For the Fuji X-mount camera, Sima developed lenses such as the 16mm F1.4DG, 30mm F1.4DG, and 56mm F1.4DG. These lenses performed well on the Fuji camera. In terms of optical structure, the Sima lens used a special lens combination. For example, the 56mm F1.4 DC-GN lens included an ultra-low dispersion SLD lens and an aspheric lens, which helped to eliminate aberrations and improve image quality. In terms of autofocus, the control algorithm developed for the Fuji X-mount optimized the autofocus drive and communication speed, enabling high-speed autofocus and AF-C support. In terms of lens design, the size and weight of the Sima lens were suitable for the Fuji camera. For example, the 56mm F1.4DG lens weighed 280g and was small in size. When installed on the Fuji X-series mirrorless camera, it would not destroy the appearance of the camera, nor would it be top-heavy. It was easy to shoot and carry. In terms of functions, the lens mount of the SIMAHA lens was sealed with rubber, which had a certain degree of protection. Some lenses also supported in-camera aberration correction. Some lenses were also optimized for video shooting. For example, the 56mm F1.4 DC-GN was equipped with a step motor, which could achieve smooth and quiet video autofocus. In general, the use of the Sima lens on the Fuji camera had a good experience. Read more exciting novels for free
For the Fuji X-mount, Sima developed lenses such as the 16mm F1.4 DC-GN, 30mm F1.4 DC-GN, and 56mm F1.4 DC-GN. For example, the 56mm F1.4 DC-GN lens was sealed with rubber at the bayonet. When installed on the Fuji X-series mirrorless camera, the metal material of the bayonet was sturdy and durable, and 10 electronic contacts ensured high-speed communication between the lens and the camera. When using this kind of Sima lens, you need to set the camera parameters according to the shooting needs. For example, when the Sima 17 - 50F2.8 lens is connected to the Fuji XT3 camera, you can set the camera parameters to aperture auto, USB 400, shutter 1/60s, focus mode to AF-C, turn on human eye Face Recognition, lens anti-shake, etc.(if necessary). The Sima lens might support AF-C and in-camera aberration correction functions, which could be used to improve the shooting effect. In addition, you should pay attention to the impact of the basic parameters of the lens on the shooting. For example, the nearest focusing distance of the Sima 56mm F1.4DG lens is 50cm, and the maximum magnification is 1: 7.4. Different lenses could be used for shooting different subjects according to their equivalent focal length (for example, a 56mm F1.4 ADC GN lens installed on a Fuji X-series mirrorless camera had an equivalent focal length of 84mm). For example, a 56mm F1.4 ADC GN lens was suitable for portrait shooting. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In terms of optical quality, there wasn't much difference between the lenses of the SIGMA-produced lenses and the original lenses of Fuji. For example, when comparing the X-mount version of the Three Musketeers of Sima with the three original lenses of Fuji, the center and edge of the Sima 16mm F1.4 lens were slightly sharper than the original 16mm F1.4 lens when the aperture was fully opened. When the Sima 30mm F1.4 lens was fully opened, the original 33mm F1.4 lens was slightly better than the Sima, especially the edge. The Sima 56mm F1.4 lens was basically the same as the Fuji 56mm F1.2 lens (opened to F1.4 aperture). However, the Sima lens did not have an aperture ring or additional buttons, which was not as good as the original Fuji lens. There was also a difference in price. In short, both had their own advantages and disadvantages. Which one was better depended on the user's needs, such as the lens 'operation function, price, and other considerations. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were many types of lenses that could be used with Fuji cameras, and different types of lenses had their own characteristics when used with Fuji cameras. For example, the 10 - 18 lens can be used to capture photos with Fuji cameras, and the 100 - 400mm F5 - 6.3DG GN OS lens can be used to capture photos.| When the Contemporary lens was paired with the Fuji X-H2s, the optical structure was designed with 16 sets of 22 lenses, including one FLD lens and four SLD lenses, which could effectively correct aberrations and distortions. It also had built-in OS anti-shake function with five anti-shake functions. The closest focusing distance was 1.12m - 1.6m (the maximum magnification was 1:4.1 at 400mm), the filter aperture was 67mm, and the equivalent focal length was 150 - 600mm. In the lens comparison evaluation, compared to the Fuji 16 - 55 lens, the Sima 18 - 50 lens was lighter in size and weight. It was three centimeters shorter than the Fuji lens, two centimeters smaller in diameter, and half the weight. It also had dust-proof and splash-proof functions. It performed well in dealing with color aberrations, and the focusing distance could be very close to the subject. It might be more useful in special scenes. SIGMATA 28 - 105mm F2.8 DG GN| The Art lens was sturdy and well-designed. The manual focus ring was smooth, and it had a custom-made control button and a lock-on zoom ring. It used the HH linear motor to focus quickly and was suitable for fast-paced shooting. The aperture ring had automatic settings and click sounds. Although there was no optical stability function, many Fuji cameras had anti-shake solutions. The shooting effect used a special coating to reduce glare. It had high brightness and good contrast. It was suitable for macro photography at the 105mm end. The bokeh effect was medium. There is a small amount of vertical color difference but it does not affect the image quality. The breathing effect is very small, suitable for video shooting, and the clarity is excellent. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Here are some shots from the Fuji camera: 1. ** Fuji XF16 - 80mm F4ROIS **: The reference price is 4499 yuan, and the reference price of second-hand is 2500 - 3300 yuan. The equivalent focal length was 24 - 120mm, suitable for use as an on-hook zoom head. The image quality was good and the focusing speed was fast. 2. ** Vizos AF75mm F1.2XF Pro**: The reference price is 3499 yuan. The equivalent focal length was 112mm, and the F1.2 aperture was large. The image quality in the center of the full-aperture was better, and the image quality at the edge was degraded. The image quality was obviously improved when the aperture was contracted. The dark corner under the F1.2 aperture was obvious, but the purple edge and dispersion control were better. The focusing speed was fast, and there was a slight sound when continuous focusing. 3. ** Fuji XF 90mm F2R LMMW **: reference price 6320 yuan, second-hand reference price 3700 - 4500 yuan. The equivalent focal length was 135mm, and it used a quad linear motor. The focus was fast and quiet, and the F2 aperture was fully open. The picture quality was very good, and the sharpness was off the charts. It was soft outside of focus, suitable for close-ups. 4. ** Fuji XF70 - 300mm F4 - 5.6**: reference price 6280 yuan, second-hand reference price 4500 - 5000 yuan. It was a high cost-effective medium telephoto lens from Fuji, suitable for daily street sweeping or traveling. 5. ** Fuji XF 35mm F2RQR **: reference price 3390 yuan, second-hand reference price 1700 - 2200 yuan. The equivalent focal length was 52.5mm, smaller than the Fuji 35mm F1.4. The focus was fast and quiet, and the overall picture quality was good, which could satisfy daily shooting. 6. ** SIMAHA 18 - 50mm F2.8 DC-GN| <strong></strong>It was small and weighed only 290g, with an equivalent focal length of 27 - 75mm. It was a standard zoom lens. The overall picture quality was good. It had a constant F2.8 aperture. When the aperture was fully opened, the edge of the picture quality was average, and the center was sharper. When the aperture was F4, the picture quality was ideal. The closest focusing distance was 12.1cm. It could take into account macro photography. It was suitable for small machines such as the X-S20 or X-T50. 7. ** Fuji XF8 - 16mm F2.8R LM QR **: The reference price is 9990 yuan, and the reference price of second-hand is more than 7000 yuan. The equivalent focal length was 12 - 24mm. It was a super wide-angle lens from Fuji. The image quality from the center to the edge was excellent, and the distortion control was excellent. It was a sharp weapon for landscape photography, but as a bulb head, the cost of the filter was relatively high. 8. ** Fuji XF 33mm F1.4R LM QR **: reference price 5190 yuan, second-hand reference price 4000 yuan and above. The performance was outstanding, the picture quality was excellent, the sharpness was high, the focus was quiet, and the aperture was fully open. The size was larger than the 35mm F1.4, and the weight was 360g. It was suitable for the mainstream X-T5 or X-H2. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The following are some Fuji lenses and their characteristics for reference: - **XF70 - 300mmF 4 - 5.6R LM OIS QR lens **: - ** Pros **: - ** Good color reproduction **: Able to capture the typical colors of Fujifilm, suitable for many users who choose Fujifilm due to its good color reproduction. - ** Excellent autofocus **: In scenes such as sports events, the focus accuracy and speed are not bad. For example, the dance scene can be focused almost 100% and the race walking scene can be focused 90%. - ** Extremely portable **: The 35mm coverage range is 105 - 450mm, but it weighs only 580g. It also has high resolution and excellent color reproduction. The beauty of the magnified image remains unchanged. - ** Good protection **: It is equipped with dust-proof and splash-proof functions. It can be used without worry even in rainy days. - ** Carrying stability **: With a zoom lock, the locked lens will not stick out due to its own weight when carrying. - ** Flaws **: - ** There may be blurring problems **: There will be ring blurring and double line blurring. In some scenes, the background of the subject is grainy. Try to avoid taking photos with rough backgrounds. - ** Too long hood **: Although the lens itself is compact, the hood is very long. Usually, the hood needs to be removed to take photos. - For Fuji users who had a limited budget and wanted a super wide-angle lens, the 10mmF2.0 super wide-angle lens was a good choice: - ** Pros **: - ** Excellent Distortion Control **: Shooting in a variety of scenes, the distortion around the photo is very small, friendly to wide-angle portrait photographers. - ** Starlight effect is good **: When the aperture is slightly contracted, a beautiful starlight effect will be obtained. The smaller the aperture, the sharper the starlight, which is suitable for creating an atmosphere. - ** High cost-performance ratio **: With a budget of a few hundred yuan, you can get an ultra-wide angle lens equivalent to a full-frame 15mm lens. It can be used in a variety of shooting scenes and can make up for the lack of daily focal length. - [Disadvantages: The lens is made of metal and is relatively heavy.] In addition, there were also lenses such as the Fuji 16 - 50 second-generation lens and the Fuji 23mmF1.4 fixed-focus lens (suitable for human portrait shooting). They could be selected according to their shooting needs and budget. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Fuji HS22 was a single-lens reflex camera with 16 million effective mega-resolution, and the Fuji S8200 was also a single-lens reflex camera. If the focus was on the atmosphere, the Fuji camera was a good choice. Its shooting contrast was excellent, and it could distinguish objects with very little color difference. However, the color supplement was limited, and the user needed to have a certain post-production ability. These factors could be considered when making a choice. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Here are some of the lenses used by Fuji cameras for landscape photography: - <br><br> GF30mm F3.5RQR lens: This was a medium format wide-angle fixed-focus lens, equivalent to 35mm format 24mm focal length, suitable for shooting outdoor scenery, urban buildings and other subjects. The lens structure consisted of 10 sets of 13 lenses, including two aspheric lenses and two ED lenses. It could control aberrations and achieve high-quality performance from the center of the picture to the edge. There were excellent details under each aperture. The lens was small and light, with a wind-proof design, dust-proof and damp-proof. The operating ring had moderate resistance, and the aperture ring had a crisp sound when rotating. The autofocus performance was good. - GF30mmF5.6T/S: This was a wide-angle shift-axis lens with a focal length of 30mm. The equivalent 35mm frame was about 24mm. It can suppress the distortion commonly seen in wide-angle lenses to achieve high-level image resolution. It is a good choice for professional landscape photography. Its axis shifting mechanism can achieve an inclination of +/-10 °, a translation of +/-15 mm, and a rotation of +/-90 °. It can shoot more content and bring more possibilities for creation. - GF50mmF3. 5RLM-W: It was the smallest and lightest (335g) lens under Fujifilm. It had a maximum aperture of F3.5 and a focal length of 50mm (equivalent to 40mm in the 35mm format). When installed on the GFX50SII body, it was even lighter than many full-frame micro-lenses. It was the ideal choice for scenic travel photography. The lens had six sets of nine lenses, including an aspheric lens. - The Fuji FF23mm F4RLMQR wide-angle fixed-focus lens was an ultra-wide-angle fixed-focus lens with an equivalent focal length of 18mm. It was also a sharp weapon for landscape photography. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Here are some recommendations for Fuji DSLR cameras: - Fuji HS22: 16 million effective resolution. - Fuji X-T5: It uses a 40.2-million-pel APS-C sensor. The low-sensitivity and tolerance performance is good. The appearance is super high and the performance is good. However, since the release of this machine, the price of a single body has to be increased by 1000 yuan, and the price of a set has to be increased by hundreds of yuan. The 11/11 kit was available, and the reference price for the 16 - 80 kit was 14911 yuan. - Fuji X-S20: It was an upgraded version of the X-S10. The main upgrade was in the video function. The Vlog mode was added to the mode dial, and an external cooling fan could be connected. It was very helpful for cooling when recording videos. It was no different from the X-S10 in still image shooting, but it had the greatest improvement in focus and video specifications. The reference price for the XC35 was 9499 yuan. - Fuji X-M1: A professional consumer-grade single-lens reflex camera. The flash type is built-in. The guarantee period is one year. - Fujifilm X-T50: 40.2 million pixel-capable, 20 types of film simulation (also made into a separate physical wheel), 5-axis 7-speed body anti-shake, enhanced focus. The reference price for the 15 - 45 sets was 10890 yuan. In addition, Fuji was expected to launch the Fuji X-M5, which was likely to be a leather version of the Xs - 10. It might be equipped with a 26.1-million-pel APS-C frame, support video capture and output of up to 4k/30 frames, and be optimized and upgraded on the focusing system. There was also the Fuji X-E5, which might be equipped with a 40.2-million-pel APS-C format sensor and the X-processor 5 processor developed by Fuji. In terms of focusing speed, photo writing, and video recording, it was much faster than the previous generation X-E4 with the X-processor 4 processor. However, these two cameras had not yet been officially launched. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Here are some shots related to poker scanning: 1. [Single-player camera: It is a commonly seen winning tool in the game. It is mainly composed of a camera and wireless invisible earplugs.] It could use common objects such as watches and mobile phones to process into a lens. The lens had a built-in high-definition scanning program. After scanning the playing cards, it would send out a radio image signal, which would be transmitted to the single-person operation host for identification and analysis. Then, the order of the playing cards would be quickly analyzed to determine who had the bigger cards and who had the smaller cards. Finally, the analyzed and processed information would be transmitted to the user through the Bluetooth headset. It can freely focus, simple operation, strong scanning ability, concealment, not easy to expose flaws in actual combat, and can be used to detect various poker card types.(Old, bent, tilted, damaged cards) can be scanned. The biggest feature is the high effect and accurate scanning. The lens can be placed on the table and not on the table. When operating, you can set the play method first. The lens can be placed on the table or on the body and other hidden places. It can scan the poker cards in a wide range. According to the set play method, the game information will be transmitted to the Bluetooth wireless headset. 2. Ordinary poker card scanner lens: suitable for any ordinary poker card, any venue for single use, without any processing of the poker cards, you can directly know the size of each card, and you can control yourself to get the largest card. It was placed in a suitable position on the body during operation. When others shuffled, cut cards, and were ready to deal cards, it could automatically analyze the size of the cards. It was completed in an instant without any cooperation. It should be noted that in most formal poker games, using such scanning lenses to assist in playing cards was considered cheating and was not allowed. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The lens mainly changed the path of light through refraction, not reflection. In the principle of the car headlights lens, a reflective bowl was used to gather the light of the lamp bead at the focal point of the lens, and then the lens refracted the light evenly. Although the main function of the lens was not to reflect light, in this process, it could be considered that it indirectly redirected (refracted) the light gathered by the reflective bowl, so that the light was evenly dispersed, thus achieving a better light paving effect. However, from the perspective of light utilization efficiency, the lens's light utilization rate was not as high as the reflective bowl (mainly relying on reflecting light), because the lens structure needed to deal with the incoming light to a certain extent (such as blocking part of the light when the low beam), and there was light loss. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>