Zhang Daqian's Landscape Painting
Zhang Daqian was a legendary master of China painting in the 20th century. He lived from 1899 to 1983 and was born in Neijiang, Sichuan Province. His landscape paintings had a variety of styles, and there were landscape paintings in the early and middle stages. In his early years, he focused on studying ancient calligraphy and painting, and had great achievements in landscape painting. Later, he lived overseas and combined his painting style with his work. He combined heavy color and ink painting into one, especially splashing ink and splashing color, creating a new artistic style. The layout of his landscape paintings was meticulous. He often used a combination of lofty and far-reaching composition methods, which could retain the grand momentum, quiet and quiet atmosphere, and the artistic essence of landscape painting. Its structure was complex and full, but it still revealed a lively charm in the dense. It was often painted with long pine trees and lofty mountains. The top of the mountain was full of vermicelli. The pine trees at the foot of the mountain were lush and dense, and the houses at the foot of the mountain were half-exposed. When he painted, he would use old paper that was easy to ink, and the strokes would be meticulous and dense, and the colors would be dark and gloomy. There weren't many of his colorful landscape works, but the Colorful Landscape Painting was his masterpiece that broke through the traditional landscape in his later years. In addition, in his opinion, landscape painting should pay attention to the complementation of the realm and brush and ink. A good landscape painting should be able to make people admire, play, and live. While waiting for the TV series, he could also read the exciting content related to this site!
Zhang Daqian's landscape painting video teaching
According to the reference materials, there was a video teaching course about Zhang Daqian's painting method (landscape chapter), including the second method-Ink Painting Landscape Method, the third method-Fine Landscape Method, and the fourth method-Green Landscape Method. The size was 40cm * 85cm. Pigments (two kinds of stone green required for this painting) and drawings were given along with the class. If you want to buy a course, you can consult Teacher Hu's WeChat. You can also scan the code and select the "Trial" course in the "Catalog" to learn more about the course content. While waiting for the TV series, he could also read the exciting content related to this site!
Landscape Zhang Daqian
Zhang Daqian's Landscape Paintings
Zhang Daqian had many paintings of mountains and rivers. For example," Landscape album " had a total of 12 pages, 1941 works, 39.2×29.5cm, paper copy, collected by the National Art Museum of China. It mainly imitated Shi Tao's pen style, with Huangshan as the theme and the scenic spots and historical sites in Anhui Province. It showed the full picture of many landscapes and natural landscapes, and also paid attention to the life of the trackers, reflecting the feelings of the country. There was also the Illustrated Map of Shu and Chu, which described the scenic spots of the Yangtze River. The scale was not large, and the painter painted it with his own intention. The formation and development of his splash-ink style in his later years was born from this. While waiting for the TV series, he could also read the exciting content related to this site!
Zhang Daqian's Landscape Technique
Zhang Daqian's landscape techniques included the following aspects: ** 1. Use of the texturing method ** 1. The Principle of Choosing the Tinkling Method - The texturing method should be based on the actual situation of the landscape painting, and there is no need to stick to a fixed texturing method. The ancient people's texturing method was based on the mountains and rivers they saw. For example, Dong Beiyuan (Dong Yuan) used the texturing method because the mountains and rivers in Jiangnan were more than rocks, and the trees were lush. Fan Hua painted the mountains and rivers in the north, such as the Taihang King's House. The rocks were more than the soil, the ground was high, and the grass was scarce. It was suitable to use the texturing method of pulling nails from the mud, the wall in the rain, and the ghost face. 2. Common texturing method - Lotus Leaf Cracking, Big and Small Axe Cracking, Ma Cracking, Rain Striking Wall Cracking, Nail Pulling From Mud Cracking, Cloud Head Cracking, Broken Belt Cracking, Ghost Face Cracking, Ox Hair Cracking, Horse Teeth Cracking, and Cirrus Cloud Cracking were all commonly used texturing methods. ** 2. Grasp of realm and brush and ink ** 1. the relationship between the two - The realm of the landscape was the most important in Chinese painting, but it also required the assistance of brush and ink. A painting that only had the state but no brush and ink, or a painting that only had brush and ink but no state, could not become a famous painting. 2. structure and position - When painting, one must pay special attention to the structure and position. When painting a temple, one must not paint it like an ordinary house. He needed to see more of the ancient people's famous deeds and travel more to the famous mountains and rivers to experience it. ** 3. From two-dimensional to three-dimensional performance ** 1. Three-dimensional expression technique - He needed to use the use of light and shade, layout, and grasp the true vision of the scenery. He needed to apply the clouds and mist in the mountains, the collapse of the mountains, and other elements to the painting, so that the painting could be stretched from the plane to form a body, making the vision attractive and creating a sense of space. ** 4. The transformation from reality to painting ** 1. Observation and Restoration - The essence of landscape painting was to interpret the natural scenery in the scroll. When painting, one had to observe the clear time period of the landscape in the clouds, rain, day and night, and the changes of the four seasons to make the landscape appear more realistic. 2. Painter's state of mind - He couldn't just stop at the restoration of the real scene. Adding elements such as characters to the painting could express the artist's state of mind and make the landscape painting more vivid. ** 5. From growth to innovation ** 1. Learning from the ancients and learning from nature - Learning from the ancients before creation was a faster way to improve. One could draw nutrition from ancient paintings and skillfully use techniques to accumulate foundation. At the same time, one had to learn from nature, experience the scenery of the mountains during their travels, and observe and comprehend from the real scene. 2. innovative thinking - Through the stacking of individual elements, one could create a painting with their own personal colors. From there, one could break away from the idea of climbing the model and become more proficient in the technique. While waiting for the TV series, he could also read the exciting content related to this site!
Zhang Daqian's 50 Painted Landscape Paintings
The following are some of Zhang Daqian's colorful landscape works: "Colorful Landscape Painting" in 1978,"Colorful Green Landscape Painting" in 1968, etc., but it is impossible to provide exactly 50 pieces of Zhang Daqian's colorful landscape works. While waiting for the TV series, he could also read the exciting content related to this site!
Zhang Daqian's Orchid Painting
Zhang Daqian had many orchid paintings, and the orchid paintings under his pen reflected his profound skills. For example, the Orchid Butterfly in 1945, the Orchids in 1948, the Orchids in 1949, and the Orchid of Common Breeds in 1949, which he collaborated with Yu Zhizhen. Among them,"Orchid Butterfly Painting" had an inscription,"Orchid" had an inscription, seal and other elements, which reflected Zhang Daqian's situation and mood when he created the orchid painting. In May 2013, Christie's in Hong Kong sold 'Orchids' at a price of 2.07 million Hong Kong dollars, which also reflected the value of their orchid paintings in the art market. Zhang Daqian also created many orchid-related paintings such as Orchid Stone Painting, Bamboo Stone Orchid Painting, Butterfly Orchid Painting, Orchid Ink Bamboo Painting, and Vermilion Orchid Painting. "Nine Plum Red Songs Collection" novel is equally wonderful. Everyone is welcome to click and read it!
Zhang Daqian's menu painting
Zhang Daqian's menu was not only a record of dishes, but also a unique combination of calligraphy and painting. Judging from the menu handwriting, the pen was free and elegant, the arrangement of the dots was comprehensive, the handling of the relationship was insightful, and they relied on each other to look around and give way to each other; the lines had a strong sense of contrast; the layout was arranged vertically, which had freshness, impact and visual contrast. Moreover, there were many curls and circles on the menu, showing that he had high requirements for ordering dishes. There were also differences in the writing. The most interesting thing was that Zhang Daqian had drawn a lot of content on the menu, adding a different flavor to the menu. While waiting for the TV series, he could also read the exciting content related to this site!
The price of Zhang Daqian's calligraphy and painting
The price of Zhang Daqian's paintings fluctuated greatly. In the 1990s, Zhang Daqian's works were still relatively cheap. The best works were only sold for 7,000 to 8,000 yuan. However, as time passed, the price of Zhang Daqian's works soared. For example, his work in 2001 was sold for more than 9 million US dollars in the United States, creating the highest price for China art. Today, Zhang Daqian's works were easily worth tens of millions or even hundreds of millions of yuan, even higher than the price of many bronze artifacts. According to different auction records, Zhang Daqian's works were sold for millions to hundreds of millions of yuan in different years. However, the exact price of Zhang Daqian's calligraphy and painting needed to be determined according to the specific work, age, size, and other factors, so it was impossible to give an accurate price range.
Zhang Daqian's Chinese Orchid Painting
The words on Zhang Daqian's orchid painting included inscriptions, inscriptions, seals, and so on. In terms of the title of some paintings, for example, the 1945 Orchid Butterfly Painting had the title of "Hand-planted spiritual root into a treasure fetus, and the new yellow pattern was personally edited." I am proud of the beautiful Yao family, too lazy to face the spring appearance Tao Ling cup. The jade pendant several people go up the river, the gold hairpin pity your guest to come, spring and autumn flowers suddenly disappeared, alone with the cold night braving the moon to bloom. The poem "Orchids" written in 1948 has the title "Ten years ago in Xiangjiang, I wrote orchids for Brother Danlin. After the chaos, I lost them and wrote them again." It was the 25th day of the month. Tomorrow I will go to Xiangjiang again. I will gather here and there. I am very grateful. The title of the 1949 Orchid is "Yi Yi Qiu Lan, planted in the middle of the country, has its fragrance, has its yellow flowers, although deep, its beauty is more beautiful." Liu Zhiyun said: How can I be tired? Zhang Heng's "Resentment" is written here. On the 17th, in autumn, he paid a tax to Niu Nunnery. Wait. In terms of seals, the most common ones were "Zhang Yuan's Private Seal","Great Thousand Scholar","Zhang Yuan's Longevity","Great Thousand Years of Prosperity and Prosperity","How to Draw Spring Sorrow","Xiaoxiang Painting House", etc. These words (inscriptions, inscriptions, seals, etc.) not only had a certain supplementary meaning to the painting itself, but also reflected Zhang Daqian's situation and mood when painting. At the same time, they were also an important basis for the appraisal of the painting. "Nine Plum Red Songs Collection" novel is equally wonderful. Everyone is welcome to click and read it!
Zhang Daqian's Orchid Chinese Painting Prompts
Zhang Daqian's orchid painting inscription had rich meaning. Judging from his inscription, on one hand, it reflected his praise for the orchid itself, such as " The spiritual root was planted by hand to form a treasure fetus, and the new yellow pattern was personally cut. I am proud of the beautiful Yao family, too lazy to face the spring appearance Tao Ling cup. The jade pendant went up the river, the golden hairpin took pity on you, and the flowers in spring and autumn suddenly bloomed alone in the cold night. By describing the orchid's growth posture and blooming alone in the cold night, it showed the unique beauty of orchids, which was compared with the Yao family's species to set off its beauty. On the other hand, the inscriptions often quoted elements of classical literature, such as "Yi Yi autumn orchid, planted in the middle of the ah, there are fragrant flowers, there are yellow flowers, although deep, its beauty is more beautiful." Zhiyun said,"How can I trouble you?" Quoting Zhang Heng's "Resentment" to write about orchids not only reflected the fragrance and beautiful posture of orchids, but also added a strong cultural heritage. These inscriptions combined the external image and inner temperament of orchids through literary expressions, showing Zhang Daqian's deep understanding and love for orchids. It also made orchid Chinese paintings more profound and charming in artistic expression. "Nine Plum Red Songs Collection" novel is equally wonderful. Everyone is welcome to click and read it!