two-phoenix crown, made of more than 100 red sapphires and more than 3000 pearls from the Songhua River and the Heilong River, which are 100 meters deep. It's the best phoenix crown in the Palace Museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>