Explanation of the Temple of Heaven Relics
The Temple of Heaven had many important cultural relics. Among them, the gilded copper chime bell was a national first-class cultural relic. It came from the Ming Dynasty, with a diameter of about 20 centimeters and a weight of 17.5 kilograms. The top of the chime bell was engraved with patterns of seawater and clouds. The buttonhole was located in the center, and there was a pair of embossed phoenixes on both sides of the buttonhole at the top. There was an auspicious cloud in the middle. This cultural relic was once looted by the Eight-Nation Alliance. After the Chinese government spent manpower and material resources to investigate and confirm that it was in India, India returned it after a request. The Beijing Museum of Ancient Buildings (formerly the Xiannong Altar, symmetrical to the Temple of Heaven) had the treasure of Longfu Temple. The Xiannong Altar preserved four caisons of Longfu Temple. Among them, the caisons of Mingjian in the Hall of Wanshan Zhengjue of Longfu Temple collected in the Hall of Tai Sui were national first-class cultural relics and were known as "rare national treasures". In addition, the ancient trees of the Temple of Heaven were also precious "living cultural relics." There were a total of 3562 ancient trees in the Temple of Heaven Park, which had stood for 600 years and witnessed the changes in history. One of the most famous ancient cypresses was the "Nine Dragon Cypress", known as the "Top Ten Most Beautiful Tree Kings in Beijing". This ancient cypress of the Ming Dynasty was located in the northwest corner of the Echo Wall. The protruding vertical gullies on the trunk divided the tree into several branches, which were intertwined from the bottom to the top, like nine coiling dragons coiling and rising. It was named "Nine Dragon Cypress". It also had the saying of "Nine Dragons Greeting the Saint." The legends also added a lot of mystery to this ancient cypress, and after more than 580 years, it still had green needles and green leaves. Read more exciting novels for free
The Explanation of Cultural Relics
Live cultural relics explanation
The live cultural relics explanation was a way to use the live broadcast platform to promote and display cultural relics knowledge. For example, in the "Summer Museum Live Broadcast Month" activity, more than ten well-known museum from all over the country, including Shanxi Museum and Shaanxi History Museum, participated in it, bringing live broadcasts of exhibition and cultural relics history. Among them, the live broadcast of the National Museum was led by a beautiful commentator to the " Ancient China Exhibition Hall " on the second floor of the basement. The commentator not only introduced the unearthed information of a representative cultural relic like the Jade Pig Dragon, but also mentioned that it was the prototype of the Huaxia Bank logo. During this period, there were also many classic cultural relics such as the Four Sheep Square Zun of the Shang Dynasty and the Langya Stone Carvings of the Qin Dynasty. The host would also throw out questions related to cultural relics and send out creative products. The live broadcast of the Capital Museum was carried out by the deputy curator, the director of the collection preservation department, the star of volunteers, and other "big shots" who relayed the wonderful explanations of Beijing's general history, porcelain, folk customs, and so on. In addition, Tingquan Appraiser's live broadcast was also a special form of live cultural relics explanation. He identified various antiques in the live broadcast and attracted the audience in a humorous and professional way. He had a wealth of knowledge in appraising treasures, and he had created a set of slang, such as " open the door " and other different expressions to identify the real thing. His live broadcast included high-end games and ordinary people displaying their own items. It covered all kinds of collections worth millions to hundreds of millions, attracting a large number of viewers to watch, making the audience feel that the cultural relics were not far away from them. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Introduction and explanation of cultural relics
Cultural relics are the general term for all valuable material relics left over from the historical development of human society, created by humans or related to human activities. It had many basic characteristics, including that it had to be created by humans or related to human activities, and it had become history and could not be recreated. In terms of value, cultural relics had historical value, artistic value, cultural value, and scientific value. According to the grading standards of cultural relics, they could be divided into first-class cultural relics, second-class cultural relics, third-class cultural relics, and ordinary cultural relics. In terms of classification methods, there were various classification methods, such as era classification, existence classification, regional classification, etc. The international community also divided them into seven types according to history, art, science, and other perspectives: cultural relics, historical sites, and architectural groups. In China, the term "cultural relic" was first seen in Zuo Zhuan, and its meaning had developed in different periods. Today, China's Cultural Relics Protection Law uses the concept of cultural relics, but the term "cultural heritage" is also more common in other texts and spoken languages. In the world, the concept of cultural relics was basically the same as tangible cultural heritage, but different countries and organizations had different definition and meaning of cultural relics. For example, Italy's definition of cultural relics included archaeological, historical, national art objects, etc. Japan called "cultural relics""cultural property" and divided them into five categories. The United Nations Cultural and Scientific Organization called cultural relics "cultural property" or "cultural heritage". The content of the two was different. The former was mostly movable cultural relics, while the latter was mostly immovable cultural relics. There were many kinds of cultural relics, such as the jade dragon of Hongshan culture, which was a typical representative cultural relic of the prehistoric civilization, the wok tripod, which was a large and exquisite bronze ware of the Spring and Autumn Period, the crystal cup of the Warring States Period, which was a large crystal ware unearthed in the late Warring States Period, and the lotus crane square pot of the Spring and Autumn Period, which was called a rare treasure by scholars at home and abroad. These cultural relics were historical, artistic, and scientific relics left behind by human social activities. They were precious historical and cultural heritages of mankind and witnessed human civilization in different periods. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Ppt of cultural relics explanation
The following are some powerpoints related to cultural relics: - There was a 31-page PowerPoint presentation on the interpretation of the Regulations on the Protection and Administration of Underwater Cultural Relics, accompanied by a 5886-word speech. The content included the background, process, and ideas of the revision of the Regulations, the highlights of the revision of the new Regulations, and the full text of the Regulations. - "The Red Gene in Cultural Relics" incorruptible government book recommended interpretation PSP class, including 21 pages of PSP, a total of 3951 words, divided into two parts: the brief content of the introduction series and the selected chapters. With the revolutionary cultural relics collected in the National Museum as the carrier, more than 600 cultural relics were selected in six volumes, with the theme of continuing the red blood and inheriting the red gene. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Explanation of Qin Mausoleum Relics
Many valuable cultural relics were unearthed in the Qin mausoleum. Qin bronze weights were bronze ware of the Qin Dynasty. They were hollow and had 17 edges. Two imperial edicts were engraved on the body of the bronze weights. They were different in weight. They were the material evidence of the implementation of the relevant system after Qin unified the country. They were now stored in the Mausoleum Museum of Qin Shihuang. The painted bronze carriage of the Qin Mausoleum was a set of two. It was unearthed in 1980 in the pit 20 meters west of the Qin Mausoleum. Among them, Qin Ling's No. 1 bronze carriage was a "vertical carriage", made according to the ratio of 1/2 of the Qin Dynasty's real person's carriage. It was made of bronze and had more than 3000 parts. It was assembled using a variety of techniques. A large number of gold and silver ornaments weighed more than 14 kilograms. The whole body was painted, vividly depicting the luxury and magnificence of the Qin Dynasty emperor's family car. It had extremely high academic value for the study of ancient car systems. The Qin Stone Armor was a stone artifact of the Qin Dynasty. It was unearthed in the Stone Armor Pit of the Mausoleum of the First Emperor of Qin in 1998. It was divided into stone armor and stone armor. The stone armor was 75.00 cm long and had 612 pieces of armor. The stone armor was 31.50 cm high and had 72 pieces of armor. It was now stored in the Mausoleum Museum of the First Emperor of Qin. The Qin crossbow unearthed from the burial pit of Qin Mausoleum was the only complete Qin Dynasty crossbow discovered in archaeology. It was found in the No.1 bronze chariot (according to analysis, it was the carriage of Qin Shihuang). Its range could reach up to 300 meters, comparable to an AK-47, and the size of its components was basically the same. It had implemented standardized production, and the extra string on the crossbow could prevent the bow from distorting. In 1999, the First Cauldron of Qin Mausoleum was unearthed from a burial pit in Qin Shihuang's mausoleum. It was the largest and heaviest bronze cauldron found in Qin Mausoleum so far. A total of 19 bronze swords were unearthed from the second pit of the terracotta army, with a length of 86 centimeters. The error of the eight edges on the sword body was very small. One of them was bent by a 150-kilogram terracotta warrior, and when the terracotta warrior lifted it, it magically bounced back and straightened. A carriage with six horses was found in the eighth burial pit of Qin Shihuang's grandmother's tomb. This standard should be the treatment of the emperor driving six horses that only Qin Shihuang could enjoy, reflecting the strict hierarchy of the Qin Dynasty nobles. In 2011, a golden camel was unearthed from Tomb No. 1 (QLMC1) on the west side of the outer city of Qin Mausoleum. It was the earliest single golden camel unearthed from Chinese tombs, providing an important basis for the study of cultural exchanges between China and the West before the opening of the Silk Road in Han Dynasty. The Qin bronze arrowhead was a cultural relic of the Qin Dynasty. It was unearthed from the burial pit of the bronze carriage on the west side of the Qin Emperor's mausoleum. It was an accessory on the No.1 bronze carriage of the Qin Emperor's mausoleum. It was now stored in the Qin Emperor's mausoleum museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Relics of the Temple of Confucius
There were many precious cultural relics in the Residence of Confucius. There was a seal with the words "Imperial Grant" on it, and the seal was personally issued by the Emperor. This was evidence of the close relationship between the Residence of Confucius and the Imperial Court. There were also ten bronze wares, such as the Shang Dynasty's Carpenter Ding and Ya Gong Gu, the Zhou Dynasty's Fang Ding, Taotie Yi, Xi Zun, Fu Yi You, Bo Yi, Bao Gui, Pan Kui Dun, Kui Feng Dou from the Warring States Period, etc. All of them were priceless and were equipped with red sandalwood seats or wooden lids engraved with the words "Qianlong Imperial Reward". Some of the artifacts even had inscriptions on them. In addition, there were more than 120 ritual instruments in the old collection of Confucius Mansion, including the ten offerings of Shang and Zhou Dynasties, the five offerings of Han Dynasty, the Da Sheng Bell of Northern Song Dynasty, the musical instruments of Zhonghe and Shaoyue of Ming and Qing Dynasties, etc. At the same time, there were precious historical materials such as the archives of Confucius Mansion. In terms of clothing, there were more than 8000 pieces of clothing since the Ming Dynasty in the old collection of Confucius Mansion, including more than 60 pieces of clothing from the Ming Dynasty. Paintings of the Ming Dynasty such as the "Three Holy Statues" were also collected by the Confucius Museum. There were also some clothes of the Yan Shenggong family of the Ming Dynasty, such as the dark green woven gold gauze cloud shoulder sleeve phoenix pattern short shirt, green ground makeup gauze python skirt, etc. Among them, the blue makeup gauze cloud shoulder sleeve knee python robe was the official robe given to the 64th generation of Yan Shenggong Kong Shangxian by Emperor Wanli of the Ming Dynasty. The Temple of Confucius has preserved 1044 inscriptions since the Han Dynasty. There are records of the feudal emperors 'posthumous titles, titles, sacrifices to Confucius, and the construction of the Temple of Confucius. There are also poems and essays of emperors, generals, scholars and scholars visiting the temple. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics of Xingguo Temple
The cultural relics related to Xingguo Temple were distributed in different areas and had their own characteristics. In the former site of Xingguo Temple in Zhaigao Village, Zhaihao Township, Boxing County, Binzhou City, Shandong Province, there is a Zhangba Buddha, which is a national key cultural relic protection unit. Jiangyin, Jiangsu Province, has the Xingguo Temple Pagoda, which is one of the nine key cultural relics protected in Jiangyin. There is Xingguo Temple in Datong, Shanxi Province. It was built during the Wanli period of the Ming Dynasty. In 2019, it was announced as the eighth batch of national key cultural relics protection units. It is a typical representative of pavilion-style buildings of the Ming Dynasty. Once you enter the courtyard layout, you sit west and face east. There are ruins such as the main hall, the north side hall, the south side hall, the north meditation room, the moon gate, etc. The upper layer of the main hall is a wooden attic with a single eave resting on the top of the mountain. The inner eave beam frame saves the local color paintings of the Ming Dynasty. The lower layer is a three-hole brick cave. There is a pagoda in Xingguo Temple in Weishi, Henan Province. It was built during the Taiping Xingguo period of Emperor Taizong of Song Dynasty. It is the stupa of Taiping Xingguo Temple. It is 8 stories high and nearly 30 meters high. It is a double-eave pavilion-style hexagonal brick tower with brick statues embedded in the inner and outer walls. In 2006, it was announced by the State Council as a national key cultural relic protection unit. The Xingguo Temple in Yanling County was built in the first year of Taiping Xingguo in the Song Dynasty, more than 1,000 years ago. On the southwest side of the temple, there was a well-preserved six-corner nine-story pagoda built by the Song Dynasty, which was now a national key cultural relic protection unit. In addition, Xingguo Temple in the south of Guang 'an Urban area was a wooden temple built in the Sui Dynasty and rebuilt in the Ming Dynasty. It was announced as a county-level cultural relic protection unit in November 1980 and a city-level cultural relic protection unit in February 2000. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There are many cultural relics in the temple.
There were indeed many cultural relics in the temple. Four Buddha's finger bone relics were unearthed in the underground palace, as well as the silver flower two-wheeled twelve-ring tin staff known as the "King of the World's tin staff", eight treasure boxes, copper Buddha (gilded Buddha), gilded bird pattern silver sachet, 20 pieces of glazed ware, 14 pieces of secret color porcelain of the Fa Men Temple, gold and silver tea ware used by the imperial family of the Tang Dynasty, embroidered skirt of Empress Wu, as well as a large number of tortoiseshell coins, stone carvings, silver treasures on the top of the wisdom wheel door seat, pure gold treasure boxes on the top of the wisdom wheel door seat, etc. These cultural relics were rich in variety, covering Buddhist sacred objects, gold and silver ware, porcelain, silk fabrics, and many other categories. From the side, they reflected the deep historical and cultural heritage of the temple and its important position in history. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Donglin Temple cultural relics
Donglin Temple had a long history and many cultural relics. Shanghai's Donglin Temple was a city-level cultural relic protection unit in Shanghai City. Its architectural style was unique. The main building was built according to the tall imitation rockery building, forming a mountain temple that was a part of the Yuan, Ming, and Qing Dynasties. It was a part of the cultural relics. The temple also had three records in the world of Guinness: the tallest cloisonné statue, the statue of Shancai Boy, the tallest bronze door, the Thousand Buddha Sect, and the tallest indoor Guanyin statue, the Thousand-armed and Thousand-eyed Guanyin statue. Donglin Temple in Lianxi District of Jiujiang was one of the ten most popular temples in Jiangxi Province. There were also many cultural relics inside. Inside the temple, there was a statue of a guardian who protected love more than 1000 years ago, and a 1600-year-old Buddhist pine called the Six Dynasties Pine. Donglin Temple had collections ranging from the Sutra Translating Platform where the Eastern Jin Dynasty's Yuangong and the Western Region's classics masters translated scriptures to the "Remnant Tablet of Liu Gongquan" inscribed by Kang Youwei in the late Qing Dynasty. These cultural relics spanned more than a thousand years, showing its rich cultural heritage. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics of Cihua Temple
There are many cultural relics in Cihua Temple. Now there are still the first and second volumes of the Imperial Granted Nanquan Mountain genealogy, the Record of Puzu's Spiritual Effect, the Complete Manual of Sakyamuni's Secret Practice, the Sutra of Vajra Prajna Paramita written by Pu 'an, the Thousand Man Pot, the Snot Bell and other cultural relics. Among them,"Pu An's Handwritten Sutra of Vajra Prajna Paramita Sutra" is a precious cultural relic. It was written by Pu An, the founder of Cihua Temple in Yichun of Song Dynasty, with blood as ink and gold powder. The scripture was made of special blue gold paper with a total length of 1850 cm. It was 33 centimeters wide (35 centimeters in other words) and had a total of more than 20,000 words. Zen Master Pu 'an personally wrote 32 sections of "Jia Song", all of which were five words and eight sentences. It was written between 1151 and 1161, more than 800 years ago (or 850 years ago). It had extremely high cultural relics and academic value. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>