"The Complete Version of Dream of the Red Chamber Painted by Sun Wen of the Qing Dynasty" was edited and painted by the painter Sun Wen. Sun Wenyue was born in the year of Wuyin in Jiaqing of Qing Dynasty (1818). He was born in Fengrun, Hebei Province. His name was Runzhai, and his name was Yuyang Jushi. He painted from the age of 50 to 85 and completed this work in 36 years. The album began to be brewed and started in the sixth year of Tongzhi (1867). It was generally completed in the twenty-ninth year of Guangxu (1903). It was his only masterpiece. The whole picture began with the panoramic view of the Grand View Garden in the Story of the Stone, and many scenes in the garden were included in the painting. Starting from the second painting, they depicted the main plot of 'The Complete Version of Dream of the Red Chamber'. There are a total of 230 paintings in existence, depicting the main plot of 'Dream of the Red Chamber' in the form of paintings. It had a total of twenty-four volumes. It was a kind of meticulous painting that integrated mountains, rivers, people, flowers, birds, boundary paintings, etc. It covered almost all the painting contents of mountains, rivers, people, flowers, trees, towers, pavilions, rare birds and beasts, boats, carriages, chariots, immortals, ghosts and miscellaneous items, etc. Most of them were panoramic and highlighted the figures. Sun Wen's techniques were well-rounded and proficient. He inherited the fine traditions of China painting and absorbed Western painting techniques. He had the luxurious and rich style of the palace and the inner charm of literati painting, as well as the bright and vivid colors of folk painting. Both refined and vulgar were appreciated. The strokes were delicate and the style was fresh. While using the traditional green landscape painting techniques, he also used the Qing Palace New Style Painting to increase the sense of perspective when painting buildings and gardens. The content of this work was rich, from the poignant beauty of Daiyu's burial of flowers to Xiangling's drunken stupidity, from the prosperity of the Jia family to the final decline and decline. The expressions of the characters were exquisite, the details of their clothing were amazing, and the garden architecture was also very realistic. When Mr. Zhou Ruchang, a famous Redologist of the older generation, first saw the large colored silk copy of 'Dream of the Red Chamber', he praised it as' several times more detailed than the commonly seen top-grade paintings of 'Dream of the Red Chamber'. It was a treasure worthy of appreciation and enjoyment.' He even happily wrote poems for each painting page. The Complete Version of Dream of the Red Chamber Painted by Sun Wen of the Qing Dynasty was published by Changjiang Literature and Art Press in 2010. The book had a total of 130,000 words, with an ismn of 9787510600029 and a price of 58.00 yuan. Whether it was an art collection or a cultural gift for friends and family, it was very suitable. It could let people appreciate the profoundness of China traditional culture. Read more exciting novels for free
The painting album of Dream of the Red Chamber, hand-painted by the master of traditional Chinese painting Sun Wen of the Qing Dynasty, was a work of great appreciation. The album had a total of 230 pictures, showing more than 3000 characters and various scenes. The strokes are exquisite, the colors are rich and gorgeous, and the plot is coherent and vivid. The author placed the characters 'activities and plots in a specific environment from a unique perspective, and used a vivid and intuitive art form to sketch a poetic picture of the blending of emotions and scenes. He presented the classic masterpiece, Dream of the Red Chamber, as thought-provoking, elegant and popular. The content of the painting was rich, including mountains and rivers, people, flowers and birds, pavilions, rare birds and beasts, ghosts and immortals, and miscellaneous items. These hand-drawn drawings depicted many classic storylines of 'Dream of the Red Chamber'. The hairstyles, clothing, and life scenes of the characters truly reflected the life of the late Ming and early Qing Dynasties. If you want to appreciate the original, you can go to the Lushun Museum. In July 1959, the Shanghai Cultural Relics Preservation Committee received this precious album and handed it over to the museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Qingwen was a character in " Dream of the Red Chamber." Her personality traits included innocence, kindness, dexterity, impatience, clear distinction between love and hate, willfulness, stubbornness, soft-heartedness, arrogance, a sharp tongue, a soft heart, competitiveness, and courage to pursue. She was known as Lin Daiyu's shadow. Her heart was higher than the sky, and her life was thinner than paper. Qingwen lived the life of a rich young lady in Jia Baoyu's room and was deeply loved by Grandmother Jia and Baoyu. However, because of her closeness with Baoyu, Lady Wang mistakenly thought that she was leading Baoyu astray and was eventually chased out of the Jia residence. Qingwen's fate was tragic, and her character won the readers 'love in' Dream of the Red Chamber'. Her image had practical significance, allowing modern people to reflect on their own words and deeds, examine society, and find the truth suitable for the development of modern people.
There was Jia Baoyu in 'Dream of the Red Chamber', but there was no character named' Jia Qingyu'. Qingwen was an important character in 'Dream of the Red Chamber'. She was the head of the Twelve Beauties of Jinling and one of the four maids in Jia Baoyu's room. Qingwen was beautiful, had outstanding needlework skills, a noble mind, and a straightforward personality. She was first bought back by Lai Dajia, then given to Grandmother Jia by Lai Nanny, who then gave her to Baoyu. Qingwen was straightforward and could not hide things in her heart. She offended many people, such as Granny Li, Hong Yu, Xue Baochai, Xiren, and Madam Wang. She could not stand the flattery and authority of the upper echelons of the Jia family. When she was sixteen, she offended Wang Shanbao's family because of her personality. The next year, when Madam Wang raided the Grand View Garden, Qingwen poured out a box and scolded Wang Shanbao's family. Later, she was chased out of the house while she was seriously ill and died with hatred. Baoyu heard from the little girl that Qingwen became the Goddess of Hibiscus after her death and wrote the "Lotus Daughter Lei" to express her grief. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
'Dream of the Red Chamber Is Not a Dream', created by Peppermint and Lily of the Valley. The author loved the Dream of the Red Chamber and was dissatisfied with the ending. He wanted to give Daiyu a different life. The Scholar in the Siheyuan, written by 80 Ah Tao about urban life. The male protagonist, Yang Xiaotao, transmigrated to the world of Siheyuan. His predecessor was beaten to death before he transmigrated. There was a " Happy Learning System." The early stages were interesting, but the supporting characters were mentally challenged in the later stages. Some people felt that the main character was useless. "Little Sister of the Lin Family in the Red Chamber" is an ancient literary work written by Tianran Wujia. The female protagonist, Lin Xiaomei, became Daiyu's biological sister and bravely fought against the evil forces of the Jia family. "Red House is Floating Clouds," Xiao Li under the cherry to create the palace palace house fighting article. Daiyu was reborn and left the Jia family to abuse the best. Jia Baoyu was not the male protagonist. " I Have a Scroll of Demon Subduing " was a light novel written by a superficial teenager. The protagonist Lin Yi had a cheat code in the demon subduing book, many female leads, humorous writing style, and interesting story but also lacking. Each of these novels had its own characteristics, and there was a shortage of books to read. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were many artists who had drawn the characters of 'Dream of the Red Chamber'. - [Gaiqi: Qing Dynasty painter. The characters in his work," The Dream of the Red Chamber ", are weak and thin. They have a unique style. There are 50 paintings in this woodblock collection, covering 55 characters, including Tongling Baoyu, Crimson Pearl Immortal Grass, Jinghuan Fairy, Lin Daiyu, Xue Baochai, and many other characters in " The Dream of the Red Chamber."] - Fei Danxu was a painter of the Qing Dynasty. He was famous for his paintings of beautiful women. Together with Gaiqi, he was also known as Gaifei. The beautiful women in his paintings were beautiful, with loose threads and light colors. His representative was the "Twelve Golden Hairpins Painting" collection in the Palace Museum. - Wang Shuhui: Modern female painter. Her painting theme is mainly ancient ladies. Her paintings are full of emotion, elegant and quiet, and have a long charm. Her painting of Dream of the Red Chamber reflects the pure classical aesthetic taste of China. - Liu Danzhai: Modern painter, his works are fresh and charming. His "Dream of the Red Chamber--Twelve Beauties of Jinling" stamp won the National Stamp Award in 1981. - Dai Dunbang: A modern painter. The characters in his " Hundred Pictures of the Dream of the Red Chamber " were exquisitely portrayed. He paid attention to the description of the characters 'expressions, such as the deep affection of Daiyu, the innocence of Xiangyun, the calmness of Yuanyang, and the firmness of Third Sister You. The paintings were exquisite, elegant, and elegant. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were many reasons why 'Dream of the Red Chamber' was banned in the Qing Dynasty. First of all, the novel Dream of the Red Chamber described the dark side of the Qing Dynasty society and expressed its criticism of the feudal society. Secondly, there were a lot of private descriptions and family internal struggles in the novel, which involved the privacy of the characters and family secrets. It was considered that the excessive description of privacy was not conducive to social stability. In addition, some of the descriptions in the novel did not conform to the wishes of the Qing Dynasty rulers, which was regarded as sarcasm and criticism of officials, which was also one of the reasons for the ban. In the end, the novel "Dream of the Red Chamber" was banned in the Qing Dynasty for many reasons, including its criticism of reality, privacy, and not in line with the wishes of the rulers.
Dream of the Red Chamber was closely related to the social culture of the Qing Dynasty. In terms of feudal social structure, the social hierarchy of the Qing Dynasty was strict, divided into gentry, farmers, craftsmen, merchants and other classes. In Dream of the Red Chamber, the Jia family was the representative of the gentry class. The hierarchy within the family was clear, and the status, rights, and obligations of different levels of figures in the family were significantly different. From the perspective of civil officials and generals, the Qing Dynasty's bureaucrat system, which was dominated by civil officials, was selected through the imperial examination. Dream of the Red Chamber also reflected the importance of the imperial examination, such as the family's expectations for their children to study for the imperial examination and enter the court as officials. In terms of social etiquette, the Qing Dynasty attached great importance to etiquette, which was reflected in Dream of the Red Chamber. For example, the etiquette regulations in banquets, weddings, funerals, and other activities reflected the social status and identity of the characters. In terms of women's status, women in the Qing Dynasty usually had a low status and were restricted by their families. However, female characters such as Lin Daiyu and Grandmother Jia in Dream of the Red Chamber showed some intelligence and influence. In terms of the prosperity of literature and art, literature and art flourished in the Qing Dynasty. Dream of the Red Chamber was a typical representative of the prosperity of literature in this period. Not only did it reach a very high artistic level in the creation of novels, but it also described artistic activities such as watching movies and listening to music, as well as cultural phenomena such as people reciting poems and painting in the Grand View Garden. These all reflected the respect for literature and art in society at that time. In the context of social change and conflict, Dream of the Red Chamber also revealed the contradictions and crises within the family, such as the financial deficit faced by the family. To a certain extent, this reflected the various changes and unstable factors faced by the Qing Dynasty society. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were 120 chapters in the current edition of 'Dream of the Red Chamber'. It was generally believed that the first 80 chapters were written by Cao Xueqin, a Qing Dynasty writer, while the last 40 chapters were written by an anonymous author, compiled by Gao E and Cheng Weiyuan. Other than that, there was also "The Story of the Stone", which claimed to be a full 108 chapters, but only the last 28 chapters and the first 80 chapters had been published. Sun Wenhui's full version of "Dream of the Red Chamber" was also mentioned and published by the Writers 'Press in 2007. There was also "The Full Version of Dream of the Red Chamber (All Three Volume)" published by the Modern Education Press in 2010. The authors were (Qing Dynasty) Cao Xueqin and Gao E. And the full-length play "Dream of the Red Chamber" produced by the Shanghai Dramatic Arts Center was adapted by the national first-class screenwriter Yu Rongjun based on Cao Xueqin's classic work. However, there were still many disputes about the true full version of 'Dream of the Red Chamber'. Different versions might have differences in the plot, the fate of the characters, and so on. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Among the many characters in 'Dream of the Red Chamber', Qingwen's fate was extremely tragic. Qingwen's identity was humble, she was a servant girl in Jia Baoyu's room. Although she was beautiful, skilled in needlework, and had a noble mind, she was straightforward, which became an important factor in her tragedy in the feudal Jia family. She had offended many people, such as Granny Li, Hong Yu, Xue Baochai, Xiren, and Madam Wang. When he was sixteen, he offended Wang Shanbao's family when the situation in Grand View Garden worsened. Later, Lady Wang raided the Grand View Garden and listened to the slanderous words of Wang Shanbao's family. When Qingwen was seriously ill, she was expelled from the Jia residence. Qingwen died with hatred. However, it was difficult to say that Qingwen was the most miserable character in 'Dream of the Red Chamber'. In 'Dream of the Red Chamber', many characters had their own tragic fates. For example, Lin Daiyu lost her mother when she was young and lived under someone else's roof. Her love with Jia Baoyu could not be fulfilled and eventually died of tears. There was also Xiangling, who was originally Zhen Shiyin's daughter, but was kidnapped and tortured in the Xue family. In the end, she was persecuted to death by Xia Jingui. The encounters of these characters were also full of tragic colors, but the tragic aspects were different. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Qingwen was a character with a unique personality in 'Dream of the Red Chamber'. She was born to be romantic and dexterous, and was deeply loved by Grandmother Jia, but her fate was tragic. Her character was a double-edged sword. On the one hand, her straightforwardness and resistance made her unwilling to be oppressed by the fate of a slave, and she had the consciousness of pursuing equality. On the other hand, she was too flamboyant and did not know how to restrain her edge. She was mean to her servants and merciless to her master, sowing many seeds of disaster. Although she had a proud character, she had made many enemies in the Jia residence, which was strictly governed by feudal ethics. In the end, she was expelled from the Jia residence and died with hatred. This character's image deeply reflected the influence of personality on fate. It also allowed people to see the complex interpersonal relationships and hierarchical oppression in the feudal family. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>