Ancient poems, songs of eternal regret

Answer 1

Song of Everlasting Regret was a long narrative poem written by Bai Juyi, a poet of China Tang Dynasty.

The poem was as follows:

The emperor of the Han Dynasty valued beauty and wanted to destroy the country. He had been in the imperial palace for many years and could not find it. The Yang family had a daughter who had just grown up and was raised in a boudoir. No one knew her. A natural beauty is hard to give up, and once she is chosen to be beside the king. Looking back at her, she smiled and gave birth to a hundred beauties. The six palaces had no color. In the cold spring, he was given a bath in Huaqing Pool, and the hot spring water flowed smoothly to wash the coagulated fat. The servant helped her up, but she was too weak to do so. This was the time when she had just received grace. Cloud hair, flowers, gold steps shake, hibiscus tent warm spring night. Spring nights are short and the sun rises high. From then on, kings don't go to court early. There is no leisure time to entertain guests, spring from spring outing night to night. There were 3,000 beauties in the harem, and 3,000 people were doted on. In the golden house she make-up into a delicate servant at night, in the jade tower banquet drunk and spring. Sisters and brothers are listed in the land, and the poor glory is born in the door. Therefore, the hearts of parents in the world are not born again, but born again. Li Palace high into the blue clouds, fairy music blowing everywhere. Slow singing and slow dancing, condensed silk and bamboo, all day long the king can not see enough. The drums of the fisherman's sun shook the earth, breaking the song of the rainbow dress and feather dress. Smoke and dust rose from the nine watchtowers, and thousands of chariots and horses marched southwest. Cuihua swayed and stopped, more than a hundred miles west of the capital gate. The six armies could not do anything but turn around and die in front of their horses. The mother-of-pearl fell to the ground and no one collected it, and the jade hairpin was decorated with golden sparrows. The king covered his face and could not save him. He looked back and saw blood and tears flowing. The yellow dust scattered in the wind, and the cloud stack lingered on the Sword Pavilion. At the foot of Mount Emei, few people walked. The flags were dim and the sun was thin. The water of the Shu River is green and green, and the mountains are green. The Lord is in love day and night. The palace saw the moon sad face, night rain heard the sound of the bell heartbroken. Heaven and earth spin back to the dragon ride, here hesitant can not go. In the mud at the foot of Mawei Slope, I can't see where Yuyan died. The monarch and his subjects looked at each other and wiped their clothes. They looked east at the capital gate and rode back. Return to the pool garden is still the same, too liquid lotus Weiyang willow. Hibiscus like face, willow like eyebrows, how can this not shed tears? Peach and plum flowers bloomed in the spring breeze at night, and the leaves of the parasol tree fell in the autumn rain. There are many autumn grasses in the south garden of the West Palace, and the fallen leaves on the steps are red and not swept away. The disciples of the pear garden have new white hair, and the green E of the supervisor of the pepper house is old. In the evening hall fireflies fly and think quietly, and the lonely lamp is lit up, but I can't sleep. Bells and drums have been playing for a long time, and the stars are shining in the sky. Mandarin duck tile cold frost heavy, jade quilt cold who to share. Long life and death have been separated for many years, and the soul has never come to dream. Linqiong Taoist priest Hongdu guest, can use sincerity to attract the soul. In order to move the king's wandering thoughts, he taught the alchemist to look for it diligently. Empty the sky, control the qi, run like lightning, ascend to the sky, enter the earth, search everywhere. Up to the blue sky and down to the underworld, the two places are vast and invisible. Suddenly I heard that there was a fairy mountain on the sea, and the mountain was in the void. The pavilion is exquisite and beautiful, and there are many fairies in it. Among them, there was a man named Taizhen, with snow-white skin and beautiful appearance. Jin Que West Chamber knocked on the jade door, turned to teach Xiaoyu to report double success. I heard that the emperor of the Han Dynasty sent an envoy. I dreamed in Jiuhua account that my soul was frightened. Pulling up his clothes and pushing his pillow, he stood up and paced back and forth, and the pearl chaff and silver screen spread out. His hair was half-clouded, and he had just gone to bed. The crown of his flower was not neat. The wind blew the fairy's sleeves and raised them, just like the dance of colorful clothes and feathers. Her face was pale and lonely, and her tears dried up. A pear flower in spring brought rain. I look at the king with affection, and the sound and appearance of parting are vague. In Zhaoyang Hall, love is cut off, and the sun and moon in Penglai Palace are long. Looking back down at the world, I saw no dust in Chang 'an. I only took the old things to express my deep feelings, and put them together with the golden hairpin to send them away. The hairpin is left with a fan, and the hairpin is broken with gold and divided into mother-of-pearl. As long as the heart is as strong as gold, heaven and earth will meet. Parting diligent re-sent words, words have vowed to know both hearts. On the seventh day of the seventh month, in the Temple of Immortals, when no one was whispering in the middle of the night. In heaven, I wish to be a pair of lovebirds, on earth, I wish to be a pair of branches.

This poem was written in the winter of the first year of Yuanhe (806). When Bai Juyi visited Xianyou Temple, he was inspired by the story between Emperor Ming of Tang Dynasty and Yang Guifei. The poem told the story of Emperor Ming's love for Concubine Yang and his neglect of government, which led to the death of Concubine Yang after the chaos in the world. It also told the love story between the two of them from their acquaintance, love, and longing. In the poem, many rhetorical devices such as antithesis, parallel, and thistle were used to show the love story between Li Longji and Yang Guifei, as well as the historical events of Emperor Ming of the Tang Dynasty. It not only praised love, but also satirized the muddle-headed behavior of Emperor Xuanzong of the Tang Dynasty, showing the perfect combination of realism and romanticism. Later generations of scholars discussed the theme of the Song of Everlasting Sorrow, and generally formed the views of irony, love, and dual theme. This poem had a great influence on the literature of later generations. It opened up the way of poetry narration, combining romance and reality, and inspired the development of literature in later generations. For example, works such as "Wutong Rain" and "Longevity Palace" were based on "Song of Everlasting Sorrow." Japan's "The Tale of Genji" and "Pillow Grass" were also influenced by "Song of Everlasting Sorrow."

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