Why do street photography use a wide-angle fixed-focus lens?
There were the following main reasons for using a wide-angle fixed-focus lens for street photography. First of all, fixed-focus lenses usually had a large aperture and excellent blurring. Secondly, in street photography scenes, using a telephoto lens to bring the scene composition often required a long distance back. However, there were many people on the street and space was limited. The telephoto lens could not be used, but the wide-angle lens could bring the scene. In addition, street photography required one to hide themselves and the camera in the crowd. Using a wide-angle lens, even if one stood in front of the subject and shot from other angles, the subject could still be photographed. It could achieve the effect of secretly taking photos, and the subject was not easy to detect. In addition, when shooting at night or in low-light environments, the large aperture of the fixed-focus lens allowed the photographer to obtain a faster shutter speed. In this case, the zoom lens needed to choose a higher sensitivity to shoot, which would affect the quality of the image. Moreover, the location of the street photography was not fixed. It required walking in the streets and alleys. The wide-angle fixed-focus lens could record the subject and the surrounding environment together, while the fixed-focus lens with a narrow angle of view might not be able to shoot in the alley. Finally, choosing a wide-angle lens for street photography was good for explaining the relationship between people and things, as well as the background and time. It could also effectively balance the sense of space between the subject and the background, making the photo more profound. Read more exciting novels for free
Wide-angle fixed-focus lens for landscape photography
In landscape photography, the wide-angle fixed-focus lens had a unique advantage. From the focal length range, lenses between 24 - 35mm were considered wide-angle lenses, and 28mm focal lengths were more commonly used in landscape photography. The wide-angle fixed-focus lens could highlight the background and enhance the sense of space in the picture. Nikon's 14 - 24mm f/2.8G ED lens was the standard lens for architecture, scenery, and starry sky photographers. It could provide a wider angle of view. In landscape photography, 14mm and 17mm brought a big difference in the image effect, which was a good choice for photographers who pursued a wider angle of view. Canon's lens, the ts-e 17mm 4L lens, was the most widely available 135mm lens in the original factory. It also had special significance for landscape photography. However, there were some issues to be aware of when using a wide-angle lens. For example, an ultra-wide-angle lens (focal length below 24mm) might have perspective distortion and glare when shooting against light. Although this was a wide-angle fixed-focus lens, it was necessary to pay attention to similar issues to a certain extent to avoid these situations from negatively affecting the work. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Wide-angle fixed-focus lens parameters
Different wide-angle fixed-focus lenses have different parameters. Take Yongnuo YN35mm F2ZDG as an example. Its lens parameters are as follows: - 35mm focal length; - Aperture range: f/2 - f/16; - [Aperture Blades: 7 circular aperture blades] - 8 sets of 9 lenses (including 1 aspheric lens and 1 low-dispersion glass lens); - Closest focus distance: 0.35m; - Maximum Magnification: 0.13 - Aperture of filter: 52mm; - "size of the lens: 68mm × 73mm; - [Weight: 290g] - Type of bayonet: Z. The basic parameters of the 35mm F2DG GN (L mount/SonyE mount) are as follows: - [Purpose of lens: Wide-angle lens] - [Type of lens: Fixed focus] - 9 sets of 10 shots; - Focus mode: AF. - Zooming method: No zooming; - 58mm filter size; - "optical parameters: maximum aperture F2.0, minimum aperture F22, number of aperture blades 9 (circular aperture), focal length range 35mm, closest focusing distance 27cm, maximum magnification 1:5.7, viewing angle range 63.4°; - Other parameters: lens diameter 70mm, lens length 65.4mm (L-mount)/67.4mm (Sony-E mount), lens weight 325g. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Sony micro single fixed-focus wide-angle lens recommended
Here are some recommendations for the Sonny micro single fixed-focus wide-angle lens: - The price was about 9998 yuan. It had a large aperture and was suitable for shooting in a variety of scenes. The image quality was high. - The price was about 2928 yuan. The lens structure was eight groups of nine pieces, and the filter aperture was 49mm. Although it did not support anti-shake function, the price-performance ratio was relatively good. - The price was 2300 yuan. It was a wide-angle, biscuit lens type that could be used for micro-lenses and was relatively light. - Vicos AF20mm F2.8: It was affordable and had a good image quality. It was a suitable wide-angle fixed-focus lens for Sony-based users who were looking for cost-effectiveness. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Pentax full-frame wide-angle fixed-focus lens recommended
The Pentax FA 35mm f/2 wide-angle lens (fixed focus) was a good choice. It had a Pentax bayonet and a focal length of 35mm, but it had been stopped production. The price was 4650 yuan, and the attention index was 100. Pentax FA 24mm f/2 wide-angle lens (fixed-focus) could also be considered. It was also a Pentax bayonet with a 24mm focal length. It had been stopped production and cost 4550 yuan. In addition, Pentax Pentax-DA 35mm f/2.4AL color limited edition wide-angle lens (fixed focus), Pentax K mount, the price is between 878 - 1199 yuan. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Wide-angle fixed-focus lens with a Sony-mounted bayonet recommended
Here are some recommendations for the Sony-mounted wide-angle fixed-focus lens: - Old Frog Laawa 9mm F2.8 Zero D: Excellent sharpness and no distortion, but the price is higher. The dark angle can be post-processed, suitable for landscape and external building shooting. There is a field curvature problem for indoor use, and it is improved under small apertures. - Meike 10mm F2: suitable for landscape, architectural, street, or astrophotography. It has excellent sharpness, low distortion, low dark angle, good color rendering, very good anti-glare ability, and low dispersion. It also has excellent video shooting performance. However, the recent focusing distance is too long, and the weight and size are not very advantageous. - Viltrox 13mm F1.4: equivalent to 20mm in full-format. It is ideal for landscape, architecture, video blog or astrophotography. The overall optical performance is good, including excellent sharpness, small distortion, no dispersion, very good color rendering, good workmanship and ergonomical design. It has been specially optimized for video shooting, such as internal focus design, small breathing effect, good autofocus, but the size and weight are too large. - The SonyE15mmF1.4G had the features of a high-end lens, such as small, lightweight, excellent ergonomical design, aperture ring lever, excellent clarity, very good color reproduction, soft background blurring, excellent autofocus, very good anti-glare and low dispersion, but there were strong distortions and dark corners. The price was slightly higher. - SIGMA-SIGMA16mmF1.4DC-GN: It was one of the sharpest wide-angle lenses among the half-frame lenses of the company. It had a beautiful appearance, excellent optical performance, and a good user experience. - Yongnuo YN 16mm F1.8DA DPS: It was an excellent APSC wide-angle lens with excellent sharpness, excellent color reproduction and bokeh. The autofocus and ergonomical design were good, and the anti-glare and low dispersion levels were also good. It was cost-effective. - SonyE11mmF1.8: Super wide-angle fixed-focus lens, small and light, suitable for Vlog recording. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Full frame super wide angle fixed focus lens recommended
Here are some recommendations for full-frame super wide-angle fixed-focus lenses: - 18mmF1.8: 12 sets of 13 lenses (3 aspheric lenses, 1 UED lens, 3 ED lenses, 1 UHR lens). From the center of the picture to the edge, it had excellent clarity and resolution, suitable for shooting architectural scenery and other topics. When used for full-body portraits, it could obtain an "exaggerated" dramatic effect, and the suppression of breathing effect was excellent. Combined with the anti-shake function of Pantheon's full-frame body, it was also suitable for shooting vlogs and other life documentary films. However, for beginners, ultra-wide-angle composition was more difficult, so it was not suitable for daily photography. - Old Frog FF II 15mm F5.0 Cookie: This was a super wide-angle fixed-focus "cookie" lens specially designed for full-frame micro-frames. It was small and lightweight, and its 15mm focal length was suitable for landscape photography and urban architectural photography. The lens structure was 9 groups of 13 pieces (including 2 aspheric lenses, 4 ED lenses, and 3 special high-refraction glasses). - Old Frog Laawa 9mm F2.8 Zero D: The price is higher, but the sharpness is excellent and there is no distortion. It can deal with the problem of dark corners in the post-production. It can be used for landscape and external buildings to shoot amazing images. However, there is a strong field curve when used indoors, and it is improved under small apertures. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
How to adjust the focal length of the super wide-angle fixed-focus lens
The focal length of the super wide-angle fixed-focus lens was fixed and could not be adjusted. A fixed-focus lens only had a fixed focal length. For example, an ultra-wide fixed-focus lens labeled as 24mm could only shoot at a focal length of 24mm. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Which one is better for the Sony-micro-single wide-angle fixed-focus lens?
There were a variety of micro-single wide-angle fixed-focus lenses available in the company, each with its own characteristics. The following are some of the more popular lenses: - The price was about 11300 yuan, and it had good optical performance. - The price of the SonyFE35mmF1.8 (SEL35F18F) was about 4700 yuan, which was more cost-effective. - The price was 4499 yuan, and it had a large aperture of F2.8. It could achieve background blurring and autofocus. - The price was 4699 yuan. It had autofocus, was small and light, and had a large aperture of F1.4. - The price was 2699 yuan. Different lenses had different focal lengths, apertures, prices, and so on. Users could choose the wide-angle fixed-focus lens that suited them according to their own needs, such as budget, shooting scenes (portraits, landscapes, etc.), requirements for image quality and blurring effects, etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Super wide-angle lens travel photography effect
The super wide-angle lens had a multi-dimensional effect in tourism photography. In terms of composition elements, more elements could be included to make the picture more " comprehensive." This was more friendly to photographers who had composition choice confusion, but too many elements could lead to a messy picture and a lack of focus. For example, when shooting a big scene that contained many elements, all the elements would be included in the picture, which might make it seem like there was no distinction between primary and secondary. In terms of distortion control, it could highlight the majestic momentum of the picture. If the edge distortion was used well, it could enhance the expression. For example, when shooting a character, putting the limbs on the edge could produce the effect of long legs. However, if it was not used well, it would become a drawback. For example, if the face of the character was placed on the edge of the picture, it would be shot as a slanted " flat fatty." If the control was not good when shooting the building, it would make the building slanted. As for horizontal control, the inherent characteristics of the ultra-wide-angle lens made it difficult to control the horizon when shooting composition. It was easy to tilt the horizon when shooting with a hand, and the early process of shooting with a tripod was more cumbersome. In terms of depth of field performance, the super wide-angle lens was suitable for showing a large depth of field. It was almost impossible to shoot a shallow depth of field effect. If you wanted to have a deep and prominent feeling, you could only rely on reasonable composition. From the scope of use, the super wide-angle lens was not a " general use " type. The shooting subject was relatively limited, but it could show its unique charm when shooting scenery, architecture, and other subjects. For example, when shooting scenes such as extended corridors, spectacular buildings, and the internal structure of buildings, it could reflect the lens 'distortion control ability, color reproduction ability, special perspective relationship, and other advantages. It could also play a role in shooting special scenes such as the starry sky. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The difference between wide-angle lens and super wide-angle lens
In the field of photography, there were the following differences between a wide-angle lens and a super wide-angle lens: 1. ** Focus and angle of view ** - [Wide-angle lens: Normal wide-angle lens has a focal length of 38 - 24mm and a viewing angle of 60 - 84 degrees.] - [Ultra-wide angle lens: focal length 20 - 13mm, angle of view 94 - 118 degrees. Ultra-wide angle lens has a very wide angle of view (between 80 - 110 degrees).] 2. ** Visual Effects ** - Wide-angle lens: wide angle of view, large depth of field, suitable for shooting long and panoramic images, can show open space and grand scenes, has distortion effect, reasonable use can present a unique visual effect, improper use will cause the image distortion; - Super wide-angle lens: Due to its wider angle of view, it can accommodate more elements when displaying grand scenes, and the distortion effect may be more obvious. It is more advantageous when shooting scenes that require a strong visual impact (such as grand buildings, wide natural landscapes, etc.). The wide-angle lens (reflective lens) mentioned in the field of transportation did not have the concept of a super wide-angle lens. The main emphasis here was on its functions such as expanding the field of vision and ensuring safety. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>