What lens is suitable for shooting big scenes?
Super wide-angle zoom lenses were suitable for shooting large scenes, such as 16 - 35mm F4, 10 - 18mm lenses, etc. This type of lens could capture a wider field of view and perfectly blend the character with the environment behind it. It was the ideal choice for shooting Vlogs and landscape videos. For example, the Sony16 - 35mm F4 and Pantheon 14 - 28mm lenses were light and compact, suitable for selfies and Vlog videos with large scenes. In addition, Canon's RF15 - 35mm F2.8LIS USM lens was a special " big three-yuan " lens for Canon's full-frame micro-single series. It had a 15mm ultra-wide angle, and the entire zooming area had a very high image quality performance. It was suitable for shooting scenery, buildings, and other large scenes. Read more exciting novels for free
What kind of lens is suitable for shooting furniture?
When shooting furniture, different shooting purposes were suitable for different shots: 1. ** Charm Shooting (Overall Sense)**: To capture the charm of the furniture, you need to use the long-range mode. You can place the furniture in the background to show its overall sense. 2. ** Shooting structure **: If you want to show the beauty of the furniture structure, it is more appropriate to use the middle shot mode. 3. ** Shooting Craftsmanship **: When shooting the craftsmanship of the furniture, you can use the middle shot or close-up mode. 4. ** Symbol Shooting **: If you want to shoot a symbol that can determine the era of furniture, you need to use the middle shot and close-up mode. 5. ** Shooting the leather shell **: For parts of the leather shell such as paint cracks and wood decay, use close-up mode. In addition, when using the 1+2 shooting combination method to present the furniture products, first take a video of the character explaining the product name, and then the character leaves the product. You can first turn on the 0.5x wide-angle lens of the phone to shoot the surround lens of a product, then switch the 0.5x wide-angle lens of the phone to double, and continue to use the surround lens to shoot the details of the product. If the copy mentioned scenes such as moving goods, open the double scope and shoot directly. When talking about the material of the product, use the first person perspective to clap and interact with the product, you can also use the double scope. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of lens is suitable for shooting peonies?
When shooting peony, you can choose a 50mm or 100mm lens. If you were shooting a close-up of a peony flower, you could use a large aperture lens or a long zoom lens to zoom in and compress it to blur the background; if you were using a 1.4 large aperture lens, you could use a 1.8 aperture when shooting; if you were using a zoom lens, regardless of the zoom size, you could pull the zoom to the nearest. When taking a photo of a person and a peony, it was more appropriate to set the aperture to 5.6 - 8. When shooting the whole peony, it was not appropriate to use a large aperture lens. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of lens is suitable for jewelry shooting?
Jewelry was suitable for macro shots. For example, a lens with a focal length of 60mm could make the magnification 0.5 times. If you had the financial ability, you could buy a macro lens that could shoot at a 1:1 ratio. A macro lens such as the EF100mm f/2.8L Macro IS USM or the RF100mm f/2.8L Macro IS USM was also suitable for jewelry shooting. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What lens is suitable for shooting jewelry videos?
There were many lenses suitable for shooting jewelry. For example, a macro lens with a focal length of 60mm could be used for jewelry photography; Canon's macro lenses such as the ESF100/2.8USM Macro, ESF100mm f/2.8L Macro IS USM or RF100mm f/2.8L Macro IS USM were also suitable for jewelry photography. These macro lenses could capture the details of jewelry very well and highlight the creativity of the designer; In terms of shooting jewelry with Nikon cameras, the Nikon 105 lens could be used to shoot high-end jade jewelry necklaces and other jewelry. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of camera lens is suitable for food shooting?
For food shooting, if you use a full-frame camera, it is suitable to use two lenses: one is the FA 90mm,f/2.8 macro lens, which is suitable for shooting details and close-ups of food; and when you need to shoot more scenes such as desks, you can use the FA 50mm,f/1.8 lens to expand the scope of the photo. In addition, when the phone was shooting food, the phone could also be turned to the side of the table corner and zoomed in to three times the focal length. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Which lens of Canon camera is suitable for shooting people?
The following Canon lenses are suitable for portraits: - ** Fixed focus lens **: - ** 35mm f1.4**: This is a wide-angle fixed-focus lens. In portrait shooting, it could capture the delicate expressions of the characters very well, and it could show the surrounding environment and background, making the picture more vivid and rich. Its f1.4 large aperture can produce excellent background blurring effect, suitable for traveling portraits or indoor portraits. - ** 85mm f1.2**: Medium focal length lens in full frame. When shooting a portrait, he could capture the details and expressions of the person while maintaining a certain distance. The picture was naturally realistic. The f1.2 large aperture could take bright and clear photos in low-light environments, adapt to different lighting conditions, and the blurring effect was better than 35mm f1.4. - ** 50mm f1.8 ATM **: Canon's cheaper large-aperture fixed-focus lens. Its size is close to a biscuit head, and it's cost-effective. It can experience background blurring with a large aperture, and its sharpness is ideal. However, the purple edge and glare control at the highlight edge are not very good. - ** 100mm F2.8L IS USM**: Dual IS optical image stabilization, good sharpness and out-of-focus performance, ideal autofocus speed for macro shooting, and can also be used for portrait shooting. - ** 135mm F2LIS USM**: It is a close-up shot of a portrait. It can bring a stronger sense of compression and better blurring effect. It can separate the character from the background well. It has fast focusing speed and excellent image quality when the aperture is fully open. It is sharp inside the focus and soft outside the focus. - ** Zooming lens **: - **70 - 200mm f2.8**: It is a telephoto zoom lens. The focal length range is flexible and can be freely adjusted according to the shooting needs. The background blurring effect was better than the 35mm and 85mm fixed-focus lenses. It was suitable for long-distance portraits, such as stage portraits, athletes, concerts, etc. However, because it was a telephoto lens, it required a large space for indoor shooting. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Manual parameters for shooting night scenes with a single-lens reflex camera
The manual parameters for shooting night scenes with the DSLR were as follows: 1. **: Try to adjust to the appropriate gear. The smaller the value, the less noise in the photo. Generally, use the original minimum sensitivity, such as 100 or 200 (the original minimum sensitivity of different cameras is different). Even in a very dark environment, try not to exceed 6400. If it is too dark, consider using a fill light. 2. ** Aperture **: Can be set between F8 - 16, but too small an aperture may affect the image quality. Under the premise of ensuring the depth of field and the image quality, you can also choose the range of F8 - F13. If you want to shoot the starlight effect, you can shrink the aperture. If you want to shoot the facula effect, you can enlarge the aperture. 3. ** Shutter **: The shutter should be as slow as possible, but it needs to be adjusted according to the actual situation. Using the camera's B-door to shoot is also an option. 4. ** Focus **: You can set the autofocus to manual focus. 5. ** Metering mode **: When shooting city night scenes, due to the large difference in brightness of the scene, in order to obtain more accurate measurement data, you can usually choose the center-focused or spot measurement mode, and then choose the area that is slightly darker than the brightest area in the picture for measurement to ensure that the highlight area can get enough exposure. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon lens shooting parameters
The common shooting parameters of Canon lenses were as follows: - ** Shot Type **: - "EP: Can be used with Canon's Canon's Canon 'Canon's Canon' Canon - ESF-S: Canon's APS-C frame single-lens reflex lens. It can't be directly installed on a full-frame single-lens reflex. It can be used on the eos-M series micro-lens and eos-R full-frame micro-lens through the transfer ring. - "ESF-M: Canon's Eos M series micro-lens. It cannot be used on other Canon cameras. - <<PR>: Canon's Eos R series full-frame micro-lens. It cannot be used on other Canon cameras. There were also MP-E (specialized for macro photography) and TS-E (electronic controlled shift lens), two special products. - ** focal length of lens **: A small number means a wide angle of view, and a large number means a good telescope. The focal length in the lens model is the physical focal length. For non-full frame cameras, you may need to consider the equivalent factor conversion according to the camera model. - ** Maximum Aperture **: For a zoom lens, if it is in the form of "f/2.8", it means that it is a constant aperture lens, and the entire focal length range can be set to this aperture; if it is similar to "f/3.5 - 5.6", it is a floating aperture lens, and its maximum aperture changes over the entire focal length range. - ** Lenses Grade **: L (Luxury) means Canon's high-end lenses, which are red circle lenses. These lenses usually have a red decorative ring at the front. - ** Image Stabilizer **: The IS (Image Stabilizer) logo indicates that the lens is equipped with Canon's unique image stabilizer, which can offset the image blurring caused by hand shaking within a certain range. It is commonly used in Canon's high-end professional lenses. - ** Focus motor **: - USM (Ultra-Sonic Motor): The lens using USM technology can achieve silent and fast-response autofocus. It is divided into three types: micro, ring, and NANO. - <strong></strong> - ** Other Marks **: - AL: It means that aspheric lenses are used in the lens design, which can reduce the number of lenses, reduce weight and volume, and provide better optical performance. It is used to solve the problems of glare and edge distortion in wide-angle and zoom lenses. It can also improve the optical quality of telephoto lenses. - DO: Lenses marked with this logo are equipped with multi-layer reflective lenses, which have the characteristics of fluorite and aspheric lenses. They are generally high-end lenses. - EMD: It means that the lens can open and close the aperture by electronic control. - Float: When the lens is used for close-up shooting, the lens will compensate for the aberrations at close range to obtain better image quality. - XP: The lens with this logo is a high-end professional lens. It has a focus presetting function that allows the lens to remember a certain focus distance. After setting it, it can automatically return to the set focus distance. It is also effective in manual focus mode. - FT - M: A lens with full-time manual function. You can manually adjust the focus of the lens in autofocus mode. - S-KD: It means that the lens uses S-KD glass lenses, and its optical performance is close to that of fluorite. The effect of an S-KD lens is equivalent to that of a fluorite lens. - KD: It means that the lens is made of KD glass lenses. The effect of two KD lenses is equivalent to that of a fluorite lens. - <MACRO>: This means that the lens has a strong close-up ability. - [DPS: A coating technology that optimized bokeh.] <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The best shooting distance of the lens
The best shooting distance of the lens was affected by many factors, and it was difficult to give a fixed value. In terms of focal length, lenses with different focal lengths had different characteristics. For example, in portrait photography, the distance from the whole body to the close-up shot with an 85mm focal length was about 1.5 to 5 meters. The 35mm-85mm focal length commonly used for portraits was not only close to the human eye, but also the shooting distance. The closest focusing distance of different lenses refers to the straight-line distance from the focal plane of the object to the focal plane of the image. The closest focusing distance of different lenses is different. Generally, the longer the focal length of the lens, the longer the closest focusing distance; the shorter the focal length of the lens, the shorter the closest focusing distance. However, this rule does not apply to macro lenses. The closest focusing distance is usually marked on the lens. There was no maximum focusing distance. The " infinity " on the lens indicated infinite focusing. When the focal length of the lens did not change, the shooting distance determined the size of the scene. It could be divided into long-range, panoramic, mid-range, close-up, and close-up. Close-up shooting was close, the subject was large, and the scope of the scene was small; long-distance shooting was far, the subject was small, and the scope of the scene was large. In surveillance cameras, the focal distance of a 2.1mm lens was 3 meters, and the focal distance of a 25mm lens was 80 meters. The larger the lens, the farther it looked, but the smaller the angle. Its effective range changed according to the size of the lens, generally within 100 meters, and its range was also variable when the lens was variable. The magnifying factor of the lens was approximately equal to the ratio of focal length to object distance. As the focal length increased, the magnifying factor increased, allowing the close-up view to be zoomed out and the details in the distant view to be clearer. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Jewelry shooting lens recommendation
In jewelry shooting, macro lenses were recommended. For example, Canon's EF100mm f/2.8L MCROIS USM or RF100mm f/2.8L MCROIS USM. Nikon and other brands also had similar macro lenses to choose from. The macro lens could capture the details of the accessory well and highlight the creativity of the designer. In addition, you can also use a conventional lens with a close-up lens to shoot. For example, a NiSi close-up lens with a 70 - 200mm and 24 - 105mm lens can also achieve a shooting effect close to a macro lens to a certain extent. At the same time, like the 60-million-pel portrait focus dual camera configuration on the front of the Huawei nova 13 Pro, it could be used perfectly from 0.7x to 5x zoom. It could also be used for close-up shooting of accessories, and some mobile phone lenses could also achieve good results when shooting accessories, especially for some jewelry shooting scenes that were not particularly demanding or needed to be quickly shot. The mobile phone lens could provide a convenient way to shoot. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>