Different regions had different so-called "Three Great Sorcery". In Southeast Asia, there were witchcraft spells such as the Tame Head Spell (including 'Medicine Descend',' Flying Descend', and 'Ghost Descend'), and Gumantong (although it was different from raising little ghosts, it was often mentioned and had a mysterious color). In the Investiture of the Gods, there were the Six Soul Banner, the Soul Summoning Spell, and the Nail Head Seven Arrows Book, which were considered to be more sinister and vicious spells. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
There were different versions of the three great evil arts in China. One version was Maoshan Art, Corpse Raising Art, and Witchcraft. Maoshan Art was an ancient local secret art in China. The person who used Maoshan Art could use talisman paper to cast spells, which could subdue demons and devils, and attract souls. Corpse Raising Art was also full of mystery. Witchcraft was sinister and vicious, and it could not be easily touched. In the history of Emperor Wu of the Han Dynasty in his later years, the "Witchcraft Disaster" implicated hundreds of thousands of people, and the inheritance of witchcraft gradually leaned towards minority areas. There was also a saying that included makeup, but makeup was more of a modern and popular technique to improve one's appearance. It was quite different from the first three concepts. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
In Xiangxi, corpse herding, Gu poison, and Luohua Cave Girl were known as the " Three Evils of Xiangxi ". The Xiangxi Necromancy Technique was a folk custom of the Miao people in Xiangxi. It belonged to the Chu witchcraft culture. It was a way to " drive " the corpses of the dead back to their hometown, so that the dead could be buried in peace and return to their hometown. It was called the three great mysteries of Xiangxi culture together with the release of gu and Chenzhou talisman. It was also a white witchcraft. It was said that Chiyou was the founder of the corpse-chasing culture. Thousands of years ago, Chiyou and the Yellow Emperor fought by the Yellow River. After the battle, he ordered the military counselor to bring his dead brothers home. The military counselor chanted a spell to make the corpses stand up. Chiyou led the team forward. The military counselor urged the corpses to be "chased" back to their hometown. Corpse transportation was mainly concentrated in the Ming and Qing Dynasties. At that time, there were constant wars. Many people died in foreign lands and could not be transported back to their hometown for burial in coffins. Therefore, there were corpse transportation craftsmen who used Chenzhou talismans to drive corpses back to their hometown. The corpse transporter had to be brave and in good health. They would apply a Miao special medicine on the corpse to prevent decay, put it on a bamboo pole, and carry the corpse home one after another. At night, they would ring the bell to remind passers-by to avoid it. They must bring the corpse to the corpse transport inn before dawn. However, the corpse drive was not to drive the corpse back to their hometown. It was to lead the corpse through the desolate and rugged mountains to the plains and hand it over to the relatives who came to pick up the corpse. They would put the corpse into the coffin and then use other means of transportation to transport it back to the countryside for burial. Nowadays, corpse chasing had become a folk custom that was presented to tourists in the form of dance. Gu poison was a relatively mysterious thing. It was usually thought to be a kind of evil technique that was performed through various poisonous insects and other media, but it mostly existed in legends and mysterious cultures. The Luohua Cave Girl referred to some unmarried women in the Xiangxi tribe who could cry leaves off their leaves. They would not die for a few days if they did not eat or drink in the cave. They would die after a few days if they did not eat or drink when they returned. These women were thought to be blessed by the gods, and their lives had already been dedicated to the gods. Although they were alive, they were already in another world, and they would not live long in this world. However, this was more of a mysterious phenomenon in the local folk culture. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
The nine Ancestors of Sorcery among the Ancient Godly Emperors included Hei Qi, Bai Yuan, Ancestral Dragon, Demon Ancestor, Blaze, Emperor Wa, Emperor Heaven, Emperor Truth, and Pangu. These Ancestors of Sorcery were the nine powerful existences in the flourishing era of Sorcery Dao. Each Ancestor of Sorcery had their own unique abilities and background. Some of them had founded temples and forged powerful divine artifacts, such as the Cauldron of Space, the Cauldron of Time, and the Cauldron of Witchcraft. The nine cauldrons were considered the number one divine weapon in the world and could command thousands of races. The strength of the nine great Ancestor Sorcerers was extraordinary. They were experts at the level of ancestors. Their existence made the Ancient Netherworld Era become terrifying and glorious. However, the information regarding the specific abilities and background of the nine Great Sorcerer Ancestors was not very clear, so he was unable to provide more detailed information.
The Great Compassion Mantra came from the Great Compassion Dharani Sutra of Avalokitesvara Bodhisattva with a Thousand Hands and Eyes, translated by the West Indian monk "Gavandarha" in the Tang Dynasty. It was of great significance in the Buddhist teachings of the Han Dynasty and was believed to have many benefits such as eliminating obstacles and difficulties. However, whether chanting the Great Compassion Mantra could break the sorcery was not confirmed by science. The sorcery itself was also considered by many people to be feudal superstition. From a scientific point of view, there was no such thing as breaking the sorcery. There may be relevant statements in the scope of religious beliefs, but there is no scientific basis to support it. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
The Twelve Ancestors of Sorcery were formed by most of Pangu's blood essence after his death. They were not descendants of Pangu and did not enjoy the essence of creation and the Three Treasures of Creation. They were only below Nvywa. They had human heads, dragon bodies, python heads, human bodies, and other different forms of existence. Each of them had different characteristics such as controlling domains. The Ten Great Demonic Sages were the top masters of the Demon Tribe except for their leaders. The weakest among them was at the Late Stage of Zenith Heaven Golden Immortal Realm. They were the strongest among all the races in Untainted Land under the command of Emperor Jun and Donghuang Taiyi. Their true forms were also different. For example, Demon Sage Fei Lian's true form was a bird-headed deer's body, while Gui Che's true form was a nine-headed bird. Furthermore, their endings in the war between the liches and demons were also different. Generally speaking, the Twelve Ancestors of Sorcery were the leaders of the Wu Tribe and originated from the Blood Essence of Pangu, while the Ten Great Demon Sages were the top experts of the Demon Tribe. There were many differences between the two in terms of race, origin, and characteristics. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
According to the reference materials, the Twelve Ancestors of Sorcery came from the fantasy novel "Buddha is the Way". They were mostly transformed from the blood essence of Pangu's body. They were related to Pangu's reincarnation. The plot of the Nine Great Sorcerer Ancestors mentioned that they had reached the peak of the ancestors. Perhaps they were immortal existences and had a corresponding relationship with the Nine Ancient Dao. For example, the Dragon Ancestor corresponded to nothingness, the Demon Ancestor corresponded to darkness, and so on. However, based on this information alone, it was difficult to directly determine who was more powerful between the Twelve Ancestors of Sorcery and the Nine Great Ancestors of Sorcery, because there was no clear standard to measure the strength of the two. For example, under different novel settings, the strength of the two might have different manifestations, and there was no relevant information such as direct confrontation between the two for reference.
Sorcery movies usually referred to those movies with supernatural or evil forces as the theme. They usually involved some magic, witchcraft, supernatural phenomena, and other elements that did not match the real world. There were many types of sorcery movies, such as horror, horror, fantasy, science fiction, and so on. In the creation process of sorcery movies, special effects and visual effects were usually emphasized, as well as the narrative and plot development of the story. Some sorcery movies would also add some complicated elements and plots, such as dark forces controlling evil forces, heroic characters fighting against evil forces, and so on. Although sorcery movies had unique visual effects and storylines, they also had certain risks and uncertainties. Because some witchcraft movies may involve some unscientific or supernatural elements, it may cause discomfort or fear to some viewers. At the same time, some sorcery movies might also promote some negative values and beliefs, so they also needed the audience to judge and evaluate themselves.
Sorcery belonged to " improper magic " and " sorcery ", also known as witchcraft. In China and other parts of the world, many sorcery evolved from religious sorcery or witch doctors. Sorcery was divided into the underworld and the white path. The underworld sorcery was used to harm others for personal economic benefits, revenge, power, love, or employment. The white path sorcery was used to treat illnesses, scare, protect, defend, seek water, pray for rain, and seek personal or other benefits. However, evil techniques harmed others and themselves. Even white evil techniques could attract possession and harm themselves. However, some people in modern times believed that evil arts were feudal superstitions and did not exist. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!