The name of the cultural relic of Qi
The cultural relics of the State of Qi included copper coins, reddish-brown glazed rabbit hair cups, Bingwu belt hooks, gold cups, silver beans, gilded copper beans (2 pieces), bronze tripods, jade pendants, wine vessels, pottery figurines, etc. In addition, there were all kinds of instruments that reflected the wisdom of the ancients in the Qi Culture Museum, the old capital of Qi State. Read more exciting novels for free
Name of cultural relic
The following are the names of some cultural relics: Bronze vertical eye mask, gold-inlaid pearl celestial sphere instrument, long live Tongtian paste, Lu Wang Jataka picture, secret color porcelain, blue and white porcelain, pink color porcelain, glazed colored porcelain, flower and bird pattern jar, Ru kiln porcelain, blue glazed elephant ear cong type bottle, Ge glazed blue and white butterfly flower pattern hexagonal bottle, yellow glazed dark carved two dragons playing with beads pattern big bowl, Qing ivory single-sided carved light pavilion tower landscape fan, clear gold and silver carved bone handle copper paper flower pattern folding fan, clear carved color bone handle gauze beaded piece painted western figure folding fan, clear shell carved bone white velvet feather fan. Black painted gold and red pavilion tower figure Prius fan, ivory double-sided carved courtyard figure heraldry Prius fan, ivory single-sided oil paint Western children flower Prius fan, cap fan, etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Qi State Cultural Relic Bronze Axe
The information retrieved so far only mentioned the bronze tomahawk of the late Shang Dynasty unearthed in Subutun, Yidu, Shandong Province. It was now hidden in the National Museum of China and unearthed in 1965. This copper axe was cast in the late Shang Dynasty. It was huge in size, and both sides were engraved with the shape of a human face with an open mouth and angry eyes. The eyebrows, eyes, ears, nose, and mouth were all protruding, and the blade was straight. There were two holes on both sides, and there were doors on both sides. There was no more information about the other bronze tomahawk cultural relics of Qi State. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic
Sand casting was an ancient craft that was of great significance in the production and identification of cultural relics. For example, 11 gilded Buddhas from the early Tang Dynasty unearthed in Duchang County, Jiujiang, Jiangxi Province, were made using the sand-turning process at the end of the Sui Dynasty. There was also the Yuan Dynasty's "Seal of Ten Thousand Families of the Han Army" in the collection of the Zhaodong City Museum, which was also made by sand casting, but this seal was more crude. In the field of China antique art, the art of turning sand was also used to counterfeit. For example, when ancient coins were forged, profiteers might use the method of turning sand to cast money, which involved turning the mold, trimming the edge, repairing the hole, rusting, silencing the sound, making old coins, and other methods to make counterfeit coins. This required collectors to improve their eyesight to distinguish. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What was the name of the cultural relic in ancient times?
In ancient times, cultural relics had many names. In the early days, the " cultural relics " recorded in Zuo Zhuan represented ritual vessels and sacrificial vessels related to rites and music laws, which were different from the definition of modern cultural relics. There was no unified concept of cultural relics before the Song Dynasty. There were both specific and general situations. In the middle of the Song Dynasty, the study of epigraphy was formed, and the ancient bronze ritual vessels and stone tablets studied by it were called ancient artifacts or antiques. During the Kangxi and Qianlong periods of the Qing Dynasty, cultural relics were called "antiques" or "antiques". During the Qianlong period, they were called "antiques". In the Yuan, Ming, and Qing dynasties, there was also a term for epigraphy. Its scope expanded to include paintings, jade, porcelain, miscellaneous items, and other things left behind by the past dynasties. It was also called antiques. In addition, cultural relics also had the meaning of color in ancient texts, referring to clothes and utensils with various colors. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relic Case
In December 2002, Bai Jingfu, the then vice minister of the Ministry of Public Security, wrote a letter requesting that the Song brothers 'cultural relics case in Luoyang be wiped out (the 1210 cultural relics case). The informant said that he was famous in the cultural relics circle and often identified cultural relics for others. He was a friend of Guangzhou exhibition. Zhan had been engaged in illegal cultural relics business for a long time. He was the "eye" of the exhibition who handled cultural relics. In the spring of 2001, Zhan bought a batch of cultural relics from Luoyang for him to appraise, including many cultural relics of the Tang Dynasty. Zhan sold them to Macau for 12 million yuan. In November 2002, Zhan took him to a private residence near the old city of Luoyang. There were more than 200 cultural relics of the Han and Tang Dynasties. There was a 1.2-meter-tall three-colored horse that could be called a national treasure. He discovered that the number and quality of the cultural relics collected by the Song brothers far exceeded that of the museum. When he returned, he felt uneasy and reported it. The report letter mentioned that the cultural relics were stored by the Song brothers in Luoyang and attached the phone numbers of Zhan and the Song brothers. The "1210" special task force was established in Luoyang, Henan Province. The reported "Boss Song" Song Yanbin and "Third Song" Song Yanqing were listed as the top suspects. Song Yanhai ("Second Song"), who had been working in the public security system for many years at that time, was related to his brother. The day after Song Yanhai fell, the Luoyang City Public Security Bureau issued a notice to collect clues about the crimes of Song Yanbin, Song Yanhai, Song Yanqing, Song Yanhong, and others. The criminal gang was led by Song Yanbin, Song Yanhai, Song Yanqing, and Song Yanhong. Wang Wenhai and Qu Jinhua were the protective umbrellas. Led by the Henan Province Public Security Bureau, they mobilized the elite forces of many cities to form a "9.16" special task force to investigate it. Previously, when Song Yanhai was suspected, he had claimed that he did not know about his brother's crimes. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relic Information
There were a series of standards and tasks for the work of cultural relics statistics. Its purpose was to regulate the work of cultural relics statistics and strengthen management, ensure the authenticity, accuracy, completeness and timely of the statistics, and prevent and punish the fraud of statistics. The basic task of statistics was to conduct a survey and analysis of cultural relics activities, provide statistics and advice, and carry out statistics supervision. The survey targets include cultural relics administrative departments at all levels, various enterprises and institutions engaged in cultural relics activities, and individual industrial and commercial households. The State Administration of Cultural Relics is the department in charge of the national cultural relics statistics. It manages the national cultural relics statistics under the professional guidance of the State Bureau of statistics. The local cultural relics administrative departments at all levels are responsible for the work within their respective regions under the professional guidance of the higher-level cultural relics departments and the government statistics agencies at the same level. The administrative departments of cultural relics at all levels need to strengthen the leadership of cultural relics statistics, improve institutions, enrich personnel, strengthen training and professional ethics education, include the funds for statistics in the annual budget to ensure that the allocation is in place, attach importance to the construction of statistics information and strengthen the scientific research of statistics to improve the indicator system and improve the investigation methods. In terms of specific cultural relics statistics, for example, the 2013 China Cultural Relics Annual Report collected the statistics of various aspects of cultural development in 2012 and other important historical years, including comprehensive, library, mass culture, art, cultural market, cultural property, education, science and technology, animation and other aspects. In addition, the cultural relics survey in Xiangzhou County also had corresponding statistics. According to the statistics of the third national cultural relics survey, 112 immovable cultural relics and historical sites in the wild were found in Xiangzhou County. As of the fourth survey, 42 cultural relics and historical sites had been reviewed and investigated on the spot. 37.5% of the tasks were completed, and 5 new cultural relics clues were found. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
tangible cultural relic
There were many forms of tangible cultural relics, and there were many types of them. For example, the bronze tray and high-foot jade cup unearthed from the tomb of King Nanyue in Xianggang, Guangzhou, was ingeniously composed of various materials; the acupuncture bronze statue and the Ming Dynasty copper alchemy furnace in the collection of Shanghai Museum of Traditional Chinese Medicine; the only stone rubbing of the King of Song Dynasty's "Acupuncture and Moxibustion Classic of Bronze Man's Acupoints" in the collection of Guangdong Museum of Traditional Chinese Medicine; and the Compendium of Materia Medica, the 31st year of Wanli (1603), the engraved edition of Zhang Dingsi, the provincial judge of Jiangxi Province, and other cultural relics related to traditional Chinese medicine. Buildings like the ancient bridge were also tangible cultural relics. For example, the ancient bridges in the Bashu area were mostly products of the Ming and Qing Dynasties. They were both tangible cultural relics and solidified history. There were many stories behind them that carried the wisdom of the ancients. In addition, there were cultural relics such as the celadon square box of Yue kiln in the Zhu Ran Tomb Museum in Ma 'an, Anhui Province. They existed in the form of physical objects and witnessed the development of history. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Turtleback cultural relic
There were many kinds of turtleback cultural relics, such as the Tang green glazed turtleback chip tube, which was a pottery cultural relic of the Tang Dynasty in China. In the Tang Dynasty, there were many pottery sculptures with horses, camels, cattle and other giant animals as specimens, but it used turtles, which symbolized longevity, as the object. The image was vivid, reflecting the high achievements of the sculpture art of the Tang Dynasty. There was also the turtle-back-shaped, grid-shaped bronze ware excavated from Pit 7 in the sacrificial area of the Sanxing Dui Ruins. It had a unique shape. It looked like a huge turtle, and the back of the turtle was hollow. There were exquisitely designed opening and closing mechanisms on the side. There were four bronze dragon handles (two of which were damaged) and two or three bronze ribbons. After opening, there was a collection of green jade inside. There was silk extract on the surface, indicating that it had been wrapped in silk. Moreover, this bronze ware used welding technology, which was a very amazing technological achievement more than 3,000 years ago. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic microliths
The microliths were the products of the transition from the late Paleoliths to the early Neoliths. There are many discoveries of microliths in our country. For example, the Black Dragon Pool microliths in Tancheng County, Shandong Province, is located 20 kilometers southeast of the county seat, 1000 meters east of Dashangzhuang Village in Honghua Township, on the west slope of Maling Mountain, and east of the Black Dragon Pool Reservoir. The stone artifacts are mainly distributed in the south of the Black Dragon Pool Reservoir, north of Dajian Gully, and Baijiwo. They were excavated in October 1984. The cultural layer of the site can be divided into three layers. The unearthed relics include sculptors, pointed tools, chopping tools, scrapers, etc. It is accompanied by fur, rhinoceros, elephant, cattle and other fossils. The raw materials for processing stone products are mainly quarts, agates, flint, chalcedony, crystals, slate, etc. It is about 14000 - 11000 years old in the Middle Stone Age. It has high historical and scientific value. In April 1990, it was announced as a county-level key cultural relic protection unit. Later, in June 1992, it was announced as a provincial-level key cultural relic protection unit. In 2000, It was recommended as the fifth batch of national key cultural relics protection units. The Zhongzipu kiln site in Sichuan was also a microstone site. Since it was discovered in 1990, it had been excavated twice and more than 10,000 microstone relics were unearthed. According to carbon-14 determination, the kiln site was about 7000 years ago. It was one of the earliest Neoliths ruins in Sichuan Basin. It was also a microstone site with outstanding cultural characteristics and the most abundant relics found in Sichuan. It was synchronized with the Yangshao culture, Longshan culture and Dawenkou culture. It provided important information for the study of the microstone culture in southern China. The Zhongzipu Microliths Museum opened on October 20,2024. It was the first museum dedicated to microliths culture in the country. The exhibition hall covered an area of 3000 square meters. From the perspectives of archaeological excavation, ecological environment, production and life, and physical display, it narrated the excavation of the Zhongzipu site, the introduction, development, and protection of microliths. More than 1000 pieces of cultural relics such as fine stone cores, fine stone leaves, scrapers, and polished stone tools were exhibited, all of which had a high history. scientific, cultural, and artistic value. There was also the microstone from Lop Nur in the Xinjiang Uygur Autonomous Region. It was a Neolithical microstone relic located in the vast desert area of the region. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Banwa cultural relic
Slab tiles were a type of construction material that had been found in ruins from different historical periods. In the Dongzhan site in the south of Shandong Province (discovered in 1985), slabs of the Han Dynasty were collected. The site covered an area of about 200 square meters. Rubble, ceramic fragments, etc. were also found scattered around. At the same time, pottery and porcelain pieces such as Han Dynasty tile barrels, crude stone sinkers, ring-ear jar pieces, etc. were found. There were also archeological discoveries about slabs in Henan. For example, in 2000, the family courtyard of Henan College of Traditional Chinese Medicine, in 1997, the Zhengzhou nail factory, and in 1986, the "tile" materials that were thought to be from the Shang Dynasty were unearthed at the Zhengzhou workstation of the Henan Province Institute of Cultural Relics and Archeology. The excavated people believed that the shape of the tile was similar to that of the tile after the Western Zhou Dynasty and was unearthed near the base of the palace area. However, there was a dispute in the academic community whether these "ceramic blocks shaped like tiles" were real tiles. In addition, there were three "plate tile fragments" unearthed from the middle and late stratum of the core building area of the Taosi ruins in Xiangfen, Shanxi Province. There was also controversy about whether they were plate tiles. Chengzhou (Luoyi), which was built in the early Western Zhou Dynasty, had a large rammed earth platform foundation in the south of the city. A large number of plate tiles, tube tiles, and pottery pipes were unearthed. This should be where the palace of the King of Zhou and the ancestral temple of the Zhou royal family were located. In the Han Dynasty, there were cord-patterned tiles. For example, there were cord-patterned tiles in the accumulation layer of building materials of the Han Dynasty found on the cliff wall of the forbidden ditch 20 meters northwest of the Beiqi Beacon Tower site. Cord-patterned tiles were unique cultural relics of the Han Dynasty. When the craftsmen of the Han Dynasty made tiles, they placed straw ropes or hemp ropes on the surface to facilitate dragging the blank. They could also be used for drawing to increase the ornamental value. They were widely used, but they were eliminated after the Tang Dynasty because they were not beautiful and easy to grow grass. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>