Zhang Keshen was born in Yingkou, Liaoning Province in 1940. He was one of the outstanding representatives of the contemporary China peony painting world. Most of his peony works were freehand style. His works combined the eastern artistic conception and the western taste, showing a brand new style of the times. In terms of painting techniques, there were many ways to mix the flower colors of freehand peony, such as vermilion + ebony + rouge, etc., and the changes in moisture, shade, and color ratio would produce different effects. Freehand peony pen pays attention to calligraphy holding pen, fingers solid palm empty, brush tip can be changed, lying on the side turn, push and pull freely. When painting, the center, side, back, pause, and rubbing strokes should all be used. The circle should be square, and the square should be round. The size and length of each stroke should be different. It was also necessary to pay attention to the timing and connection of the strokes. Through the change of qi and force when the brush was moved, different emotional strokes should be produced. At the same time, it was forbidden to paint, draw, make, and repeatedly draw and pile up, emphasizing writing. Some of his works were collected by friends in France, Thailand, Singapore, the United States, and Japan, as well as domestic calligraphy and painting enthusiasts. Some of his personal works were included in albums such as "World Artists Chinese Volume","World Chinese Art Collection", and "Modern Painting and Calligraphy Art". Since 2005, his Peony Fine Art Collection has been published by Tianjin People's Press and Liaoning Fine Arts Press. In some art exhibition, such as the "Cultivation of the Heart, Chaoyang Life" art and aesthetic education series activity held in Chaoyang District of Changchun City-"Zhang Keshen's China Painting of Landscape, Flower and Bird Exhibition", he used delicate and beautiful strokes to show the delicate posture and vitality of peony flowers. Every time his peony works were exhibited, the response was enthusiastic. Everyone liked the peony he drew with his pen. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Zhang Keshen's Peony Fine Paintings Collection was published by Tianjin People's Press and Liaoning Fine Arts Press in 2005. It was reprinted several times from 2005 to 2011. Its isnbn is 9787530529669. The author, Zhang Keshen, was born in Yingkou, Liaoning Province in 1940. He loved painting and calligraphy since childhood. He graduated from the Fine Arts Department of Northeast Normal University and was good at freehand peony and plum blossoms. His works won awards in many calligraphy and painting exhibition. Some of his works were collected by friends from many countries and domestic calligraphy and painting enthusiasts and were included in many albums. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Zhang Youxin's "Peony" is seven unique: "A peony is worth a thousand gold, and it will be said that the color is the deepest. Today, the balustrade is full of snow, and I will live up to my heart." " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Peony's Rejection was a classic wuxia novel about a young hero named Zhang Kangkang who saved a beautiful woman Peony by chance. However, Peony fell in love with Zhang Kangkang at first sight. However, Zhang Kangkang already had another woman, Qin Wan 'er, and they had always been in love with each other. Peony decided to leave Zhang Kangkang for love, but Zhang Kangkang was very reluctant to leave. The two experienced many twists and turns and tests. Finally, Peony realized that her love did not get Zhang Kangkang's response, so she chose to give up and return to her hometown. Zhang Kangkang continued to pursue his love with Qin Wan 'er's help and finally won her heart. This story expressed that love required both parties to work hard and give in order to obtain true happiness.
Zhang Peizhi's peony paintings had many characteristics. In terms of style, the peonies under his pen were in all kinds of poses. Some were graceful and luxurious, while others were petite and exquisite. His works were different from the traditional China flower and bird paintings. He used no or less white space to make the painting more thick and heavy, thus emphasizing the majestic boldness of the peony. At the same time, he paid attention to the accumulation of ink and the blurring of light ink in China painting techniques, so that the lines between flowers and branches were interlaced with a certain degree, and the green leaves and red flowers were clearly visible. In terms of content, the peony he painted was different from traditional China paintings. It was more endowed with cultural and spiritual content. The transformation of this content was based on cultural experience and life perception. He not only pursued the spirit of wealth of the peony, but also paid more attention to the expression of the enthusiasm of life of the peony, which broke through the traditional taste of China flower and bird painting and showed a kind of bold and unconstrained majestic spirit. In terms of innovation, on the basis of inheriting traditional techniques, he integrated Western painting art (such as oil painting, watercolor, etc.) and the artistic expression of Shandong folk prints. In terms of composition, color, and tension, he formed his own unique and innovative style. His works were vigorous, the lines were agile, the colors were changeable, and the composition was unique. In terms of space composition, pen and ink formation, artistic modeling, etc., they gradually formed an ancient and new style. They were vigorous and moist, with profound artistic conception, full of the flavor of the times and unique artistic style. In terms of the scale of his works, his big works did not seem messy, and his small works did not seem trivial. Although he worked hard, there was no trace of deliberate carving, which could bring the viewer into the world of peony flowers blooming and competing for beauty. His works were also widely praised and had a great influence at home and abroad. They were collected by many institutions at home and abroad. For example, on January 17,2023,"National Beauty and Fragrance--Zhang Peizhi's New Ink Painting Exhibition" was held in the Art Museum of Weifang City Radio and Television Station. The exhibition works covered his creative styles in four periods, including traditional ink paintings and innovative works. The peony paintings on the exhibition site made the visitors stop to appreciate and take photos. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
There were 40,000 special 61 peony sheetlets. There was no exact number of them in existence at the moment, but it was known that most of the good quality ones were traded in the market. For example, Zhao Yong, the weather indicator of the stamp market, had the transaction situation of the relevant peony sheetlets online. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Zhang Youxin's poem "Peony" is: "A peony is worth a thousand gold, and it will be said that the color is the deepest." Today, the balustrade is full of snow, and I will live up to my heart." This poem expressed the disappointment of the author's marriage. In the Tang Dynasty, peonies were best in dark colors. Dark peonies were gorgeous, like beautiful women, while white peonies were much inferior. Zhang Youxin once said that he wanted a beautiful wife. His good friend Yang Yuqing planned to marry his daughter to him, but his daughter was " virtuous but colorless ". This was like seeing a column full of white peonies that were as white as snow. It was far from his standards for choosing a spouse. " I've lived up to my love for flowers " was a helpless sigh. He felt that the plain white peony had lived up to his love for flowers. After this poem spread,"Fickle Heart" became a synonym for men who were not devoted to their feelings. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
In 2023, Zhang Fusheng's Grade 8 Peony Painting was priced at 800 yuan, and a Grade 9.5 Peony Painting started at 700 yuan. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
A peony flower was worth thousands of gold, and she only knew how to like the darker colors. But today, the garden was full of white peonies that bloomed like snow, disappointing the hearts of people who had seen flowers all their lives. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Zhang Shoukai was from Yinan, Shandong Province. He was good at Chinese paintings of mountains and rivers, flowers and birds, including peonies. There was a four-foot-long peony work he created called "Maotang Spring Daytime Eternal". The price was 200 yuan, and the quality was 95 grade. It came from Linyi, Shandong Province, and could be sent to Chaoyang District Beijing City. It was guaranteed by a certified seller to deliver the goods quickly and provide after-sales protection. The material was paper, and the frame was film. The size was 138×69cm. It was put on sale on April 19,2022. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Peony's Rejection was a famous story set in the 1930s. It told the story of a woman named Wang Yaoqin who chose to free herself and pursue freedom under the pressure of a feudal family and society. The novel was developed from Wang Yaoqin's perspective, reflecting the various difficulties and challenges faced by women in that era through her life experiences. Wang Yaoqin was a girl from a wealthy family, but her love and marriage were obstructed by her family and society. In the novel, the author described the emotional entanglement between Wang Yaoqin and her husband, as well as her suffering and pain under the pressure of her family and society, showing the injustice and oppression faced by women in a feudal society. At the same time, the novel also expressed Wang Yaoqin's criticism and doubts about feudal ethics and traditional values through her own exploration and reflection. In the novel, Wang Yaoqin not only rejected the traditional concept of marriage, but also bravely chose self-liberation and the pursuit of freedom, showing her desire for the liberation of human nature and freedom. The Rejection of Peony is a long novel full of thoughts and artistry. Through a woman's life experience, it deeply reflects the social reality of that era and the situation of women. It has high literary value and social significance.