Praise for the Beijing opera Tears of the Barren Mountain
The Beijing opera Tears of the Barren Mountain was worthy of praise in many aspects. From the perspective of the theme, it was based on the meaning of " tyranny is fiercer than a tiger ". It deeply reflected the feudal ruling class 'oppression of the people, causing the tragic situation of the people's families to be destroyed and displaced. It was the angry cry of the oppressed people. This theme had a strong social criticism and historical significance. It could make the audience deeply feel the suffering of the people in the past, and thus cherish the peaceful life of the present. In terms of singing, there were 16 lines in total and divided into four sections. The board was composed of Xipi Adagio, Original Board, Two-Six and Shaking Board. The melody was beautiful and pleasant, and the emotions were meticulous. The different board transformations skillfully reflected the emotional changes of the characters in different situations. The combination of singing and reciting in the aria was just right. It vividly portrayed the emotional changes of the characters overnight. Moreover, it was closely combined with the drum and the door. It was novel and unique. It could be called the masterpiece of Cheng School of Art. From the perspective of performing art value, the actors vividly displayed the atmosphere of the era of war and chaos through singing and gait during the performance. It was very infectious and made the audience feel as if they were in the turbulent late Ming Dynasty. From the perspective of artistic inheritance, the original script of Tears on the Barren Mountain was written by Jin Zhongsun and Cheng Yanqiu, and later adapted into a drama film by Wu Zuguang. It was also the only video material left by Cheng Yanqiu, the master of Peking opera of the Cheng School. It provided precious information for the study and study of the art of Peking opera of the Cheng School and had irreplaceable significance in the inheritance of the art of Peking opera. The novel " Qiao Yan's Troubled Times " is equally exciting. Everyone is welcome to click and read it!
Tears of the Barren Mountain
Tears of the Barren Mountain was a China opera film directed by Wu Zuguang in 1956. The original script was written by Jin Zhongsun and Cheng Yanqiu in 1929 - 1930. It was a classic piece on the stage of Peking opera. The background of the story was set in the chaotic period of the late Ming Dynasty. The government imposed exorbitant taxes and miscellaneous taxes, and the people were in dire straits. Farmer Gao Liangmin and his son Gao Zhong were caught in prison because there was a tiger on the mountain and they could not collect herbs and pay taxes. Gao Zhong's wife Zhang Huizhu weaved silk to redeem them. On Gao Liangmin's 60th birthday, the neighbor told him that there would be another tax. The Gao father and son risked their lives to collect money and were unfortunately eaten by a tiger. Later, Zhang Huizhu's mother-in-law died and her son was caught by a laborer. She fled into the mountains alone, but the government runners chased her to the barren mountains and she finally committed suicide. The song was intended to express an accusation against the tyranny of the turbulent political situation and an appeal for peace. The film was the only video material left by Cheng Yanqiu, the master of the Cheng School of Peking opera, and provided valuable information for the study and study of the art of the Cheng School of Peking opera. From the singing section "The Sound of the Second Watch Drum on the Tower", we can see many characteristics of Cheng School's singing, such as beautiful melody, meticulous feelings, the combination of singing and reading, and the close combination of the watch drum and the door. In addition, Zhang Huoding's performance of Tears of the Barren Mountain was unique in sorting out the artistic genes of the genre based on the times, moving the audience, showing the beauty that the audience needed, and performing skills. The novel " Qiao Yan's Troubled Times " is equally exciting. Everyone is welcome to click and read it!
Beijing opera, Flame Mountain
The Beijing opera "Flaming Mountain" was one of the classic plays of the Beijing opera troupe of the Peking opera troupe of the Jilin Province. In 1980, the Peking opera troupe of the Beijing opera theater of the Jilin Province (the predecessor of the Beijing opera troupe of the Jilin Province) adapted the play based on the traditional Beijing opera "Three Borrowing Banana Fans". In 1983, Changchun Film Studio put it on the silver screen. The play was directed by Jing Jie and Huang Yanen, and starred by the Peking opera troupe of Jilin Province. Liu Xiliang played the role of Sun Wukong, Wang Fengxia played the role of Princess Iron Fan, and Ouyang Jiaren played the role of Tang Monk. It told the story of Tang Sanzang and his disciples coming to the Flaming Mountain. With the help of Guan Yin Bodhisattva, they got the banana fan and put out the fire on the Flaming Mountain. His special effects production was amazing at that time. He won many awards such as the 1983 National Excellent Drama Art Film Award, and also won the Best Special Effect Award of the 4th China Rooster Film Award. The actress, Wang Fengxia, who played the Iron Fan Princess, was good at literature, martial arts, singing and writing. Her martial arts movements in the film were praised by the audience. She also played the Iron Fan Princess in the 1986 CCTV version of Journey to the West. On July 10,2024, the new children's Peking opera "Flame Mountain" was performed brilliantly in Inner Mongolia Art Theater. The play was based on Journey to the West, combining the traditional performance of Peking opera with modern stage art. In the way of new stories, it presented classic works with easy-to-understand, humorous and humorous stage art. It also added the characters of Earth Lord, King of Divine Fire, Cow Baby, Cow Baby, etc., enhancing the appreciation and interest of the play. Watching Journey to the West: Sun Wukong Beats the White Bone Demon Three Times is not enough. Everyone is welcome to click to read the novel!
Whose work is the Tears of the Barren Mountain?
The original script of Tears of the Barren Mountain was written by Jin Zhongsun and Cheng Yanqiu in 1929 - 1930. It was made into a drama film by Wu Zuguang in 1956. The novel " Qiao Yan's Troubled Times " is equally exciting. Everyone is welcome to click and read it!
The cast list of the movie Tears on the Barren Mountain
The movie Tears of the Barren Mountain was starred by Cheng Yanqiu, Hu Xueli, Li Siguang, Li Shaoguang, Jia Duocai, Qian Yuantong, and others. The novel " Qiao Yan's Troubled Times " is equally exciting. Everyone is welcome to click and read it!
What story is the barren mountain tears telling?
Tears on the Barren Mountain was a story about the war at the end of the Ming Dynasty. At that time, the government had come up with all sorts of excuses to collect heavy taxes, causing the people to be in dire straits. The family of five of the Zhang family was very miserable. In order to pay taxes, Zhang's father-in-law and husband went to the mountains to collect herbs regardless of the danger. Unfortunately, they were eaten by tigers. Their underage son was captured by the government and banished to the army. His mother-in-law also died. However, the government still did not sympathize with the people's feelings. The yamen runners fiercely urged the Zhang family to pay taxes. After the Zhang family suffered such a disaster, they finally committed suicide. The family of five was forced to be exterminated by the government one by one. This play used the past to describe the present, expressing an accusation against the tyranny of the turbulent political situation and an appeal for peace. The novel " Qiao Yan's Troubled Times " is equally exciting. Everyone is welcome to click and read it!
Zhang Huoding's Tears on the Barren Mountain
There were many classic lyrics in Tears of the Desolate Mountain, Zhang Huizhu's Singing Passage, such as," Father and son went to pick herbs and did not return. They were uneasy about the lonely lamp and did not know where he lived in the barren mountain. At the third watch, the moon was bright and the people were quiet. Suddenly, they heard someone walking outside the window. They hurriedly moved to the shade of the flowers and looked carefully. It turned out to be the sound of the autumn wind sweeping the leaves. Listening to the painted drum report the fourth watch, it became more and more desolate. Seeing Jiao Er sleeping soundly, afraid of being invaded by the wind, I couldn't help but feel the cold. I sat with the servant and thought about it. The more I thought about it, the more uneasy I felt. After the fifth watch, the empty room became quieter. As expected, the morning rooster sang and the sky was already dawn. I couldn't help but call Lian 'er to the street to inquire. Your father hasn't changed his house yet." When Zhang Huoding performed Tears of the Barren Mountain, there were many unique aspects, such as combing the artistic genes of the genre based on the current era, understanding the audience's needs for beauty and showing the beauty that the audience needed, acting for the audience, not only to show feelings but also to leave no traces of performance, etc. These factors also made her singing Tears of the Barren Mountain a classic. The novel " Qiao Yan's Troubled Times " is equally exciting. Everyone is welcome to click and read it!
The premiere of Beijing opera in the Snow Mountain Temple was a success
On November 19th, 2024, the premiere of "Snow Mountain God Temple" was successfully performed at Hangzhou Butterfly Theater, Zhejiang Jingkun Art Center (Beijing opera troupe). The cast of this performance included (Qing Yi) Gong Xue-Lady Lin,(Lao Sheng) Zhuang Huayu-Lin Chong,(Er Hua) Mao Yi-Lu Zhishen,(Chou) Dong Shichao-Dong Chao,(Chou) Chen Ruiyun-Lu Qian,(Chou) Qian Shaobo-Gao Yaya, etc. The young actor Zhuang Huayu's interpretation of Lin Chong had a unique charm, portraying Lin Chong's forbearance and helplessness in the early stage. Lady Lin was gentle, virtuous and tenacious under Gong Xue's interpretation. Qian Shaobo, the actor of Gao Yamen, successfully portrayed the image of a playboy. Jin Min, who played Lin Chong, showed Lin Chong's heroic spirit and sorrow in the final makeup photo.
Kunqu opera and Beijing opera
The Qingyi in Kunqu and Peking operas belonged to the Dan Xing, and they had an important position in their respective operas. ** 1. Kunqu Qingyi ** 1. ** Acting Style ** - The performance of Kunqu opera was restrained, tactful and delicate. Kunqu Qingyi needed to adjust her breath reasonably when performing, because Kunqu singing did not "pass the door", and it was a test of strength to sing while doing the body. 2. [Character Creation] - For example, when Fang Tingyu played Cui Yingying, she showed her oriental aesthetics by turning her head and raising her eyes. Kunqu Qingyi emphasized on traditional China aesthetics when creating characters. 3. ** Inheritance and Development ** - There were examples of Peking opera actors like Lian Wenqing learning from Kunqu opera. Lian Wenqing had studied Kunqu's "Peony Pavilion" for a year and a half from Liang Guyin, an 80-year-old Kunqu artist. This showed that the performing arts of Kunqu Qingyi were worth learning from Peking opera actors. At the same time, it also reflected that the exchange and integration of opera arts would help the inheritance and development of Kunqu Qingyi performing arts. ** 2. Beijing opera, Tsing Yi ** 1. ** Acting Style ** - Peking opera performances were more external. The movements of Qing Yi in Beijing opera were relatively small, but her movements were more stable. She was usually dignified, calm, and beautiful. The recitation of the poem is generally called "rhyme", and the main focus is on singing. 2. [Character Creation] - The role played by Qing Yi in Beijing opera was usually a dignified and quiet married young woman. When performing tragic characters and people at the bottom of society, their costumes were often black (black was called "Qing" in ancient times, which was also one of the origins of the name Qing Yi). For example, Zhang Huoding played the role of Concubine Yu. As an actress of the Cheng School, she found a unique Cheng School performance style for the role of Concubine Yu when she performed Farewell My Concubine. From the singing to the performance movements, she carefully designed them, reflecting the uniqueness of the role creation of the Qing Yi in Beijing opera. 3. ** Inheritance and Development ** - In the course of development, it had undergone many reforms. In the 1920s, Wang Yaoqing and Mei Lanfang reformed the Qingyi industry, integrating the skills of Hua Dan and Dao Ma Dan into Qingyi performances. In the 1950s, Zhang Junqiu integrated the characteristics of the four famous actresses, making the Peking opera Qingyi continue to develop. According to the genre, the Qingyi of Beijing opera can be divided into the Qingyi of the Plum Sect and the Qingyi of the Zhang Sect. The singing of the Plum Sect is simple and fresh, with a combination of hardness and softness, with the beauty of natural harmony; the singing of the Zhang Sect is vigorous and euphemistic, beautiful and fresh. The development of different schools had enriched the performing arts of the Beijing opera. The novel "The Legend of Dian Kingdom in Clouds as Deep as the Sea" is equally exciting. Everyone is welcome to click and read it!
Beijing opera
There were works of Beijing opera in the form of audio novels. For example, on the Himalayan platform, there was a category called "Beijing opera audio novels"(also known as "Beijing opera listening to books"). There were 261 episodes, which were broadcasted by Qun Xing. The original work was also Qun Xing. It contained a lot of content related to Peking opera. Peking opera was the quintessence of China culture and national opera. It had been formed in Beijing for many years. It was composed of two basic tones,"Xipi" and "Erhuang". It also sang some local tunes and Kunqu tunes. It was popular in the 1930s and 1940s, and it was still a world-class opera. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Beijing Rhyme Drum Beijing opera
There were many connections and differences between the Beijing Rhyme Drum and the Beijing opera. ** 1. Contact ** 1. ** Art reference ** - In the process of development, the Beijing Rhyme Drum borrowed some of the singing methods of Beijing opera. For example, when Liu Baoquan reformed the wooden drum and created a new tune, he absorbed some of the singing methods of Beijing opera. He also drew lessons from the singing charm of famous Peking opera artists such as Gong Yunfu, gradually forming the characteristics of the Liu school's Jingyun drum. - The performance of the Beijing Rhyme Drum borrowed from the performance program of Beijing opera. It used the eyes, facial expressions, and the sword and spear stance of raising hands and feet to form a set of performance posture. Moreover, he had also absorbed the style of Beijing opera in his pronunciation. 2. ** Actors 'Quality Connection ** - In traditional crosstalk performances, crosstalk actors had the skills to " learn ", which included learning Beijing opera and the Beijing rhythm drum. This showed that the two were studied together in the traditional folk art performance system, reflecting the connection between the two in the performing arts system. 3. ** Music accompaniment contact ** - The common musical instruments used in the performance of the Beijing Rhyme Drum were the book drum, castanets, three-string, four-stringed instrument, pipa, etc. The accompaniment instruments used in the Beijing opera were the Jinghu, Yueqin, three-string, etc. Both of them had three strings as accompaniment instruments, and there might be some mutual influence or inspiration in terms of harmony and rhythm. 4. ** The target audience and the scope of communication overlap ** - The Beijing Rhyme Drum and Beijing opera were both popular in the Beijing-Tianjin region and other northern regions, and their audiences overlapped to a certain extent. In the late Qing Dynasty and the early Republic of China, these two art forms were popular entertainment for the public. They were performed in tea gardens, theaters, and other places, and had a wide audience base. ** 2. Different aspects ** 1. ** Essence of Art Form ** - Peking opera was a form of opera with a complete storyline, characters, and stage performances. It used character acting as the core, and the story was presented through the various performances of the actors on stage. - The Beijing Rhyme Drum was a type of folk art, mainly the art of rap. It was mainly sung by one person standing and narrating stories and depicting characters through rap. Although there was a certain level of performance, it was not like the all-round role-playing in Beijing opera. 2. ** Singing style ** - The singing style of Beijing opera was rich and varied. Different professions had different singing characteristics, such as Xipi, Erhuang, and other vocal systems. Each vocal system had a variety of styles, such as adagio, allegro, etc. The singing of Peking opera had strict requirements and differences according to different professions in terms of timbre and range. - The Beijing Rhyme Drum had its own unique singing schools, such as the Liu School, the Bai School, the Zhang School, the Shao Bai School, the Luo School, etc. Its singing style was featured by both refined and popular tastes, a combination of hardness and softness, and a combination of rap and singing. Compared to Peking opera, it focused more on narrative rap. 3. ** Performance Scale ** - Peking opera was a large-scale performance that required the cooperation of stage, props, and many actors. A Peking opera play might have multiple characters appearing at the same time, and the scene transition was more complicated. - The Beijing Rhyme Drum performance was relatively small. It was mainly an actor standing in front of the drum and performing a rap performance with simple musical accompaniment. Although there was a performance posture, it did not require the complicated stage layout and cooperation of many actors like Beijing opera. The novel " Legend of the Flower Dance " is equally exciting. Everyone is welcome to click and read it!