Cultural relic themed exhibition
The following are some of the recent heritage themed displays: 1. ** National Exhibition ** - **"Exploring the Ancient Shu Civilization-Sanxing Dui and Jinsha" exhibition **: The venue is the Grand Canal Museum in Beijing. It will be exhibited from June 27 to October 10, 2024. It gathered 265 pieces of representative cultural relics of the ancient Shu civilization, including the latest archaeological achievements of the Sanxing Dui site and the Jinsha site. They were exhibited according to three chapters: "Discovering the Sanxing Dui","Interpretation of the Sanxing Dui" and "Locating the Sanxing Dui". There were representative cultural relics such as bronze statues, bronze masks with crowns and vertical eyes, and bronze heads with gold masks. There were also Mini programs to increase the fun. - **"Ming Yun, the most precious treasure of Fenghua Country--Special Exhibition of Ming Dynasty Cultural Relics and Treasures"**: It will be exhibited at the venue of the Ming Tombs in Changping (later moved to the cultural relics exhibition hall in the Ming Tombs Dingling Scenic Area). It will be opened on July 13, 2024 and will end on October 15. It gathered more than 100 fine national treasures and cultural relics, including royal heavy weapons, clothing, Buddha statues, bronze ware, furniture, calligraphy and painting, porcelain, gold, silver and jade articles, etc. The exhibit included the Golden Silk Wing Crown, the Empress Phoenix Crown, Dong Qichang's authentic calligraphy, the Jiajing copy of the Yongle Grand Ceremony, etc. - **"Return of National Treasures-Special Exhibition of Yuanmingyuan Beast Heads and Overseas Returning Cultural Relics"**: jointly launched by the Dongguan city Museum, the Poly Art Museum, and the Yuanmingyuan Management Office of Haidian District, Beijing City. It will be exhibited from May 18 to August 27,2023. A total of 77 pieces/set and 86 national treasure-level treasures will be exhibited. - ** Eternal Miracle Mawangdui-Special Exhibition of Ancient Miracle Mawangdui Han Tomb Relics **: Exhibits at the Dongguan city from May 1 to August 25, 2024. 168 sets of exquisite artifacts from the Han Tomb at Mawangdui were exhibited, totaling 313 pieces, including more than 100 precious cultural relics. The two chapters of "Immortality and Immortality" and "Entering the Hou Family" outlined the picture of the civilized society of the Western Han Dynasty. - [People of the Sun: The Inca People and the Empire's Four Directions] Special Exhibition in South America: Exhibition at Nanshan Museum, April 19-August 11, 2024. A selection of 168 pieces (groups) from the collections of 14 museum collections in peru, covering bone, metal, stone, pottery, wood, textile, painting and mummies. - ** The Art of the Roman Empire-Exhibition of Fine Artifacts from the National Museum of Archeology of Napoli **: The exhibition venue is the Guangdong Province Museum, and the exhibition time is from June 21 to October 13, 2024. A selection of 98 pieces/set of representative cultural relics of the ancient Roman civilization, from the National Museum of Archeology of Napoli, covering sculptures, wet murals, mosaics, silverware, glassware, etc., revealing the art and life of the Roman Empire from six dimensions. - ** Ancient China Porcelain Exhibition in the Porcelain Museum (East Hall of Shanghai Museum)**: The Porcelain Museum is located on the third floor of the East Hall of Shanghai Museum, covering an area of nearly 1800 square meters. 558 pieces/group of collections are selected for exhibition. Nearly 50% of the items are on display for the first time, and the total number of items on display has increased by nearly 100. There is an interaction area for touching cultural relics specimens in the exhibition hall. The audience can touch an underglaze blue and white porcelain vase from the Kangxi period of the Qing Dynasty. - ** Chinese currency exhibition in the currency museum (East Hall of Shanghai Museum)**: Located on the third floor of the East Hall of Shanghai Museum, it covers an area of nearly 1000 square meters. There are more than 6000 pieces of coins in the exhibition hall, which is nearly twice the total amount of the original exhibition. Two new parts of the currency of the Republic of China and the currency of the revolutionary base area are added, and more than 200 paper currency cultural relics are added. - ** Ancient China Jade Exhibition (East Hall of Shanghai Museum)**: Located on the second floor of the East Hall of Shanghai Museum, covering an area of more than 800 square meters, nearly 350 pieces (groups) of jade from the Neoliths to the Qing Dynasty were exhibited. Nearly 80 key pieces were selected for detailed explanation, and 40 key pieces were equipped with an expanded digital guide. - ** China Seal and Seal Engraving Exhibition (East Hall of Shanghai Museum)**: Located on the second floor of the East Hall of Shanghai Museum, covering an area of more than 600 square meters, a total of 573 fine cultural relics were exhibited, nearly 100 more than before, and new products accounted for about 35%. The new exhibition placed Chinese seals in the context of the origin system of the world's ancient civilization seals, and divided them into two general history sections,"Chinese Seal" and "Chinese Seal Engraving". 2. ** Foreign Exhibition ** - "Anyang: The Ancient Capital City of China" Exhibition: The venue is the National Museum of Asian Art in Washington, USA. It will be exhibited from March to April 28, 2024. More than 200 cultural relics will be exhibited, including jade ornaments, ritual vessels, clocks, chariot accessories, etc., displaying the history and culture of Anyang. - **"100 Years of French Fashion" Special Exhibition **: Exhibits at the Palace Museum in Hong Kong from June 26 to October 14. More than 300 precious collections from the Paris Museum of Decorations were exhibited, including French clothing, jewelry, and accessories from the late 18th century to the early 20th century. Most of the items were exhibited in Asia for the first time, and some had never been exhibited outside Paris or France. The exhibition set up a "fitting room" area. - "Top of the Pyramid: Ancient Egyptian Civilization Exhibition": It will be held at the People's Square Hall of the Shanghai Museum. It will last for 13 months from July 19th, 2024 to August 17th, 2025. It will be the largest exhibition of ancient Egyptian cultural relics in the world and the highest level in Asia. It will display 492 groups of 788 cultural relics, 95% of which will be exhibited in Asia for the first time. - ** Ancient Egyptian Cultural Relics Exhibition (Shanghai)**: 788 ancient Egyptian cultural relics arrived in Shanghai in the early morning of June 16, 2024 for an exhibition. 492 groups of 788 precious cultural relics from different periods of ancient Egyptian civilization were gathered. More than 95% of the cultural relics came to Asia for the first time. The exhibition lasted for 13 months, including the statues and stone tablets of the descendants of the Pharaohs such as Akhenaten, Tutankhamun, Amanemhut III and Ramses II. There were ten statues and stone tablets weighing more than 1 ton, and the heaviest one weighed 3 tons. The tallest one was 24 meters tall. Read more exciting novels for free
Cultural Relic Exhibition Regulations
1. ** Regulations on Exportation of Cultural Relics ** - ** Management department and responsibilities ** - The State Administration of Cultural Relics is responsible for the administration of the national cultural relics exhibition abroad. Its responsibilities include reviewing the cultural relics exhibition abroad plan, formulating and publicizing the national cultural relics exhibition abroad plan, approving the cultural relics exhibition abroad project, organizing or appointing specialized agencies to host large-scale cultural relics exhibition abroad, formulating and regularly publicizing the list of cultural relics that are prohibited and restricted from exhibition abroad, supervising and inspecting the exhibition of cultural relics abroad, and investigating and punishing illegal acts in the exhibition of cultural relics abroad. - The provincial cultural relics administrative department is responsible for the administration of cultural relics exhibition abroad within its administrative region. It must verify and report the cultural relics exhibition abroad plan, verify and report the cultural relics exhibition abroad project, coordinate the organization of cultural relics exhibition abroad, verify and report the list of prohibited and restricted cultural relics exhibition abroad, verify and report the exhibition agreement and the relevant information of the exhibition, supervise and inspect the cultural relics exhibition abroad, and investigate and deal with the illegal acts in the cultural relics exhibition abroad. - ** Requirements for Exiting Cultural Relics for Exhibition ** - The cultural relics for exhibition abroad shall be registered and graded by the cultural relics collection unit and have been publicly exhibited in the country. - ** Review and Settlement ** - Exportation of cultural relics shall be approved by the State Administration of Cultural Relics. If there are more than 120 pieces (sets) of Class I cultural relics on display, or if the number of Class I cultural relics on display exceeds 20% of the total number of cultural relics on display, the State Administration of Cultural Relics shall report to the State Council for approval. - Annual plan approval: The units designated by the State Administration of Cultural Relics to engage in cultural relics exit exhibition, the provincial cultural relics administrative departments and domestic cultural relics collection units should submit a written declaration of the next year's cultural relics exit exhibition plan to the State Administration of Cultural Relics before the end of May each year. The plans of cultural relics collection units under the jurisdiction of the local cultural relics administrative departments at all levels for their overseas exhibition shall be submitted to the State Administration of Cultural Relics after the provincial cultural relics administrative departments put forward their opinions. The State Administration of Cultural Relics shall formulate and announce the national cultural relics exhibition plan for the next year before the end of June every year. - The application for the project of cultural relics exhibition abroad: The units designated by the State Administration of Cultural Relics to engage in cultural relics exhibition abroad, the provincial cultural relics administrative departments and the domestic cultural relics collection units should submit a written application for the project six months before the implementation of the exhibition project and submit it to the State Administration of Cultural Relics for approval. The cultural relics collection units under the jurisdiction of the local cultural relics administrative departments at all levels shall hold an exhibition abroad, and the provincial cultural relics administrative departments shall submit their opinions to the State Administration of Cultural Relics for approval. The State Administration of Cultural Relics shall make a decision on approval or disapproval within 30 working days from the date of receiving the application. If the decision is approved, the approval document shall be issued; if the decision is not approved, the party concerned shall be notified in writing and the reasons shall be explained. - The written application for the cultural relics exit exhibition project should include the relevant background information of the partners, the credit certificate, the invitation letter of the overseas partner, and the draft exhibition agreement that has been initialled.(Including the organization, location and country of the exhibition, the name of the exhibition, time, venue, safety, transportation, insurance and compensation responsibilities and fees of the exhibition, the method and location of the exhibition, the arrangement of the exhibition staff and the required fees, the relevant fees and payment methods of the exhibition, and the relevant intellectual property issues, etc.), the exhibition catalog, Exhibits declaration form and valuation of cultural relics for exhibition abroad (The declaration form of cultural relics for exhibition abroad should be filled in according to the unified format formulated by the State Administration of Cultural Heritage, and a summary registration form should be attached. A written application should be attached with an electronic copy). - ** Exhibitions of cultural relics outside the country are prohibited ** - Ancient corpses, statues of the main god in religious sites, rare and fragile first-class cultural relics, cultural relics listed in the list of cultural relics prohibited from leaving the country, and cultural relics that are not suitable for exhibition outside the country are prohibited from being displayed outside the country. 2. ** General Regulations on Cultural Relics Exhibitions (Including National Exhibitions)** - ** Administrative Department **: The administrative department of cultural relics exhibition is the competent department of culture and tourism. Within the provincial administrative region, there are also cultural relics management, cultural bureau, and even relevant departments at the prefectural level, which are the administrative and supervisory agencies of cultural relics exhibition activities. - ** Notification and approval ** - The exhibition of cultural relics needed to be declared and approved. The application materials for the exhibition of cultural relics shall include the exhibition plan, the list of exhibition items, the floor plan of the exhibition hall, the pictures and texts of the exhibition items, etc. The cultural relics exhibition will be reviewed in strict accordance with the relevant regulations to ensure that the items are legal and compliant. - ** Storage, Transportation and Exhibition ** - Cultural relics exhibition institutions shall establish and implement relevant systems and regulations for the protection of cultural relics to ensure the safety and integrity of the exhibit. During the transportation of the exhibition items, no one is allowed to change or move the exhibition items at will. During the cultural relics exhibition, the items on display needed to be strictly protected to ensure the safety of the items during the exhibition, and at the same time, to ensure the integrity and professional display of the items. When the cultural relics exhibition organization displays the exhibition items, it should reasonably allocate the exhibition hall space, use suitable display cabinets and lighting equipment to achieve the best exhibition effect. - ** Notice for Visitor Regulations ** - In order to maintain the order of the cultural relics exhibition and the safety of the audience, visitors need to abide by the corresponding rules and precautions. For example, they had to queue up to check tickets before entering the exhibition hall. They were not allowed to place items in the exhibition hall without authorization, and they were not allowed to carry flammable and explosive items or other items that might endanger their safety. In addition, in order to ensure the safety of the exhibit, visitors were also required to abide by certain codes of conduct. They were not allowed to touch, touch, or climb the exhibit in the exhibition hall. At the same time, if they found that the exhibit was damaged, lost, or destroyed, they should immediately report to the staff. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic protection based on original exhibition
The protection of cultural relics in the original exhibition is an important aspect of cultural relics protection. First of all, in the exhibition planning stage, a special protection plan should be formulated according to the type of cultural relics (movable cultural relics such as important objects, works of art, documents, etc. in history; immovable cultural relics such as ancient cultural heritage, ancient buildings, etc. have different characteristics). For movable cultural relics, the principle of not changing the original state of the cultural relics and the principle of minimum intervention should be adhered to during the transportation process. For example, suitable packaging materials and transportation tools should be used to avoid damage to the cultural relics caused by vibration and collision, so as to preserve the historical information and historical value of the cultural relics to the greatest extent. Secondly, in terms of the exhibition environment, environmental factors such as temperature, humidity, and light should be strictly controlled. Different cultural relics had different requirements for temperature and humidity. For example, painting and calligraphy cultural relics were more sensitive to humidity, so they had to maintain a suitable humidity range to prevent paper from cracking or moldy. The intensity and duration of the light also needed to be controlled to avoid damage to the color and texture of the cultural relics. Moreover, in terms of security, they had to prevent cultural relics from being stolen or destroyed. On the one hand, the security measures of the exhibition venue should be strengthened, such as installing monitoring equipment and setting up security guards to patrol. On the other hand, special anti-theft protection devices might be needed for precious cultural relics. Finally, after the exhibition, a comprehensive inspection and evaluation of the cultural relics should be carried out to ensure that the cultural relics were not potentially damaged during the exhibition process, and the cultural relics protection measures should be summarized and improved according to the inspection results, so that the cultural relics could be better protected in the subsequent exhibition or preservation. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic with inscriptions
The following are some of the cultural relics with inscriptions: - There were 29 inscriptions on the base of the "Eight-year-old Lacquer Wood Tall Bean" that was recovered from the Eastern Tomb of Qin Dynasty. The interpretation of some inscriptions helped to determine whether Lord Mengchang had served as the prime minister of Qin Dynasty. This cultural relic was determined to be a national first-class cultural relic. - He Zun, a national treasure of the Western Zhou Dynasty, had an inscription that recorded the important historical fact that King Cheng of the Zhou Dynasty inherited the will of King Wu of the Zhou Dynasty and moved the capital to Luoyi (now Luoyang, Henan Province), which was called "Cheng Zhou". The earliest source of the word "China" was "Staying in China". - There were four lines and 33 words of inscriptions cast on the bottom of the Gui of the Western Zhou Dynasty. The content was related to King Wu of Zhou's conquest of King Zhou of the Shang Dynasty. This Gui was also known as the Gui of King Wu's conquest of the Shang Dynasty. It had great historical significance and was listed as one of the nine national treasures. - There were two circles of words on the outer wall of a certain drum seat. The upper circle had about 98 words and the lower circle had 52 words. Although some of the words were vague and some were written in reverse, the word "Yu" in one of the lines was believed by experts to be more than a third-level cultural relic and should be classified as a first-level national treasure. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic box
Casing cultural relics was a method of disposal during archaeological excavation. During an archaeological excavation, the unearthed cultural relics that were important but could not be cleaned up in time would be extracted in a box. For example, a large number of chariots and horses were unearthed from Tomb M1901 at the Liulihe archaeological site. Because their relative position was very important for archaeological research, the archaeologists carried out box extraction. These carriages were large, heavy, and in the mud. It might not be possible to insert them according to the usual steel plate extraction method. The team members listened to the advice of the old gentleman in the cultural relic protection and inserted a row of steel pipes under the boxes to reinforce the boxes. Also, in the archaeological research of the Marquis of Haiying's tomb, a large number of cultural relics excavated on the spot were transported to the laboratory in boxes for protection and research. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic bottle
There were many kinds of bottles and jars in the cultural relics. There were all kinds of bottles and jars in different periods and regions. In the blue and white flowers of the Yuan Dynasty, there was a vase with four paintings of love. The blessed part of the vase had four paintings related to "love". They were Wang Xizhi's love for orchids, Tao Yuanming's love for chrysanthemums, Zhou Dunyi's love for lotuses, and Lin Hejing's love for plum blossoms and cranes. It was originally bought by a cultural relic store for 600 yuan, and was later identified as the Yuan Dynasty, becoming the treasure of the museum. There were also some bottles and cultural relics in the museum, such as the white glazed brown flower plum vase and the white glazed black animal pattern plum vase unearthed in 2017 from the tomb of the high-level noble family of the Khitan in the Liao Dynasty. There were also the Ming Jiajing blue and white cloud dragon auspicious phoenix cloud crane pattern cover jar, Ming Zhengde blue and white figure gourd vase, etc. In addition, in the Shandong Museum, there are various kinds of bronze "bottles and jars", such as You, which holds wine, has a large mouth and lower abdomen, with a cover and a beam; Gu, which holds wine, has a long body, luxurious mouth, mouth and bottom in the shape of a trumpet; The Zhi used for drinking wine, round belly, luxurious mouth, circle foot, looks like a small bottle, most of which have a cover; Gui, which holds cooked food, has a round mouth and two ears; Square pot for millet, rice and other meals; From Gui, there are oval mouths, lids, two ears, circular feet or four feet, etc. These bottles and cultural relics have their own characteristics in terms of shape and use. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic maintenance
Cultural relics were divided into movable cultural relics and immovable cultural relics. The principle of not changing the original state of the cultural relics and the principle of minimum intervention must be adhered to when repairing, maintaining and migrating immovable cultural relics, so as to preserve the historical information and historical value of the cultural relics to the greatest extent. Taking Binzhou City as an example, in terms of cultural relics protection, they completed the confirmation of the protection scope and construction control zone of the sixth batch of provincial cultural relics protection units, strengthened the management of cultural relics protection qualification units, submitted the cultural relics protection project plan for the cultural relics protection units, strictly enforced the filing of cultural relics protection projects and the inspection of cultural relics protection projects, and successively carried out on-site supervision work for many cultural relics repair and protection projects. In addition, the relevant departments also attached great importance to the repair and maintenance of the original body of the small source conference site, Jiang Xianyun's former residence, and other places. All regions should also promote the protection of cultural relics from the legal and policy levels. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic model
The following are some of the cultural relics and their characteristics: - ** Gold hairpin with red and sapphire inlaid with jade flowers (Ming Dynasty)**: The hairpin is inlaid with jade and red and sapphire. The top of the hairpin was made into a flower holder with silk craftsmanship. Three layers of jade flower pieces were stacked. The center of the flower was inlaid with rubies, and the bottom of the flower holder was decorated with small petals carved with gold. Under the jade flower, there was a butterfly-shaped shape with a sapphire embedded in the middle. There was a small ball of silk on the top of each butterfly wing. When walking, it could shake slightly. The lower end was connected with circular flower ornaments. The center of the flower was ruby, surrounded by eight silk leaves. The whole showed an elegant and noble atmosphere. - ** Qing Dynasty white jade fancy cup **: It is a Hendustan jade, a royal jade used by the Qing Dynasty. It was composed of two parts, the upper part was a flower mouth, the mouth edge was in the shape of a five-petal flower, the abdomen was thinner, the lower part was a high foot, the cup body and the high foot were connected by a hollow Ruyi shaped cloud head, the middle part of the cup body had a raised string pattern, the whole body was made of white jade, the texture was fine and smooth, and the polishing was exquisite. - Empress Xiaojing's Twelve Dragon Nine Phoenix Crown: One of the four remaining Ming Dynasty phoenix crowns in China. It was 35.5 centimeters tall, 20 centimeters in diameter, and weighed 2.95 kilograms. The crown was decorated with twelve golden dragons and nine golden phoenixes. The dragons had different postures, and the lower part was a flying green phoenix. A total of 121 gemstones and 3588 pearls were inlaid. They were made of silk, jade, inlaid, and tied. The design was solemn. - ** Li Lianying's opal ring **: The opal inlaid on the ring is larger than the one on Queen Elizabeth's crown, reflecting the superb craftsmanship and aesthetic standards of jewelry production during the Qing Dynasty. - ** Qing Emperor Qianlong Furong Stone Coiled Dragon Ear Cover Furnace **: Using Furong Stone as raw material, the whole body is pink and covered with natural veins. The abdomen was carved with symmetrical decorations, with two sets of coiling dragons and a head with ring ears. The top of the cover was carved with four small coiling dragons. It was 17 centimeters tall and 14.9 centimeters in diameter. It was simple and well-carved. - ** Yue King Gou Jian Sword **: The blade is slender, 55.6cm high, 4.6cm wide, 8.4cm long hilt, and weighs 875g. There were dark diamond-shaped patterns on both sides of the sword body. The front was inlaid with blue glaze, and the back was inlaid with turquoise patterns. The head of the sword was circular, with 11 concentric circles inside. There was a middle ridge. The two blades were sharp, and the front arc was concave. - ** Antler Crane of the Warring States Period (Unearthed from the Tomb of Marquis Zeng Yi)**: The body of a crane with antlers was unearthed from the Tomb of Marquis Zeng Yi in 1978. When it was unearthed, it was located to the east of the main coffin, with its head facing south, symbolizing good luck and longevity. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The cultural relic was swapped
The swapping of cultural relics was a bad behavior that harmed the rights and interests of the owners of cultural relics and destroyed the protection of cultural relics. For example, there was an incident in Wenzhou where antique crafts were swapped. There was an antique art collector, Uncle Liu, who bought antique artworks from the sellers, Mr. Li and Mr. Rao. During the transaction, the seller took advantage of Uncle Liu's trust and his habit of not inspecting the goods on the spot to replace the antique artworks he bought with cheap porcelain and mud. The two of them traded with Uncle Liu for a total of 10 times, five of which were exchanged, involving more than 3000 bracelets, more than 150 necklaces, more than 70 bronze ware, etc., worth more than 90,000 yuan. In addition, there was also a case of cultural relics being swapped in the British Museum. The Brazilian concept artist Ilée Sartuzi replaced a 17th-century silver coin with counterfeit money. The whole process happened under the nose of the museum staff. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic popsicle
Here are some popsicles inspired by cultural relics: - The mythical beast ice cream from the Forbidden City in Beijing was 15 yuan per piece. The design was inspired by the back beast of the Forbidden City. - Yuanmingyuan Lotus Ice Cream, 15 yuan/stick, its texture seemed to let people feel the fragrance of lotus flowers. - The ice cream on the Great Wall was 20 yuan per stick. It had the feeling of "not being a real man until the Great Wall". It might be a crunchy chocolate flavor, strawberry flavor, or vanilla flavor. - The terracotta soldiers ice cream at the Qinling Museum cost 19.9 yuan per piece. It was a combination of cartoon elements and Xi'an's thousand-year-old culture. There were unique styles such as "City Wall Taste","Tang Yulin Army", and "Tang Maiden". - The National Museum's cultural relic ice cream was 15 yuan per piece. There were chocolate-flavored drumming and rapping terracotta figurines and matcha-flavored gold, silver, cloud, bronze rhinoceros statues. The appearance was a vivid replica of the cultural relic prototype. - The cultural creation ice cream of the Forbidden City in Shen Yang was priced at 12.8 - 15.8 yuan per piece. It launched three types: "Phoenix Tower" light milk,"Purple Air from the East" truffle chocolate, and "Red Flag Armor" fleshy raspberry. - The ice cream from the Yellow Crane Tower building was 15 yuan per stick. It was shaped like a mini version of the Yellow Crane Tower, and the similarity was 99%. - Nanchang Tengwang Pavilion ice cream, 19.9 yuan/stick, stick stick with Tengwang Pavilion LOGO and "Sunset clouds and lone ducks fly together, autumn water shares the same color in the sky" famous sentence "Qian Wen" can be used as a bookmark, there are strawberry flavor and milk flavor. - Xinjiang Flame Mountain Banana Fan Ice Cream, 10 yuan/stick. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic painting
The following are some of the cultural relics related to the line drawing: Yuan Dynasty Zhu Yu's "Baimiao Robbery Bowl Scroll" is a paper and ink pen, now collected in Zhejiang Province Museum. P.2002v Collection of Character Drawing Manuscript from the 10th century. It was made of paper. It was originally stored in the Sutra Cave of Mogao Grottoes in Dunhuang, but now it is stored in the National Library of France. The front of this long volume is the Supreme Golden Mystic Sutra, and the back is the drawing of characters. The content of the picture can be divided into 11 parts, including sumo men, men in different costumes and postures, Vajra Malla, Bodhisattva statues, female offerings, etc. Xu Beihong bought the Eighty-Seven Immortals Scroll with a large sum of money. It was a silk scroll with 87 characters. These were all examples of cultural relic line drawing. They showed the artistic characteristics and content of cultural relic line drawing from different periods and regions. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>