Take the iPhone 7 as an example. If the camera zoomed in when taking a video, you could click the " Video Scale " button at the top of the interface and choose the appropriate scale from the pop-up options. This way, you could shrink the recording interface. Read more exciting novels for free
For star photography, the 14 - 24mm f/2.8G ED lens was the standard for architectural photographers, landscape photographers, and starry sky photographers. Its large aperture (f/2.8) helped to increase the amount of light entering in low-light environments (such as shooting stars), and the 14mm super wide angle could capture a wider view of the stars. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Fixed lens shooting referred to the camera position, lens optical axis, and focal length being fixed during the shooting process. The subject could be static or dynamic. For videos of animals with fixed lenses, there were the following points: - ** Farewell Choice **: - If it was a wild animal, you could choose to shoot from afar to show the animal's appearance, posture, group, and environment, emphasizing its ecological characteristics. - If they were taking photos of domestic pets, they might focus on close-ups, such as showing the pet's face, eyes, and other local features. - ** Choice of angle **: - Aerial shots were suitable for animals that were not tall, such as kittens and puppies. It was convenient and quick to capture interactions and eye contact, but it might lack novelty. - The camera could be lowered to shoot at the same height as the pet, allowing the pet to relax and capture a more natural and vivid picture. - Upper-up shots of small animals from angles that were difficult for ordinary humans to reach often produced brilliant photos. - ** Shooting Techniques **: - Using static and dynamic contrast, such as placing a moving insect and a still flower in the same picture, one needed to stabilize the camera and control the shutter speed, or use a high-speed shutter to freeze the moment of motion. - For animals with light colors and contrasting light and shadow, the main body could be highlighted by the contrast of light and shade. - When shooting in the zoo, pay attention to the equipment settings, such as aperture, exposure time, USB, focal length, and other parameters (refer to the parameters of the Fuji camera in Resource 4 for the zoo birds). When shooting animal fixed-shot videos, these shooting points should be used according to the type of animal and the purpose of the shooting. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
When shooting jewelry, macro lenses were more suitable, such as Canon's EF100mm f/2.8L MCROIS USM or RF100mm f/2.8L MCROIS USM lenses. Ordinary card camera lenses were difficult to meet the shooting needs, because the macro lens could capture the details of the jewelry well and highlight the creativity of the designer. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Based on context alone For camera novices, here are some camera recommendations: ** 1. Sony-ZV- E10 (APS-C format)** 1. ** Excellent autofocus performance ** - It had a fast and accurate autofocus system, which was very convenient for shooting dynamic scenes or interviews. Newbies didn't need to spend a lot of time focusing, and they could focus more on composition and content creation. 2. ** Light and easy to carry ** - The body was small and light, making it easy to take out for shooting. Whether it was daily recording or travel shooting, it would not bring too much burden to the novice. 3. ** Price is relatively affordable ** - It was a very cost-effective entry-level camera. Newbies could enter the field of camera video shooting at a relatively low cost, and they could also change different lenses to meet more shooting needs. 4. ** Rich video functions ** - It supports 4K video recording and can meet the needs of ordinary high-definition video creation. At the same time, it also had a variety of video recording modes and frame rates to choose from, such as slow-motion video recording, allowing novices to try out different video effects. ** II. Canon Canon 1. ** Simple operation ** - Canon's menu system was relatively friendly to novices, and the operation logic was clear. Many functions could be adjusted through the intuitive menu settings, making it easy for novices to quickly get used to the camera's video capture function. 2. ** Color reproduction is good ** - Canon's color science was relatively good, and the video captured was natural and pleasing to the eye. For beginners, even if they didn't know how to adjust the color in the post-production, they could still get a good video color effect. 3. ** Anti shake function ** - It has a certain degree of anti-shake ability, which can reduce the image shake caused by hand shake when shooting, and improve the stability of the video. This was very helpful for beginners to shoot videos without the help of a stabiliser. 4. ** Plenty of cameras ** - You can use Canon ESF-M lenses, and you can also use Canon ESF-mount lenses through the mounting ring. The rich lens options provided more creative possibilities for novices, whether it was wide-angle scenery or telephoto close-ups. ** 3. Nikon Z30 (APS-C format)** 1. ** Excellent image quality ** - Nikon's sensor technology made it perform well in terms of low noise and high dynamic range. For newbies, they could get better quality in different lighting environments, such as dark indoor environments or outdoor environments. 2. ** Comfortable control ** - The Nikon camera was comfortable to hold and the buttons were arranged reasonably. When a novice was shooting a video with the camera, it was easy to find the corresponding buttons to adjust the parameters, such as exposure compensation, shutter speed, etc. 3. ** Video optimization ** - The Nikon Z30 was optimized for video capture and supported a variety of video format and codes. This gave novices more choices when post-processing videos, and it was also convenient to be compatible with different editing software. 4. ** The built-in microphone has better performance ** - Its built-in microphone had a certain quality guarantee in recording sound. For simple video recording, such as recording daily life, personal vlogs, etc., there was no need to buy an additional microphone to get a clearer sound. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Different models of Canon cameras had different parameters for shooting videos: - Canon's Canon Eos R5: It has 8K 30p internal recording video shooting ability, 8K can shoot RAW or 10bit 4:2: 2H.265; full-width 4K 120p without trimming, support 10bit 4:2:2 internal recording; support C-log or HDPS;4K 60p supports internal recording and external recording; video supports full-pel dual-core AF-autofocus technology; the body uses dual card slot: UHS-II standard SD+ CP express. - Canon R10: It uses the second-generation full-resolution dual-core focus in terms of focusing. It supports 4K 60P video specifications with crop and 6K super-sample 4K 30P video specifications, 10-bit color depth, and 4:2:2 color sample. - Canon's Canon Canon Eos R6: Capable of shooting 4K 60p video. Its sensitivity range is from 100 to 102400, and can be extended to 204800. In addition, common video parameters also included resolution (such as 1080p full HD and 4K ultra-high definition) and frame rate (such as 24fps for movie-style, 30fps and 60fps for dynamic scenes). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The adjustment of the lens when shooting motion pictures can be started from the following aspects: - ** Focus selection **: If you are shooting a moving picture from a distance, you can use a lens with a longer focal length, such as a lens with a 70 - 200mm focal length or longer. - ** Aperture setting **: You can choose a larger aperture (smaller f-number) to obtain a shorter depth of field, making the moving subject clear and the background blurred to highlight the subject. - ** Focus setting **: Set the camera to continuous autofocus mode to ensure that the lens can keep tracking and focus on the moving subject. For lens focusing performance, in dynamic scenes such as video shooting, the lens with fast focusing speed and high precision of the linear motor had an advantage because it could quickly focus on the moving subject. - ** Anti-shake function **: If the lens is equipped with optical or mechanical anti-shake function, it is recommended to enable it to reduce the blurring caused by camera shake. Especially in hand-held or telephoto shooting and low-light environments, the anti-shake function has a significant effect on reducing image shake and maintaining image stability. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
For food shooting, if you use a full-frame camera, it is suitable to use two lenses: one is the FA 90mm,f/2.8 macro lens, which is suitable for shooting details and close-ups of food; and when you need to shoot more scenes such as desks, you can use the FA 50mm,f/1.8 lens to expand the scope of the photo. In addition, when the phone was shooting food, the phone could also be turned to the side of the table corner and zoomed in to three times the focal length. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
If the main shooting of the wedding video was limited to two shots, the Tenglong 35 - 150 and 17 - 28 would be enough. The 35 - 150 could be used to hang the camera. Its large aperture of F2 - 2.8 and rich focal length of 35 mm to 150 mm allowed the wide-angle end to show the environment, the telephoto end to highlight the portrait, and the 17 - 28 to make up for the wide-angle. If they were to focus on video shooting, Tenglong 17 - 28 and 28 - 75 were also good choices. The two lenses had a constant F/2.8 aperture, so even if the room was not well lit, they could still get a pure picture. The small size and light weight could be used with a stabiliser. The 17 - 28 lens was suitable for showing a panoramic view of the environment. With the 28 - 75 lens for close-up and close-up, the telephoto end could reach 110mm through half-frame trimming. For outdoor scenes, 17 - 50F/4 with a 70 - 180F/2.8 was better. The closest focusing distance of the 70 focal length was only 0.3 meters. It was also handy when shooting close-ups of some products or brand logos. If he wanted to take both video and photos, the Tenglong Grand Three Yuan was a better choice. With its constant F/2.8 aperture and 17 - 180mm focal length coverage, he could handle any activity with ease. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The following Canon lenses are suitable for portraits: - ** Fixed focus lens **: - ** 35mm f1.4**: This is a wide-angle fixed-focus lens. In portrait shooting, it could capture the delicate expressions of the characters very well, and it could show the surrounding environment and background, making the picture more vivid and rich. Its f1.4 large aperture can produce excellent background blurring effect, suitable for traveling portraits or indoor portraits. - ** 85mm f1.2**: Medium focal length lens in full frame. When shooting a portrait, he could capture the details and expressions of the person while maintaining a certain distance. The picture was naturally realistic. The f1.2 large aperture could take bright and clear photos in low-light environments, adapt to different lighting conditions, and the blurring effect was better than 35mm f1.4. - ** 50mm f1.8 ATM **: Canon's cheaper large-aperture fixed-focus lens. Its size is close to a biscuit head, and it's cost-effective. It can experience background blurring with a large aperture, and its sharpness is ideal. However, the purple edge and glare control at the highlight edge are not very good. - ** 100mm F2.8L IS USM**: Dual IS optical image stabilization, good sharpness and out-of-focus performance, ideal autofocus speed for macro shooting, and can also be used for portrait shooting. - ** 135mm F2LIS USM**: It is a close-up shot of a portrait. It can bring a stronger sense of compression and better blurring effect. It can separate the character from the background well. It has fast focusing speed and excellent image quality when the aperture is fully open. It is sharp inside the focus and soft outside the focus. - ** Zooming lens **: - **70 - 200mm f2.8**: It is a telephoto zoom lens. The focal length range is flexible and can be freely adjusted according to the shooting needs. The background blurring effect was better than the 35mm and 85mm fixed-focus lenses. It was suitable for long-distance portraits, such as stage portraits, athletes, concerts, etc. However, because it was a telephoto lens, it required a large space for indoor shooting. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon R7 with 18 - 150 lens had many advantages. The focal length of the lens covered a wide range. After the equivalent of 35mm, it was 29 - 240mm focal length. It could meet the needs of wide-angle for shooting scenery, medium focal length for portraits or buildings, and telephoto for shooting birds. It was suitable for travel video shooting. Its anti-shake performance was excellent. The lens's sonar sensor supported level 4.5 optical anti-shake, and with the R7, it could achieve level 7 anti-shake. It could also achieve level 4.5 anti-shake on the R10 without body anti-shake, which helped to reduce image shake when shooting videos with a hand-held camera. Fast focusing speed. It uses the STM-based stepping motor combined with the RF-based rear focus drive technology. Coupled with the Canon R7, it is super fast, quiet, and smooth. It is suitable for continuous focusing in video shooting. The image quality was excellent in the same price range. It was equipped with two aspheric lenses and one piece of Ultra Dispersion (USD) lens. After structural optimization, it suppressed various aberrations. There was also simultaneous digital optimization and real-time digital compensation during shooting. In addition, this lens was light, with a single lens of 310g and a total of 924g with the R7. It was short and easy to carry, and it would not cause too much burden for long-term hand-held shooting. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>