Archaic carved jade ware

Answer 1

Archaic carved jade was a unique work of art. It perfectly fused art and history.

** 1. Craftsmanship **
1. ** Material Selection **
- Some people who made antique jade would look for old materials to make them. The old materials themselves were familiar and had the visual effect of internal aging and qualitative changes.
2. ** Carving Technique **
- They would imitate the traditional style of the collection, such as making traditional antique jade articles such as jade pig dragons and valley patterns.
- First, he used a machine to carry out the initial carving, and then he finished it by hand. He even made a self-made counter-rotating chisel to process. There were also people who used the jade sand from the river or the sandstones they picked up as tools to imitate the traditional craftsmanship.
- In terms of the carving techniques of antique jade, it might involve a variety of traditional ancient jade carving techniques.
- ** Line engraving **: This includes Yin lines (concave lines, such as single Yin lines and double Yin lines) and Yang lines (protruding lines, which are more difficult to make. You need to first carve two parallel Yin lines and then push and grind to make the middle line protruding).
- ** Tipping and Rolling (Pushing and Rolling) Craftsmanship **: For example, the single removal craft (such as the special craft of the jade in the tomb of Marquis Yi of the Warring States Period in Hubei Province, gradually removing the jade material along the specific bright line to form a special pattern), the inclined knife craft (the Yin line groove carving craft that appeared in the Western Zhou Dynasty with one side steep and one side gentle and wide), the tile groove craft (wide and shallow groove, commonly seen in the jade ware of Hongshan culture), etc.
- "embossed" were divided into low embossed (lower decorative patterns, which existed in the Neoliths) and high embossed (higher decorative patterns, which appeared in jade articles after the Tang Dynasty).
- "Engraving": This included openwork (carving to the bottom) and engraving (strong three-dimensional effect). The rough openwork had existed since the Neolith Age, and there were also multi-layered engraving.
- ** Special Craftsmanship **: For example, gossamer carving (extremely fine engraved lines), Han eight knives (belonging to the inclined grinding process, deep and steep curved slopes appear in pairs, the middle of the line is thick and the two ends are sharp, used for making jade cicadas), gold embedding (gold inlaid in the lines of engraved lines), and inlaid with treasures (inlaid with colored gemstones and jade on jade). These techniques may also be applied to the production of antique jade.

** 2. Market situation **
1. ** Market demand and price level **
- The market demand for antique jade was due to the continuous influx of newcomers into the ancient jade industry, who lacked the ability to distinguish. Judging from the price and quality, the market for antique jade was graded.
- For people who had just entered the ancient jade circle, who lacked eyesight and funds, they might buy antique jade articles that cost tens to hundreds of yuan. Most of these street goods were casually carved from garbage materials.
- As the players 'vision improved, there would be some so-called high-quality imitation ancient jade. The production cost of these high-quality imitation ancient jade was relatively high because it used old materials and the production process was complicated. However, since it did not need to be exactly the same as the real thing (90% of it could fool many players), and in the economic environment, it was more profitable to have small profits and high turnover, so there was a certain market for it.
2. ** Identification with the real thing **
- Although the craftsmanship of antique jade was constantly improving, there was still a fundamental difference between the real thing and the imitation. For example, the film produced by the aging of the authentic ancient jade, the heavy light gas and sand marks on the orange peel, and the substances attached to the glass (such as aluminum dioxide) were difficult to completely imitate.

** 3. Points of Appreciation **
1. ** Craftsmanship Details **
- Observe the degree of refinement of the carving process, such as the smoothness of the lines, the three-dimensional sense of the decorative patterns, etc., to see if they conform to the characteristics of the corresponding historical period.
2. ** Material texture **
- For the antique jade ware that claimed to be made of old materials, it was necessary to carefully distinguish whether the texture of the old materials was natural and whether there were traces of artificial forgery.
3. ** Overall Style **
- He wanted to see if the overall style was consistent with the style of the jade from the historical period, including the shape, decorative layout, and so on.
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