The Forbidden City set up a cultural relic hospital to treat national treasures
The cultural relic protection and restoration team of the Forbidden City had a long history, and its cultural relic hospital bore an important task in the cultural relic protection and restoration work of the Forbidden City. The team combined traditional cultural relic restoration techniques, modern science and technology, and many professional technical talents. The Cultural Relics Hospital had a number of professional teams for protection and restoration, such as the framing and restoration of ancient calligraphy and painting, the copying and reproduction of ancient calligraphy and painting, the restoration of bronze ware, and the construction of official ancient buildings. These teams, with their superb skills and meticulous work, allowed many national treasures to "prolong their lives" and played an irreplaceable role in the protection and inheritance of cultural relics in the Forbidden City. Read more exciting novels for free
The cultural relic of the Forbidden City, Xie Zhi
Xie Zhi looked like a unicorn with a single horn and dragon claws. There was a pair of Xie Zhi in front of Tianyi Gate in the Imperial Garden of the Forbidden City. In the Ming and Qing Dynasties, the officials in charge of supervising discipline and law and discipline (Ming Dynasty Fengxian Officer, Qing Dynasty Censor, and Provincial Judge) wore official uniforms with patterns of Xie Zhi. It was one of the nine sons of the dragon. Legend had it that its horns could identify treacherous officials and knock them down. It used its sharp claws to press down treacherous officials and eat them, representing the emperor to distinguish right from wrong. Xie Zhi could also be seen on the roofs of ancient high-level buildings. Xie Zhi's eyes were wide open, bright and spirited. Its mane stood up, and its four claws were fierce and powerful. It had a royal temperament. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The cultural relic emoji package of the Forbidden City is here.
The Palace Museum Cultural Service Center's official Weibo @ Palace Museum Taobao posted a set of emojis from the precious collections of the Palace Museum. These collections included wood carvings and paintings from the Liao Dynasty, pottery dogs from the Eastern Han Dynasty, hibiscus stones from the Qing Dynasty, and patterned bricks from the Tang Dynasty. These emoticons allowed the cultural relics of the Forbidden City to be displayed in front of the public in a more approachable way, so that people could see the interesting side of the cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Is the Paleolith a national cultural relic?
If the paleolith had a certain historical, cultural, and scientific value, it could be recognized as a national cultural relic. The Stone Age was about 3 million years ago to about 10,000 years ago. The stone products of this period were an important symbol of the development of human material culture. For example, in China, many archaeological discoveries of the Paleolith Period were regarded as cultural relics and protected. For example, the stone tools from the Helong Cave site were 50,000 to 15,000 years old. The Paleolith unearthed from these sites were of great significance to the study of the evolution and spread of human beings at that time, cultural development, and livelihood methods. Therefore, they were protected and studied as cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Although it is a national cultural relic
The question you provided,"Although it is a national cultural relic", is not a complete question. Please clarify the content of the question, such as a specific question about the national cultural relic, such as its characteristics, examples, protection measures, etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
National treasure, cultural relic, ingot
There were many kinds of ingots, and different ingots had different historical significance and value. For example, Baoqing Yuan Bao, which was cast in the Baoqing period of Zhao Yun of the Southern Song Dynasty, had a history of nearly 800 years. It carried the emperor's expectations for the prosperity of the country. It served as a medium for exchange and transaction in those years and witnessed the rise and fall of the local honor and disgrace. Because it was not very rare, it was recognized as a national third-class cultural relic and collected in the municipal museum. It provided an important basis for historical research on the origin of the name "Baoqing". In addition, there were also cases where villagers built houses and dug out silver ingots, causing disputes over their ownership. From such incidents, it could be seen that the ownership of ingots as cultural relics needed to be determined in accordance with relevant laws and regulations. At the same time, there were also situations where there were antique gilded ingots being sold in the antique market, as well as situations where there were imitations such as Chongqing ingots. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
It is a national cultural relic above Grade 3.
National cultural relics were divided into precious cultural relics and ordinary cultural relics. Precious cultural relics were further divided into first, second and third grades. Level 1 cultural relics were cultural relics of special value, such as those that reflected the production relations, economic system, political system, and particularly important representative cultural relics related to social and historical development in various historical periods of China, while Level 2 cultural relics were cultural relics of great value, such as those that reflected a region, a nation, or a certain era. Level 3 cultural relics were cultural relics with relatively important historical, artistic, and scientific value, such as cultural relics that reflected a certain historical event or figure, or cultural relics that were relatively important to the study of a certain historical issue. " National Level Three cultural relics " might refer to the situation of Level One, Level Two, or Level Three cultural relics. These cultural relics belonged to the category of precious cultural relics. They had different levels of important value in history, art, science, and so on, and there were clear grading standards for distinguishing them. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Kaifeng national treasures and cultural relics
Kaifeng had many national treasures and cultural relics, such as the Kaifeng Museum's "Kaifeng Mansion Inscription" stele. It was a national first-class cultural relic. It was discovered earlier in China and recorded the most names of local officials. It recorded in detail the names, official positions, and dates of appointment of the 183 highest administrative officers of Kaifeng Prefecture during the 146 years of the Northern Song Dynasty. In 1992, the 69 cultural relics stolen in the 918 cultural relics theft case in Kaifeng were also national treasures. These cultural relics were worth more than 100 million yuan, including 59 first-class and second-class cultural relics, as well as four extremely precious blue and white porcelain. In addition, among the new precious cultural relics in Kaifeng City, the Wei and Jin pottery chicken collected by the Tongxu County Cultural Relics Management Office was upgraded from a third-level cultural relic to a second-level cultural relic due to its unique historical value and research value. It was also a relatively precious cultural relic. At the same time, the collection of cultural relics also has the Warring States period Ma Biao, Ma Xian, Qing Guangxu miniature "Five Classics Complete Note" and other third-level cultural relics. There was also the Tang Dynasty yellow glazed twisted body porcelain pillow. The twisted body technique was precious, and this porcelain pillow was also a rare treasure. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Silk, national treasures, cultural relics
There were many precious silk relics on the Silk Road, such as: 1. ** Embellished with ruby and covered with gold **: A cultural relic from the 5th to 6th century AD. Unearthed in 1997 in the ancient tomb of Poma, Zhaosu County, Yili Kazak autonomous prefecture. It is 21.4 cm long, 4.3 - 5.8 cm wide, and weighs 66 grams. It is now stored in the Yili Kazak autonomous prefecture museum. One side of the scabbard was decorated with patterns. In the middle, three rows of gemstones were inlaid with fine gold, and rubies were embedded. Between the inlaid gemstones and the edge of the scabbard, patterns such as triangle, diamond, and line were spot-stitched with fine gold beads. 2. ** Gold ring inlaid with ruby **: A cultural relic from the 5th to 6th century AD. It was unearthed in 1997 in the ancient tomb of Boma, Zhaosu County, Yili Kazak autonomous prefecture. The ring is 2.1 cm long and weighs 16.5 grams. It is now stored in the museum of Yili Kazak autonomous prefecture. The surface of the ring is an oval ruby, and the ring holder is made of gold. The ring surface is tightly fastened with the gem on the surface. The ring surface is decorated with two rings of fine gold beads. The two sides of the ring holder are opposite to each other. There is a base inlaid with gems. The original inlaid gems have been lost. 3. ** Beaded Necklace (Tang Dynasty)**: Unearthed from the Washixia Ruins in Ruoqiang County in 1971, now stored in the Museum of the Xinjiang Uygur Autonomous Region. The beaded necklace was composed of 119 beads of different sizes. The beads were round, oval, and polyhedron. The colors were red, yellow, blue, and green. They were bright and beautiful. 4. ** Necklace and Bracelet (Han and Jin Dynasties)**: Unearthed in the old city of Loulan in Ruoqiang County in 1980, now hidden in the Institute of Cultural Relics and Archeology of the Xinjiang Uygur Autonomous Region. These two strings of jewelry were made of 70 and 16 beads of different sizes. The materials were agate, colored stone, glass, etc. The colors were blue, green, yellow, cyan, black, gold, etc. The shapes were spherical, cylindrical, rounded square, oval, etc. They were all pierced in the middle for wearing. Glass beads were made by the Roman people and were introduced to China along the Silk Road during the Eastern Han Dynasty. 5. ** Beaded Bracelet (Han)**: Unearthed in 1985 from Baozi East, Baozi Dongxiang, Wensu County, now stored in the Museum of the Xinjiang Uygur Autonomous Region. There were a total of 19 beads in the shape of a circle, cylinder, oval, cone, stone leaf, and so on. One of the cone-shaped pendants was wrapped in gold foil and had a golden ring. The colors were yellow, dark red, light red, gray, green, and so on. The cylindrical beads were man-made gemstones that had been artificially processed to form patterns. They were called "Eroded Flower Flesh Red Stone Marrow Beads". This process originated from India. 6. ** Bone Bead (Han and Jin Dynasties)**: Unearthed from the Niya site in Minfeng County in 1996, 112 cm long, now hidden in the Institute of Cultural Relics and Archeology of the Xinjiang Uygur Autonomous Region. This string of bone beads was made up of more than 400 beige bone beads. There was a hole in the middle, and the surface was smooth. The workmanship was exquisite. It should be an ornament on the neck. 7. ** Tiger-patterned round gold medal (5th century B.C. -3rd century B.C.)**: Unearthed from Tomb No. 30, Aragou, Urumqi City, 1977. Now stored in the Museum of the Xinjiang Uygur Autonomous Region. This card is molded with a hammer and a raised tiger pattern. The tiger's posture is very dynamic, and the head, mane, and claw patterns are meticulously carved. 8. ** Tiger gold belt decoration (5th century B.C. -3rd century B.C.)**: Unearthed from Tomb No. 30, Alagou, Urumqi City, 1977, now stored in the Museum of the Xinjiang Uygur Autonomous Region. It was molded and hammered with gold foil. The two tigers opened their mouths and glared at each other, looking like they were about to fight. The shape was unique and the technique was exquisite. There were small holes in the belt, which might be an ornament attached to other leather goods or clothing. 9. ** Bronze Blindfold (Tang Dynasty)**: Unearthed from Tomb 227 of Astana Cemetery in Turpan in 1973, now stored in the Museum of Xinjiang Uygur Autonomous Region. When unearthed, it was originally placed on the eyes of the deceased. It was punched out of a thin copper sheet. The center of the eye was near the eyeball. The small holes around the eye mask were originally sewn with cotton or silk to protect it. This kind of eye mask could only be seen in Xinjiang. It was a funeral instrument. 10. ** Chinese Wooden Slips (Wei and Jin)**: A total of 7 pieces of different lengths. One of them was written in ink on both sides, while the rest were written in ink on one side. The calligraphy of this batch of Chinese wooden slips included cursive script, running script, regular script, etc. It recorded the names of officials, place names, orders, thin books, etc. It was a precious material for studying the political and military system, social and economic life, and calligraphy art of the Loulan area during the Han and Jin Dynasties and ancient Xinjiang. 11. ** Qiuci Wooden Slips (Eastern Han)**: Qiuci was an ancient country in the Western Regions and an important town on the Silk Road during the Han and Tang Dynasties. The remnant was from the Sui Dynasty to the early Tang Dynasty, and no ethnic group used this language. In addition, some silk cultural relics such as woven shoes from the Eastern Jin Dynasty (unearthed in Xinjiang), brocade socks from the Tang Dynasty (collected in the Gansu Museum), leather boots from more than 1000 years ago (collected in the Qinghai Tibetan Medicine Culture Museum), and urns from the Northern Dynasty (collected in the Xinjiang Museum) also reflected the cultural exchanges and historical development on the Silk Road to a certain extent. At the same time, silk-related prehistoric, Shang and Han cultural relics unearthed in Hebei, Henan and Shanxi, such as the pottery silkworm pupa unearthed from the Yangshao cultural site in Nanyangzhuang, Hebei Province, the silk relics of the Shang Dynasty unearthed from the Taixi site in Gaocheng, and the silk fragments unearthed from the tomb of Liu Sheng, the Han Zhongshan King in Baoding, were also important witnesses to the development of silk culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Restore national treasures and cultural relics
National Treasures and Cultural Relics Specialist
The following were some of the more well-known experts in the identification of national treasures and cultural relics: - Mr. Ma Chengyuan, known as the "First Person in Bronze Appraisal in China", was the curator of the Shanghai Museum. He started as an ordinary cultural relic enthusiast and published more than 80 bronze works and papers in decades. In the past 50 years of cultural and cultural work, he was not only a representative of the academic school, but also an expert in actual combat, helping the country recover tens of thousands of precious cultural relics. - Sun Yingzhou (1893-1966), a native of Ji County, Hebei Province, was a famous expert in ancient porcelain appraisal. He was a member of the Fourth National Committee of the Chinese People's Political Conference. - Geng Baochang was a famous expert in the identification of cultural relics. He specialized in the study and identification of ancient porcelain. - Chen Wanli (1892-1969) and others. These experts relied on their rich knowledge, experience, and keen insight to play a vital role in the identification, protection, research, and excavation of national treasures. Some of them actively rescued cultural relics from antique markets at home and abroad when cultural relics were at risk of loss; some determined the value and age of cultural relics at the site of archaeological excavation; some found treasures among the people and identified them. However, there were also cases of appraisal errors in the field of cultural relics. For example, some experts made a mistake in the appraisal of the so-called "Golden Silk Jade Clothes" worth 2.4 billion Vietnamese Dong and misjudged the fake as a treasure. This also reflected the complexity and difficulty of the identification of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>