Wang Jiawei's style of photography

Answer 1

The following is the idea of Wang Jiawei's style of photography:

** 1. Initial preparations **
1. ** Selection of venue **
- If it was indoors, one could choose a venue with high color saturation, such as a cafe, bar, etc. If it was outdoors, old streets, tunnels, or markets with flowers, birds, fish, and insects were more suitable.
2. ** Clothes selection **
- It was best to match the main colors of the shooting environment. Red, yellow, green, blue, and black were more likely to produce a Hong Kong style effect. If you don't know how to match it, you can get inspiration from Wong Kar-Wai's movies. Wide-leg jeans with a black tank top is also a simple and feasible choice.

** 2. Shooting characteristics **
1. ** Wide-angle usage **
- He used an exaggerated wide-angle lens to express the sense of distance. This kind of shot allowed the scene to have a large scope, strengthen the sense of depth of the space, and distort the edges of the scene. When the characters walked in the city, streets, and tall buildings under the night sky, it would appear visually oppressive, but it could make the scene more tense. The angle of the shot matched the point of view of the audience, leaving a deep impression on the audience.
2. ** Add Foreground **
- Using props to block the camera and blur the background to highlight the character. While creating a sense of depth, it could also present a sense of alienation and distance, bringing about an oppressive and unapproachable effect, conveying the character's inner seal and depression. For example, the wine bottle as the front, coupled with the colorful lights of the bus stop, could render melancholy.
3. ** Blur (For the simulation of video shooting techniques in photography)**
- He held the lens in his hand and used random composition, cross montage, and intermittent editing techniques (which could be simulated by some camera functions in photography). For example, by using the "Time Slow Gate" function in the camera of the Vivo X60, selecting the "traffic" effect, combining slow photography and frame extraction, focusing on the face of the person and the person leaning against an object that did not shake, the passing vehicles would be blurred, as if time had stopped, reflecting the anxiety and loneliness of the person.
4. ** Emotional Guidance **
- Emotions were the soul of a photo. They did not deliberately pose, but used the characteristics of the surrounding environment, such as leaning against the railing in the tunnel, squatting on the ground, or putting their hands on the railing. They did not look at the camera and put themselves into the scene to shoot different feelings.

In addition, in terms of color tone, the overall picture could be slightly under-exposed, with strong contrast, mainly in dark tone, the highlight part would appear strong yellow, the character's skin color would be orange, and the shadow would be cyan. It could also adjust the color temperature, color tone, exposure and other parameters according to specific needs, such as pulling the color temperature, lowering the color tone to obtain yellow-green tones, or using multiple exposure functions (such as Nikon double exposure), and adjusting the exposure ratio to create the style of Wang Jiawei.
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