What is the best lens for jewelry shooting?
When shooting jewelry, the macro lens was better. For example, the EF100mm f/2.8L Macro IS USM or the RF100mm f/2.8L Macro IS USM. When buying the first macro lens, you can also choose a lens with a focal length of 60mm, which can achieve a magnification of 0.5 times. If you have the financial ability, it is better to buy a macro lens that can shoot at a 1:1 ratio. In addition, a lens with a focal length of about 60mm could be installed not far from the subject to shoot, which was more suitable for shooting small items such as jewelry. The 18 - 55mm lens, which was commonly used in digital single-lens reflex cameras or mirrorless cameras, was more suitable for home photography and not suitable for shooting jewelry. Read more exciting novels for free
What are the parameters for the best lens for shooting jewelry?
When shooting jewelry, different lenses had different parameters. For example, Canon's EF100mm f/2.8L Macro IS USM or RF100mm f/2.8L Macro IS USM macro lens can be used for jewelry shooting; When choosing the D70S for the Nikon body, you can consider the standard lens 50/1.2 or 1.4, the Baiwei head EF100/2.8USM Macro, Canon TS-E45/2.8 or TS-E90/2.8. If you don't see the D70, you can choose the Tenglong 90/2.8SP, or you can also consider the AF60mm f/2.8D Micro. There was also the Nikon D800, which could use a 105mm f2.8 lens when shooting rings. When buying the first macro lens, you could choose a lens with a focal length of 60mm, and the more expensive macro lens could increase the full size (1:1). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Jewelry shooting lens recommendation
In jewelry shooting, macro lenses were recommended. For example, Canon's EF100mm f/2.8L MCROIS USM or RF100mm f/2.8L MCROIS USM. Nikon and other brands also had similar macro lenses to choose from. The macro lens could capture the details of the accessory well and highlight the creativity of the designer. In addition, you can also use a conventional lens with a close-up lens to shoot. For example, a NiSi close-up lens with a 70 - 200mm and 24 - 105mm lens can also achieve a shooting effect close to a macro lens to a certain extent. At the same time, like the 60-million-pel portrait focus dual camera configuration on the front of the Huawei nova 13 Pro, it could be used perfectly from 0.7x to 5x zoom. It could also be used for close-up shooting of accessories, and some mobile phone lenses could also achieve good results when shooting accessories, especially for some jewelry shooting scenes that were not particularly demanding or needed to be quickly shot. The mobile phone lens could provide a convenient way to shoot. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Which camera lens do you recommend for jewelry shooting?
Here are some recommendations for camera lenses suitable for jewelry photography: - The macro lens is an EF100mm f/2.8L Macro IS USM or an RF100mm f/2.8L Macro IS USM. - For the first time buying a macro lens, a lens with a focal length of 60mm was a good choice. This focal length could allow the magnification to reach 0.5 times. If the budget was sufficient, you could buy a macro lens that could shoot at a 1:1 ratio. - The Tenglong 90/2.8SP was also an option. - Canon EF100/2.8USM Macro, Canon TS-E45/2.8 or TS-E90/2.8. - The Nikon AF60mm f/2.8D Micro was also suitable for jewelry photography. - If the camera lens does not have a macro function, you can also choose a close-up lens. The close-up lens is generally divided into 1/2/4/8 times. The larger the value, the larger the amplification. When you use it, you can install it in front of the camera lens. You can choose the appropriate multiple according to your needs to take pictures of the texture, cutting, and embedding of the jewelry. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The best shooting distance of the lens
The best shooting distance of the lens was affected by many factors, and it was difficult to give a fixed value. In terms of focal length, lenses with different focal lengths had different characteristics. For example, in portrait photography, the distance from the whole body to the close-up shot with an 85mm focal length was about 1.5 to 5 meters. The 35mm-85mm focal length commonly used for portraits was not only close to the human eye, but also the shooting distance. The closest focusing distance of different lenses refers to the straight-line distance from the focal plane of the object to the focal plane of the image. The closest focusing distance of different lenses is different. Generally, the longer the focal length of the lens, the longer the closest focusing distance; the shorter the focal length of the lens, the shorter the closest focusing distance. However, this rule does not apply to macro lenses. The closest focusing distance is usually marked on the lens. There was no maximum focusing distance. The " infinity " on the lens indicated infinite focusing. When the focal length of the lens did not change, the shooting distance determined the size of the scene. It could be divided into long-range, panoramic, mid-range, close-up, and close-up. Close-up shooting was close, the subject was large, and the scope of the scene was small; long-distance shooting was far, the subject was small, and the scope of the scene was large. In surveillance cameras, the focal distance of a 2.1mm lens was 3 meters, and the focal distance of a 25mm lens was 80 meters. The larger the lens, the farther it looked, but the smaller the angle. Its effective range changed according to the size of the lens, generally within 100 meters, and its range was also variable when the lens was variable. The magnifying factor of the lens was approximately equal to the ratio of focal length to object distance. As the focal length increased, the magnifying factor increased, allowing the close-up view to be zoomed out and the details in the distant view to be clearer. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shooting relics and jewelry
There were many factors to consider when shooting cultural relics and jewelry. For the shooting of cultural relics and jewelry, the first thing to pay attention to was the lighting. As some cultural relics are sensitive to light, such as paper, fabrics, prints, rubber paintings, colored leather, plant specimens, etc., the recommended illumination value is <50LX.(Color temperature <4000K); bamboo, wood, rattan, bone, lacquer, murals, natural leather, animal specimens and other light-sensitive items, the recommended illumination value is <180LX (color temperature <4000K); For the types of items that are not sensitive to light, such as metal, stone, glass, porcelain, jewelry, and glaze, the recommended illumination value is <300LX (color temperature <6500K). The most commonly used flash lamps in daily life, such as the Xenon Lamp, had a color temperature of about 6200K and an instantaneous illumination of more than 10,000 LX, far exceeding the tolerance of many cultural relics. Therefore, it was generally not possible to use flash lamps to shoot cultural relics and jewelry, in case the infrared and infrared rays in the strong light caused damage to the surface of the cultural relics and jewelry, causing the molecules on the surface of the cultural relics and jewelry to decompose or react to change the original characteristics. In addition, the violet rays in the sun could also cause damage to cultural relics, so in addition to avoiding flashes, it was also necessary to prevent cultural relics and jewelry from being exposed to the sun. Secondly, copyright issues also needed to be considered. If the cultural relics and jewelry were works that had signed an agreement with the museum or gallery, they were not allowed to shoot at will to avoid harming the interests of the relevant parties. If the above conditions were met, suitable lighting equipment could be used, such as soft lighting in the venue or some special photography lighting equipment, without damaging the cultural relics and jewelry. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon 80D, what lens is the best for shooting videos?
In terms of price, the Canon 80D could be equipped with a half-frame macro lens, such as a 60-micro lens, and in terms of performance, the highest-grade macro lens, such as a 100-micro lens, could be selected. The 18 - 55mm lens was suitable for shooting landscapes and portraits. It was equivalent to the full-frame 28 - 88mm lens. It had both wide-angle and standard focal lengths. It could be used to shoot general landscape photos, portraits, and even close-up micro-objects such as macro flowers. You can also choose a combination of 24 - 105mm, F4.0, and 50mm or 85mm fixed-focus lenses. You can also use a 18 - 135 usm lens, which can cover both wide-angle and telephoto lenses, making it convenient and convenient. For rural videos, the ESF-S 17 - 55mm f/8L IS USM lens had a wide angle and could capture details, and the ESF-S 55 - 250mm f/4 - 3L IS ATM zoom lens was convenient for telephoto shooting. If the budget allowed, the upgraded to the EOS R system's RF24 - 70mm f/8L IS USM could bring better image quality. If you want to be economical, you can consider the ESF-M 15 - 45mm f/5 - 6IS SIM head when shooting rural scenery or daily activities. In addition, the lens with autofocus can automatically focus, and when recording videos, it can focus on the full screen. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon lens shooting parameters
The common shooting parameters of Canon lenses were as follows: - ** Shot Type **: - "EP: Can be used with Canon's Canon's Canon 'Canon's Canon' Canon - ESF-S: Canon's APS-C frame single-lens reflex lens. It can't be directly installed on a full-frame single-lens reflex. It can be used on the eos-M series micro-lens and eos-R full-frame micro-lens through the transfer ring. - "ESF-M: Canon's Eos M series micro-lens. It cannot be used on other Canon cameras. - <<PR>: Canon's Eos R series full-frame micro-lens. It cannot be used on other Canon cameras. There were also MP-E (specialized for macro photography) and TS-E (electronic controlled shift lens), two special products. - ** focal length of lens **: A small number means a wide angle of view, and a large number means a good telescope. The focal length in the lens model is the physical focal length. For non-full frame cameras, you may need to consider the equivalent factor conversion according to the camera model. - ** Maximum Aperture **: For a zoom lens, if it is in the form of "f/2.8", it means that it is a constant aperture lens, and the entire focal length range can be set to this aperture; if it is similar to "f/3.5 - 5.6", it is a floating aperture lens, and its maximum aperture changes over the entire focal length range. - ** Lenses Grade **: L (Luxury) means Canon's high-end lenses, which are red circle lenses. These lenses usually have a red decorative ring at the front. - ** Image Stabilizer **: The IS (Image Stabilizer) logo indicates that the lens is equipped with Canon's unique image stabilizer, which can offset the image blurring caused by hand shaking within a certain range. It is commonly used in Canon's high-end professional lenses. - ** Focus motor **: - USM (Ultra-Sonic Motor): The lens using USM technology can achieve silent and fast-response autofocus. It is divided into three types: micro, ring, and NANO. - <strong></strong> - ** Other Marks **: - AL: It means that aspheric lenses are used in the lens design, which can reduce the number of lenses, reduce weight and volume, and provide better optical performance. It is used to solve the problems of glare and edge distortion in wide-angle and zoom lenses. It can also improve the optical quality of telephoto lenses. - DO: Lenses marked with this logo are equipped with multi-layer reflective lenses, which have the characteristics of fluorite and aspheric lenses. They are generally high-end lenses. - EMD: It means that the lens can open and close the aperture by electronic control. - Float: When the lens is used for close-up shooting, the lens will compensate for the aberrations at close range to obtain better image quality. - XP: The lens with this logo is a high-end professional lens. It has a focus presetting function that allows the lens to remember a certain focus distance. After setting it, it can automatically return to the set focus distance. It is also effective in manual focus mode. - FT - M: A lens with full-time manual function. You can manually adjust the focus of the lens in autofocus mode. - S-KD: It means that the lens uses S-KD glass lenses, and its optical performance is close to that of fluorite. The effect of an S-KD lens is equivalent to that of a fluorite lens. - KD: It means that the lens is made of KD glass lenses. The effect of two KD lenses is equivalent to that of a fluorite lens. - <MACRO>: This means that the lens has a strong close-up ability. - [DPS: A coating technology that optimized bokeh.] <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shooting star camera lens
For star photography, the 14 - 24mm f/2.8G ED lens was the standard for architectural photographers, landscape photographers, and starry sky photographers. Its large aperture (f/2.8) helped to increase the amount of light entering in low-light environments (such as shooting stars), and the 14mm super wide angle could capture a wider view of the stars. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shooting lens, product photography
Here are some shots suitable for product photography: - ** Canon EF50mm f/1.8STAR **: launched in 2015. It is Canon's third generation ultra-cheap autofocus 50mm f/1.8 lens. It is more convenient to use on crop sensors and full-frame cameras. It had a circular aperture with seven blades and a maximum aperture of f/1.8 for clearer images. It also had the fast autofocus function brought by Canon's Stepper Drive (Stellar Electromotion) technology. - ** Canon EF50mm f/1.4USM **: The price is higher than Canon EF50mm f/1.8STAR, but the small increase in the maximum aperture can significantly improve the clarity and bokeh quality. It is compact, light, and easy to store. It is a Canon lens suitable for product photography. - ** Canon EF85mm f/1.8USM **: Short focal length fixed-focus lens, slightly compressed angle of view can achieve pleasant results, bright f/1.8 maximum aperture can isolate the subject and use shallow depth of field technology, which is conducive to working in low light conditions. Each component is coated with a super spectral coating to achieve high color accuracy and contrast, which can minimize reflections, lens glare, and ghosting. The ring-shaped USM provides fast and quiet autofocus performance and full-time manual focus control. - ** Canon RF100mm f/2.8L macro IS USM**: designed for full-frame cameras of the Eos R series. Combining medium telephoto field of view, fashionable design, and close-range focusing performance, it is the ideal choice for portraits, products, and macro subjects. It has a fixed focal length of 100mm, a bright f/2.8 maximum aperture, fast high-precision autofocus, and spherical aberration control ring. The near-focus design can handle subjects up to 10.2 inches, and the super spectral coating can minimize ghosting and glare under strong light conditions. - ** Tenglong SP 90mm F/2.8 Di Macro 1:1 VP USD F017 macro lens **: The focal length is practical. Compared to the 60 macro lens, the background will not be too much trouble in the picture. Basically, you can shoot around the product. When the background was messy, it could also make the background less conspicuous and highlight the product. It could also compress the space to place more things in the same field of view, allowing the product to be taken without distortion. - ** Sima Art 50mm F1.4 DG HSM lens **: The current price is 4399 yuan, and the second-hand price is more than 2000 yuan. It's cost-effective. It was compatible with the Nikon's FTZ ring, and it worked well. The focus was accurate and the noise was low, but the weight and size were more prominent. Shooting products can get a good texture and highlight the main body, basically without distortion, and can also reduce the image interference factors when the scene is not ideal. - ** Seagull 90mm f4.5 magnifying lens (produced by Shanghai No. 2 Eyewear Factory)**: A domestic lens from more than 40 years ago. At that time, the price was 25 yuan. Now, the imaging effect of a digital camera is quite good. Aperture adjustment range of 4.5 - 16, 62 aperture blades, silver appearance small, long distance between the two sides can be transferred to a variety of digital cameras, can cover the medium frame, through the focusing tube expansion and contraction focus, four pieces of mangostana plug structure sharpness is better. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
How to use the macro lens for jewelry pictures
The following methods can be used when using the macro lens for jewelry pictures: 1. ** Choose the appropriate aperture and focus **: When using a macro lens to shoot jewelry, don't think that a large aperture (such as f2.8 or f4) will make the photo brighter. Moreover, the depth of field of the macro lens is small. Generally, the aperture should be around F8. At the same time, you must ensure that the focus is accurate. 2. ** Choose the correct focal length **: Try to choose a long focal length macro lens or the telephoto end of a zoom lens. This way, you can be farther away from the subject. When shooting small objects such as insects, you won't disturb the subject, and you can better blur the background. 3. ** Use light **: Side lighting, side backlighting, and backlighting are suitable for expressing the space and three-dimensional sense of the jewelry, but the light ratio cannot be too large. It can be shot in soft light in the morning and evening. When the light ratio is large, you can use a macro flash, a ring flash, or a reflective plate to supplement the light. 4. ** Reduce the background **: Blur out unnecessary distractors to highlight the subject, increase the distance between the subject and the background, use a long focal length lens or use an artificial background. The principle is to use dark colors against light subjects, and light backgrounds against dark subjects. The subject should be exposed to normal light while the background is in the shadows. 5. ** Use special props (option)**: You can install a close-up lens in front of the camera lens and choose the appropriate close-up lens to obtain the required magnifying effect. You can also use the close-up macro ring to turn the ordinary lens into a macro lens to shoot jewelry. 6. ** Phone macro lens shooting (if it's a phone shot)**: Stand up the phone, point the front of the phone at a mirror, and add the macro lens directly. After the person walks away, prepare to shoot the details of the jewelry bracelet. You could also clip your phone and add a macro lens, then match it with a reasonable lighting arrangement or choose a place with good lighting to shoot. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>