The cultural relics of the Forbidden City were rich in content and value. From a historical point of view, the Forbidden City was originally called the Forbidden City. Its name originated from the Purple Star Wall in the middle of the sky and its eternal position was regarded as the residence of the Emperor of Heaven. The word "purple" was used to correspond to the imperial palace in the human world, and "forbidden" meant the royal forbidden area. The Palace Museum was founded on this foundation in 1925. After nearly 600 years of vicissitudes, it now shows its charm to the public in various ways. The collection of cultural relics in the Forbidden City could be called a national treasure. It covered the main categories of ancient China culture and art, reflecting the 5,000-year history of Chinese civilization. Among them, there were about 350,000 ceramic cultural relics, most of which were old collections of the Qing Palace. Their development process began from the early Neoliths, and went through the evolution of pottery, white pottery, primitive celadon and other forms. In terms of clocks and watches, European mechanical clocks were introduced in the late Ming and early Qing Dynasties, and foreign "clock workers" played an important role. In the Qing Dynasty, the palace used a large number of mechanical clocks, most of which were made in England. The Qing Palace set up a clock making office to make clocks. In addition to the timekeeping function, these clocks also had decorative mechanical links. The costumes of the emperors and empresses of the Forbidden City reflected the highest production standards at that time. At the same time, there were strict wearing regulations. Different identities, occasions, and seasons had different shapes, styles, colors, and patterns. The palace treasures collected by the Palace Museum of the Qing Dynasty were mostly made of precious materials. They were designed and manufactured by famous craftsmen from all over the world. The craftsmanship took a long time and represented the highest level of craftsmanship at that time. In addition, the cultural relics of the Forbidden City were numbered. When it was established in 1925, the number of cultural relics was written "old" before the number of cultural relics, and the number of returned cultural relics was written "new" before the number of cultural relics. The first cultural relic was a small stool, which was determined according to the specific statistics of that year. Moreover, the opening exhibition of the Hong Kong Palace Museum of Culture displayed more than 900 precious cultural relics from the Palace Museum, including 166 first-class cultural relics, ranging from paintings and paintings to porcelain. These cultural relics displayed the variety and preciousness of the Palace Museum's cultural relics. Read more exciting novels for free
"Cultural Relic in the Forbidden City" or "Cultural Relic in the Palace Museum". In international exchanges and exhibition situations, these expressions can be used to introduce the cultural relics collected by the Forbidden City. For example, in the relevant exhibition of the China-France Cultural and Cultural Year, when it comes to the cultural relics of the Forbidden City and the Palace of Versailles, such English expressions may be used to convey relevant information to the international audience. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Although the cultural relics in the Forbidden City could not speak like humans, they had a unique " language " that silently told the story of history. In terms of architecture, the Forbidden City itself was a huge cultural relic. Its magnificent palace complex reflected the imperial majesty and architectural craftsmanship of the Ming and Qing Dynasties. Its layout followed the imperial capital's construction principle of " the former dynasty, the latter, the left ancestor, and the right community ", as well as the concept of the innate and acquired eight trigrams. This layout reflected the political ideas, cultural beliefs, and understanding of the relationship between heaven and earth at that time. In terms of archaeological excavation, the archaeological discoveries in the Forbidden City also allowed cultural relics to "tell" history. For example, in the archaeological excavation in the area west of Longzong Gate, the unearthed cultural relics and soil information revealed the location of the ruins of the Imperial Palace of the Yuan Dynasty. The royal porcelain fragments unearthed from the Yuan Dynasty, as well as the structure of the soil layer, the soil color, etc., all seemed to be telling the story of the changes of palaces, the changes of the central axis, and the ancient architectural techniques of the Yuan, Ming, and Qing Dynasties. The relocation of the Forbidden City's cultural relics to the south was also an important event for cultural relics to "tell" history. During the turbulent years of war, the cultural relics of the Forbidden City were transferred in batches and moved to many places. After fourteen years, almost none of them were damaged or lost. Behind these cultural relics were the great efforts made by the people of the Forbidden City to protect the treasures of Chinese civilization during difficult times. They witnessed the persistence and persistence of people in that special historical period. In addition, there were many collections in the Forbidden City, such as paintings, porcelain, bronzeware, jade ware, documents, etc. Each of them carried the craftsmanship, cultural aesthetics, and historical events behind them. They were the witnesses of history, silently showing the glory and vicissitudes of the past to future generations. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The number of cultural relics unearthed from some archaeological sites exceeded the number of cultural relics currently in the Forbidden City. For example, more than 10,000 pieces of cultural relics have been extracted from Wuwangdun in Huainan, Anhui Province, and the exact number of cultural relics unearthed from Mawangdui Han Tomb in Changsha is 26937. Although the Forbidden City had a large number of cultural relics, there was no specific number to show that it could exceed the number of cultural relics unearthed at these sites. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Palace Museum in Shenyang has launched a variety of new creative products, such as the "Begonia Palace Magpie" fruit tea from Yongfu Tea Restaurant, the "Taro Crisp Cheese from the West Garden of the Forbidden City, the Mousse Cake of Dazheng Hall, Desheng Castle, Peach Cheese Bun, etc. In terms of creative products, there are woodblock dragon-shaped seals, metal refrigerator sticker of Wensu Pavilion, metal bookmark of Dazheng Hall," Dragon "metal refrigerator sticker, etc. In addition, the Gulangyu Foreign Cultural Relics Museum of the Forbidden City welcomed the exchange of 32 foreign cultural relics collected by the Palace Museum, including 29 pieces of lacquer ware and 3 diplomatic friendship gifts. Among the newly arrived lacquer ware cultural relics, there were unique gold-painted geometric patterns. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Forbidden City had a rich collection of cultural relics. For example, when the cultural relics of the Forbidden City moved southward, there were many types of cultural relics involved, including more than 9000 paintings and calligraphy, more than 7000 porcelain, more than 2600 bronzes, bronze mirrors, bronze seals, jade articles, documents, etc. The documents included the archives of the Qing court collected by the imperial historian and the inner government, the imperial records of the Ming and Qing Dynasties, the daily life notes, and the archives and historical materials of the Taiping Heavenly Kingdom. There were also the Siku Quanshu and various rare and engraved copies, such as the five generations of the Dharani Sutra, one of the earliest printed works discovered in China. The oldest stone inscriptions in the country, such as the Qiyang Stone Drum. In addition, the Palace Museum also collected many cultural relics related to the zodiac, such as the dragon offering auspicious--the dragon year cultural relics, the jade rabbit welcoming the spring--the rabbit year cultural relics, the auspicious tiger welcoming the auspicious--the tiger year cultural relics,"Hundred Oxen Celebrating the New Year"--the "cow" cultural relics in the Forbidden City, the Yin Ruins oracle bone inscriptions collected by the Palace Museum, etc. There was also "Palace Museum Calendar·2025·Innocent Version" that explored the colorful stories of 100 cultural relics in the Palace Museum from the perspective of innocence. It told the stories of 100 selected cultural relics in the Palace Museum. You could learn about the Palace Museum's cultural relics from these stories. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In the old era, cultural relics were collectively referred to as rites, music, and institutions. Now, they were usually regarded as relics and relics left behind by human beings in the process of historical development. They were precious historical and cultural relics of mankind. In terms of value, cultural relics generally had three aspects of value: history, art, and science. Each cultural relic was only called a cultural relic if it had at least one aspect of value. In terms of classification, according to the movement and stillness of the cultural relics, they could be divided into movable cultural relics and immovable cultural relics. Unmovable cultural relics include ancient cultural sites, ancient tombs, ancient buildings, cave temples, stone carvings, murals, important modern historical sites and representative buildings, etc. According to their historical, artistic and scientific value, they can be identified as national key cultural relics protection units, provincial cultural relics protection units, city and county cultural relics protection units, which are mainly divided into six categories: ancient sites, ancient buildings, ancient tombs, cave temples and stone carvings, modern important and representative buildings, and others. Mobile cultural relics include important objects, works of art, documents, manuscripts, books, materials, representative objects, etc. of various eras in history. They are divided into precious cultural relics (also divided into first-class cultural relics, second-class cultural relics, third-class cultural relics) and general cultural relics. According to the classification principle of cultural relics, they can be divided into 31 categories: gold and silver ware, bronze ware, iron ware, pottery, porcelain ware, brick tile, treasure, jade ware, stone carving, lacquer wood bamboo ware, painting, calligraphy, etc. In terms of ownership, all cultural relics left underground, in inland waters and in territorial waters within the territory of the People's Republic of China belong to the state. The protection of cultural relics was very important. If cultural relics were discovered, they had to be handed over according to the regulations. Otherwise, they might face legal penalties such as a fine or even imprisonment. The individual should enhance the awareness of protecting cultural relics, and the society should strengthen supervision to prevent cultural relics from being hidden. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Yes, the Forbidden City had a huge collection of cultural relics. For example, the Collection of Cultural Relics and Treasures in the Palace Museum collected about 12,000 of the most typical and representative cultural relics collected by the Palace Museum. In terms of the collection of costumes in the Palace Museum, there were many clothing treasures. The Color Atlas of the Palace Museum's Costume featured 220 rare pieces of clothing from the Palace Museum's collection. In the "National Colors and Palace Colors: The Color Exhibition of the Qing Dynasty's Imperial Embroidered Clothing" jointly organized by the Palace Museum and the Guardian Art Center, 91 cultural relics and two sets of scientific specimens from the Palace Museum were on display, which also reflected the large collection of cultural relics in the Palace Museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In the early morning of August 16th, 1959, the Palace Museum staff discovered the theft of cultural relics in Yangxin Hall, including eight pages of Kangxi Golden Book and five jade carved golden scabbard daggers. Experts estimated that these cultural relics were worth 1.5 billion yuan. A security guard claimed that he had seen a figure " jumping on roofs and walking on walls " on the city wall, but this statement lacked evidence. The police found many traces left by the thief at the scene, such as a small piece of flesh on the glass shards, blood and shoe prints near the ground, fingerprints and palm prints on the showcase. The police initially suspected that it was an insider who committed the crime, but after analysis, they ruled out this possibility. Finally, on a train to Xinjiang, the conductor found Wu Qinghui, who looked flustered, and found the stolen cultural relics from the Forbidden City in his backpack. Wu Qinghui didn't really know how to " fly on roofs and walk on walls ". He only stole the cultural relics of the Forbidden City by ordinary means. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nowadays, repairing cultural relics in the Forbidden City was a meaningful job that combined traditional and modern technology. The Palace Museum Cultural Relics Hospital gathered a professional team that mastered various restoration techniques. The restoration technicians regarded cultural relics as their lives and treated each cultural relic with the benevolence of doctors. They restored a wide variety of cultural relics, such as ancient paintings, pottery, clocks, bronzes, palace embroidery, and so on. The restoration work not only used ancient traditional restoration techniques, but also combined modern science and technology. For example, in the restoration of bronze ware, from the initial gilding technique to the current gilding technique, from manual polishing to the application of transparent photography techniques; In the restoration of porcelain, some people introduced the concepts of materials science and plastic medicine, which made the restoration of cultural relics more precise and efficient, so that ancient cultural relics could be reborn and continue historical memory. The staff who repaired the cultural relics in the Forbidden City included the older generation of masters who passed down their skills, such as Wang Youliang, who had more than 40 years of experience in bronze restoration, and the younger generation of restorers who paid attention to the combination of technology and art, such as Gao Fei and Ji Dongge. There was also a strong culture of inheritance between master and disciple. The older generation of masters carefully taught, and the new generation continued to pass on and carry forward. Moreover, in recent years, the Palace Museum had launched a World Cultural Heritage monitoring project system, including cultural relics buildings, outdoor furnishings, ancient and famous trees, and other heritage elements and influencing factors into the monitoring scope. At the same time, it was also actively protecting and inheriting traditional craftsmanship such as tile, wood, stone, tile, soil, paint, color painting, and paste. In addition, the related documentary " I Repair Cultural Relics in the Forbidden City " also allowed the public to see the daily work of the cultural relics restoration technicians in the Forbidden City and their persistent attitude. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The following are some of the cultural relics in the Forbidden City that can't be missed: - The exhibition of cultural relics from the Qianlong period in the Palace Museum was held in Suzhou Wuzhong Museum on April 30,2021, allowing people to appreciate the cultural style of the Qianlong period. - More than 200 pieces of cultural relics collected by the Palace Museum, including lacquer ware, porcelain ware, enamelware, musical instruments, etc., were exhibited at the Gulangyu Foreign Cultural Relics Museum of the Forbidden City. These cultural relics came from 23 countries and regions such as Britain, France, Germany, etc. Recently, 32 foreign cultural relics collected by the Palace Museum were displayed, including 29 lacquer ware and 3 diplomatic friendship gifts. - " National Colors and Palace Colors-Qing Dynasty Palace Embroidered Clothing Color Exhibition ", this was the Palace Museum's second special exhibition of palace clothing after 16 years. Co-sponsored by the Palace Museum and the Guardian Art Center, with the special support of the Palace Museum in Shenyang, the exhibition will be held from June 21 to September 22,2024 at the exhibition hall on the second floor of the Guardian Art Center. The exhibition was the first special color exhibition of the Palace Museum's collection of "palace embroidery clothing". Nearly 90% of the items were displayed for the first time. 91 cultural relics and 2 sets of scientific specimens came from the Palace Museum, 3 cultural relics came from the Palace Museum in Shengyang, and more than 40 ready-made clothes of the imperial concubines of the Qing Palace were collectively displayed in the palace. - "Auspicious Winners-- <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>