"Tiaoxi Poem Tie" was a semi-cursive calligraphy work created by Mi Fu, a calligrapher of the Northern Song Dynasty, in the third year of Yuanyou (1088). His pen is straight down from the center, thick and thin, and his pen is swift and unrestrained. The movement of the front is full of changes in the front, side, hidden and exposed. The twists and turns of the point painting are coherent, and the ups and downs of the lifting and pressing are natural and free, without any traces of carving. The structure is comfortable, the middle palace is slightly restrained to maintain the balance of the center of gravity, and the long painting is freely stretched and full of ups and downs. The whole article is slightly inclined to the left, mostly inclined to the side, seeking peace and stability in danger. The style of the whole book was natural, refreshing, changing, and interesting, reflecting the typical appearance of Mi Fu's middle-aged book. This post was once hidden in Shaoxing Neifu of the Southern Song Dynasty, Yang Shiqi of the Ming Dynasty, Liushui Village, Xiang Yuanbian, Liang Qingbiao and other collectors. Later, it entered the inner mansion of Qianlong of the Qing Dynasty and was engraved into the "Sanxi Hall Fa Tie." "Tiaoxi Poetry Post" and "Shu Su Post" are called "Double Jade" in Mi Shu. At the beginning of the volume, there were five seal characters,"Mi Nan Gong Shi Han". At the back of the paper, there were postscripts of each person, such as Mi Youren of Song Dynasty and Li Dongyang of Ming Dynasty.
Mi Fu's calligraphy works included Shu Su Tie, Yan Shan Ming, Tiaoxi Poetry Volume, Hong County Poetry Volume, Duojing Lou Poetry Volume, and Empress Dowager Elegy Tie. These works showed Mi Fu's attainments in running script, regular script, official script, and other calligraphy styles. His calligraphy style was stable and not ordinary, with many changes, taking into account the overall charm and perfection of the details. Among them, Shu Su Tie was known as the best calligraphy in China. It was one of Mi Fu's most famous works and one of the top ten famous calligraphy pieces in China. These works demonstrated Mi Fu's unique talent and charisma in calligraphy.
The Tiaoxi poem post is as follows: I'll play it in Tiaoxi and present it to my friends in Xiangyang. Pine and bamboo stay for summer, streams and mountains leave for autumn. For a long time, I sang the song of white snow, and then I sang the song of water caltrop. Jade perch piled up on the table, round cumin Manchuria. The water palace has endless scenery, and I play with Xie Gong in a car. Half a year to cultivate bamboo, three seasons to see flowers. I'm too lazy to drink Huiquan wine, and I'm too lazy to drink tea from the valley. Most of the presidents have the same interests, and the peaks are not noisy. In the morning, when I came back to my hometown, I sighed and sighed. I lived there for half a year, and all the guests kept drinking. Because of my illness, I often set up a meal to talk, but also borrowed books from Liu, Li, three surnames. It is difficult to refuse friends when you are lazy. How can you think of understanding when you are poor? Poor people do not understand the truth, resulting in clumsy, sick people wake up to cultivate the heart. Small garden can retain guests, green and dark can not be tired of Hong. In autumn, I set sail to congratulate my old age and carried wine across Jiangdong. Tired of being an official, he became a wanderer, and his frequent wandering habits made him change his appearance. The heat comes and stays at will, and the cold comes to the east. The people who enter the country are close and distant, and the people in other places are the same. Warm clothes and food, but feel ashamed of Liang Hong. Travelers eat because of the exchange of food, floating home for the rise. The sentence left Jingshui words, lapel to Bian Feng open. After Shan County, it is like looking for Dai County, visiting Liang County to determine Fu Mei. The fisherman's song is worthy of painting, and there is Lu Gong to accompany. Close friends from the spring separation, red Wei more than summer glory. Tuanzhi is very proud of himself, looking at me as if he has feelings. There are orchids in the sky, but there is no sound of stone. I pity the bright moon, still full of the sun. It was created on August 8, 2010. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Liu Yuxi wrote a poem about peonies,"Appreciating Peonies":"Peony in front of the court is a demon without style, lotus on the pond is pure and little love." Only peonies are truly beautiful. When the flowers bloom, they move the capital." As well as "Hunshi Zhongzhai Peony":"There are more than a thousand flowers in diameter, and there are such flowers in the world. Now that I've seen your face, I won't turn to you." Calligraphy works related to these poems were created by calligraphers in some calligraphy competitions and other activities. For example, in the 2022 Peony Calligraphy Competition, Lu Changchun created Two Peony Poems by Liu Yuxi. He mainly drew lessons from Wang Duo's works in his later years and added seal strokes to make the lines of the works thick and stable to reflect the graceful and noble atmosphere of the peony. While the method of handling the works drew lessons from ancient methods and ancient teachings, it was mainly dense. The characters were tilted and flipped. It is slanted and straight to express the interest of the word. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
There were many authentic works of calligraphy by the Tang Dynasty literati, some of which were famous works such as Li Bai's "On the Balconies" and Zhang Xu's "Four Ancient Poem Calligraphy". Li Bai's "On the Balconies" was a paper ink cursive calligraphy work he created in the third year of Tianbao (744). It was now collected in the Palace Museum in Beijing and was called a national treasure. Zhang Xu's "Four Styles of Ancient Poetry" was one of his calligraphy works, which showed the style of calligraphy in the heyday of the Tang Dynasty. In addition, there were also other calligraphy works by Tang Dynasty poets, such as Du Fu and Bai Juyi. These works were famous for their unique artistic style and rich ink strokes.
Qin, Go, calligraphy, painting, poetry, songs, and prose were the eight traditional forms of Chinese culture and art, representing the elegant and beautiful spiritual pursuit of ancient Chinese culture. The following is a brief introduction to these art forms: Qin: refers to stringed instruments such as erhu, violin, etc. The piano art originated in southern China, and after thousands of years of development, it formed a unique performance style and theoretical system. Chess: refers to board games such as Go and Chinese chess. The art of chess had a long history in China. It was not only a form of entertainment, but also an intellectual exercise and social activity. 3. Painting and Calligraphy: Painting and calligraphy. Chinese painting had a long history and was divided into ink, colored ink, oil painting and many other types. Calligraphy was an important part of traditional Chinese art. Poem, Ci, Ge, Fu: refers to literary creation, including poetry, prose, novels, and Fu. Poetry had a deep cultural background in China and was an important part of Chinese literature. 5: Music forms such as guitar, piano, etc. The art of music had a long history in China and had formed its own unique musical style and performance skills. 6. Dong Xiao: It refers to a traditional flute-like instrument that has a quiet and melodious sound. The Dongxiao art had a long history in China and was one of the important instruments in traditional Chinese music. Flute: It refers to a traditional mouth-blown instrument that has a clear and melodious sound. The flute art has a long history in China and is one of the important instruments in traditional Chinese music. 8. Tea Art: It refers to a traditional way of making beverages, including the selection of tea leaves, brewing tea, the use of tea sets, etc. Tea art has a long history in China and is an important part of Chinese tea culture. These art forms played an important role in the inheritance of Chinese culture. They not only represented the essence of ancient Chinese culture, but also had a profound impact on the cultural development of modern society.
The Tiaoxi poem was one of the famous works of ancient Chinese literature. It was known as the ancestor of five-character poems. The author was Wang Zhihuan, a poet of the Tang Dynasty. The work depicted the social style and people's lives in the Tang Dynasty with the author's personal experience as the background. It had high artistic and historical value. There were 12 poems in the Tiaoxi Poem, each of which described a specific scene or event, such as traveling in the mountains, playing with water, admiring flowers, hunting, etc. The language of these poems was fresh and natural, and the artistic conception was beautiful. It showed the author's open-minded feelings and detached thoughts. The lyric style of the work fully expressed the author's love for nature and his understanding of life. The Tiaoxi Poem had a very high literary status and was hailed as a classic in the history of ancient Chinese poetry. It not only had a far-reaching impact on the poetry creation of later generations, but also occupied an important position in the history of Chinese literature.
Having a poetic and scholarly temperament meant that a person's heart was filled with rich knowledge and cultural attainments through extensive reading and learning, thus displaying elegant and extraordinary temperament and grace. This sentence originated from Su Shi's Song Dynasty's "Leaving with Dong Zhuan." It expressed that reading could improve a person's temperament and make them more elegant and beautiful.
Du Fu wrote many ancient poems in Chengdu Cottage, among which the most well-known one was Happy Rain on a Spring Night. Other than that, the search results did not provide any other specific ancient poems.