A picture of a crane

Answer 1

Cranes often appeared in pictures. From an artist's point of view, some artists were obsessed with painting cranes all their lives. For example, there were artists who went to Crane Village many times to experience life for the sake of painting cranes. They blended their emotions with the cranes and dreamed of becoming cranes. There were also many artists who had created many paintings with cranes as the theme. For example, Yang Deheng's paintings mainly revolved around cranes. His "Rice Fragrance Season" used white storks (which belonged to the same bird species as cranes and had similar creative concepts) as elements. Li Zhongxin had created works such as the Painting of a Hundred Cranes. The cranes in his works were of different shapes, realistic and artistic. Guo Zhongyong, Liu Shaowei, and other artists also painted cranes. Liu Shaowei's painting of cranes and pine trees combined the movement of the pine trees and cranes very well.

From the symbolic meaning of the crane in the painting, the meaning of the crane was rich. In ancient times, it symbolized the official residence of the first grade. During the Ming and Qing Dynasties, the official uniform of the first grade civil officials used the pattern of the crane. It also represented longevity and wealth. Together with the pine tree, it symbolized the pine crane prolonging life. Together with the deer and the parasol tree, it symbolized the crane and the deer sharing spring.

In terms of painting skills, one had to pay attention to the physical characteristics of the crane. For example, it was a wading bird, about 120 centimeters tall, with a long neck, a long and sharp beak, straight and slender feet (three long characteristics), a bright red crown on the head, white feathers all over the body, but some of the feathers on the wings were black, and so on. In freehand painting, except for the red top, the rest of the parts can be expressed in different shades of ink. When drawing the crane's head, one had to pay attention to the shape of the beak and the changes in perspective. Adding nostrils, drawing eyes, forehead, cheeks, and crown had their own points. The crane neck was extremely flexible, and the black and white feathers crisscrossed in a regular pattern. When drawing wings, it was enough to understand the relevant knowledge of flying feathers and feather coverts. The crane tail was short and belonged to the round tail. When standing, the state of the tail feathers was different from when flying. When drawing the crane feet, one had to pay attention to its slender and thick knee joints. In addition, there were also the colors of young cranes and the different postures (such as flying, standing, slow walking, dancing, chasing, taking off, etc.).

In addition, the Painting of Auspicious Crane painted by Emperor Huizong of the Song Dynasty was also a typical representative of cranes in paintings. The crane was the main body of the painting, and deciphering the meaning of the crane in the painting would help to understand the meaning behind the painting.

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