Introduction to Mei Lanfang's works
Mei Lanfang's masterpieces include Peking opera, Drunken Concubine, Farewell My Concubine, Daiyu Buried Flowers, Dream in the Garden, Mu Guiying in Command, etc. In addition, there was also a long comic book created by Lin Ying, Mei Lanfang. The comic presented his creative career, the hardships he experienced, the process of growing up, and the changes of an era, restoring the scene of pear garden and the cultural life of the people at that time. The Complete Works of Mei Lanfang consisted of eight volumes and was jointly published by the China Drama Press and the Beijing Press. "Nine Plum Red Songs Collection" novel is equally wonderful. Everyone is welcome to click and read it!
Mei Lanfang's Main Works
Mei Lanfang (1894 - 1966), formerly known as Mei Lanfang, was a Chinese Peking opera artist and actor. His main works included classic Peking opera scripts such as The Drunken Imperial Concubine, Legend of the White Snake, and Dream of the Red Chamber. These scripts had high artistic value and popularity not only in China but also around the world.
What are Mei Lanfang's representative works?
Mei Lanfang was the founder and main actor of Beijing opera. 1 Peking opera Legend of the White Snake: This is one of Mei Lanfang's most famous works and one of the most representative plays in Peking opera. It told the love story between the White Lady and Xu Xian and was hailed as a classic in the history of Chinese opera. 2 Peking opera, Dream of the Red Chamber: This is Mei Lanfang's adaptation of the Chinese classical novel, Dream of the Red Chamber. It is also one of the representative works of Peking opera. It used the love story of Jia Baoyu and Lin Daiyu as the main line to show the style and interpersonal relationships of traditional Chinese society. 3. Peking opera " Qin Shihuang ": This is Mei Lanfang's Beijing opera adapted from the historical story " Qin Shihuang and Li Si ". It narrates the political struggle and power struggle between Qin Shihuang and Li Si, and shows the political culture and historical background of ancient China. 4. Peking opera Liang Shanbo and Zhu Yingtai: This is a Peking opera work adapted by Mei Lanfang from the Chinese classical novel Liang Shanbo and Zhu Yingtai. It tells the love story between Liang Shanbo and Zhu Yingtai and is regarded as a classic in the history of Chinese opera. 5 Beijing opera "Three Shop": This is Mei Lanfang's Beijing opera adapted from the traditional Chinese opera "Three Shop". It tells the story of three businessmen in the process of opening a shop, showing the style and humanity of Chinese traditional business culture.
Which novels are Mei Lanfang's representative works?
I recommend Shopkeeper Mei, a short story written by Momo Jiejie. The story took place in Taifeng Bank in Shanghai during the Republic of China. Shopkeeper Mei looked like a handsome man, but in fact, she was a young girl. In the context of the Jiang-Wang financial war, as the daughter of Prince Chun, she was wooed by many parties. She wanted to use her identity to lurk in the business world and avenge her father. Then push "Orchid Fragrance Fate," He Yanshan's work. The female protagonist was reborn as a servant girl, and the male protagonist changed from a playboy to a devoted lover. The story was like 'Dream of the Red Chamber'. The writing style was exquisite and gorgeous. The characters were described vividly and the plot was cleverly designed. Although there were shortcomings, they could not obscure the merits. The change in the female lead's personality and the male lead's counterattack were all very exciting, and they also contained life philosophy. There was also Reborn Plum Fragrance, which was written by Yucalli. Meixiang died when she was an orphan at the age of four. Could she change her fate when she was reborn at the age of ten? "Happy on the plum shoot," written by Hua Yao. The female lead dressed as a little maid and carried an egg. The mystery of her birth was gradually solved. She changed from a maid to a concubine's daughter and then to a legitimate daughter. The last was the Golden Girder, Mei Qing's work. It was a novel of rebirth, a traditional otaku style. The writing style was good and the plot was smooth. The family members of the male and female leads were all very upright. It was a fresh and healing masterpiece. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Mei Lanfang's Descendants
There was no clear information about the current situation of Mei Lanfang's descendants. We learned that Mei Lanfang had a total of nine children, of which only four were adults. Mei Baochen was Mei Lanfang's fourth son and was an outstanding architect. Mei Shaowu was one of Mei Lanfang's five sons. He was a translator and literary researcher. Mei Baoyue was Mei Lanfang's seventh daughter. She studied hard in the field of opera. Mei Baojiu was Mei Lanfang's youngest son. He inherited Mei Lanfang's artistic talent and became a Beijing opera actor. Other than that, there was no information on the specific status of the other descendants.
Taizhou Mei Lanfang
In 2024, Taizhou held a series of events related to Mei Lanfang. First of all, the 2024 Taizhou Mei Lanfang Art Festival would be held in Taizhou City, Jiangsu Province from October 11 to 30, 2024. This art festival had been held since 2008 and was a relatively influential art festival in the China theater industry. Its main activities include Mei Yi Jinhui-Commemorating the 130th anniversary of Mei Lanfang's birth,"Hundred Plum Flowers Competing for Beauty" opera performance of famous opera masters of the Plum Blossom Award,"Play in Taizhou·Art Run Life" cultural performance for the benefit of the people,"Tai You Play" small theater "Winter Watching Good Play" excellent play performance, the 5th Beijing opera Mei School ticket exhibition at home and abroad,"Art Labourer Mei Lanfang-Mei Lanfang's theme contemporary art works" national tour exhibition Taizhou station, etc. On the evening of October 10th, in Mei Lanfang's hometown, Taizhou, Jiangsu Province, the newly created drama "Mei Lanfang·Dangui Story" officially kicked off the 2024 Taizhou Mei Lanfang Art Festival. Mei Lanfang·Dangui Story was a large-scale modern Peking opera to commemorate the 130th anniversary of Mr. Mei Lanfang's birth. It was created by Taizhou Mei Lanfang Peking opera troupe. It described the scene of 63-year-old Mei Lanfang returning to his hometown in 1956. It showed Mr. Mei Lanfang's perception and thinking in many aspects and presented the wonderful art of Mei School. In addition, 2024 was the 130th anniversary of Mr. Mei Lanfang's birth. On October 20,2024, at 7:30 a.m., a "Beijing opera gas station" was set up on the track of the Taizhou Marathon and Grand Canal Marathon Series, integrating Beijing opera elements into the track performance. The medals of the competition adopted a unified design. The medals of the whole horse, half horse and happy run were distinguished by gold, silver and copper respectively. The medals used the crown of the flower head of the Beijing opera as the core visual image. The landmark building Wanghai Tower was embedded in the center of the front of the medal, showing the characteristics of Taizhou's" hometown of opera".
Mei Lanfang's related story
Mei Lanfang was one of the founders of Chinese Peking opera and one of the treasures of Chinese culture. His story was full of legend and drama. Here are some brief stories about him: 1. Early years: Mei Lanfang was born in a Beijing opera family and was influenced by opera since childhood. His father, Mei Qiaoling, was one of the founders of Beijing opera. His mother, Wang Yaoqin, was also an opera actress. Mei Lanfang started performing in Beijing opera at the age of 14. His talent and hard work made him an outstanding actor. 2. Peking opera career: Mei Lanfang has extraordinary talent and talent in Peking opera performance. He has created many classic characters such as Jia Baoyu in "Dream of the Red Chamber" and Bai Suzhen in "Legend of the White Snake". His unique performance style combined dance, music, martial arts, painting and other elements, known as the "ancestor of Beijing opera." 3. Reforms and innovation: Mei Lanfang was not only an outstanding actor, but also actively promoted and disseminated Peking opera. He established the "Mei School" of opera, which had a profound impact on the development of Peking opera. He also tried some new forms of Peking opera performance, such as the revolutionary song performance in Red Lantern, which promoted the innovation and development of Peking opera. 4. Life in his later years: Mei Lanfang suffered from a serious lung disease in his later years and was forced to stop performing. During his seclusion, he actively wrote many articles and scripts about Peking opera. He had also come to Japan many times to perform and promote Peking opera culture, becoming one of the important representatives of Chinese culture internationally. Mei Lanfang's story shows the struggle and achievements of an outstanding opera actor. His contribution to Chinese opera culture and Chinese culture will forever be engraved in the long river of history.
Mei Lanfang's Beijing opera
Mei Lanfang's Beijing opera had profound significance and many unique features. Mei Lanfang was born in a family of Peking opera. He had been in the industry for 56 years. He paid attention to tradition and extensively drew on the performance methods of different industries and types of songs to create a unique "Mei School". His representative works include Drunken Concubine, Farewell My Concubine, Daiyu Buried Flowers, Dream in the Garden, Mu Guiying in Command, etc. He carried out a comprehensive and systematic reform of the art of Peking opera. In terms of stage performance, he paid attention to the expression of the plot and emphasized the shaping of characters. On the basis of giving full play to the singing skills of Qing Yi, he highly unified the character's personality and emotions with the stage performance. In terms of singing art, he developed the singing art of the female role of Beijing opera, lowered the tone of singing to give full play to the width and thickness of the singing, and created a new tune to enrich the melody. They also reformed the costumes, costumes, and stage art of the Peking opera characters, creating new styling images and improving the overall viewing quality of the Peking opera stage. Mei Lanfang was also a pioneer in spreading the art of China Peking opera to foreign countries. From 1919 to 1935, he was invited to perform in Japan, the Soviet Union, and the United States, expanding his international influence and bringing Peking opera into the international field of vision. It became an important window for international friends to understand the China national drama culture. He also got to know many international artists and improved the understanding of China culture among the people of various countries, making the art of China Peking opera enter the world of drama. In the country, his influence could not be underestimated. The Mei Lanfang Peking opera troupe of Beijing Peking opera theater was founded in the 1920s. Mei Lanfang was the first head of the troupe. With its unique artistic style and profound cultural heritage, the troupe had traveled all over the world. It was a leading team of Peking opera culture with great influence and appeal in the China theater. Mei Lanfang also made great contributions to the training of Peking opera talents. After 1949, he settled in Beijing and focused on Peking opera education, training more than 100 students. "Nine Plum Red Songs Collection" novel is equally wonderful. Everyone is welcome to click and read it!
Mei Lanfang's title, representative works, main deeds and character evaluation
Mei Lanfang (1634 - 1703) was one of the founders of Peking opera and an important figure in the history of modern Chinese opera. Mei Lanfang's title was the "Founder of Peking opera." His representative work was "Dream of the Red Chamber." His main deeds included creating Peking opera, promoting Peking opera, and hindering the development of Peking opera. Mei Lanfang had made great contributions to the creation and promotion of Peking opera. He created a new form of Beijing opera through the improvement of Kunqu opera and other operas, making Beijing opera gradually become one of the representatives of traditional Chinese opera. He also established the Peking opera performance group "Mei School" and personally guided the rehearsal to promote the development of Peking opera art. However, Mei Lanfang was also criticized for hindering the development of Peking opera. He once tried to promote other cultures by restricting the performance of Peking opera, which was considered a betrayal of traditional culture. Despite this, Mei Lanfang was still regarded as an important figure in the history of modern Chinese opera. His contribution and influence were still widely recognized.
Mei Lanfang, Luo Shen
Mei Lanfang's "Luo Shen" was a Beijing opera. On November 21st, 1923, Mei Lanfang and his team brought this story to the stage of Beijing opera for the first time. It was adapted from Cao Zhi's Ode to the Luo God. The story avoided political overtones and was simplified into a love story between Cao Zhi and Zhen Mi. The performance style was hazy and abstract, like a poem full of philosophical meaning. In 1955, the Beijing Film Studio made it into a Beijing opera film, with Mei Lanfang, Jiang Miaoxiang, and other leading roles. It told the story of Cao Zhi and Luo Shen meeting in Luochuan's dream during the Three Kingdoms period. In addition, Mei Lanfang's 1924 performance of "Luo Shen" was also included in the album "Collection of Excellent Works of China Traditional and Modern Drama (I)". "Luo Han's Lyric Collection" is equally exciting. Everyone is welcome to click and read it!