Wang Xizhi's small regular script had been passed down from generation to generation, such as Huangting Jing, Yue Yi Lun, Filial Daughter Cao E, Buddhist Legacy Scripture, Tao Te Ching, etc., but there was no definite information that indicated the existence of the so-called ten most famous poems.
There were many copies of Wang Xizhi's Xiaojie Calligraphy. For example, the selected characters of Wang Xizhi's Xiaojie Calligraphy, which was printed by Duoyun Xuan in Shanghai in 1965, were made of the original rubbings of Zihui Hall's block-printed edition, arranged in squares, and printed with selected characters. The selected characters were from Huang Ting Jing, Yue Yi Lun, Filial Daughter Cao E, and Buddhist Legacy Scripture handed down by Wang Xizhi's Xiaojie (although it was difficult to verify that they were authentic). There was also Wang Xizhi and the Other's Analysis of Five Styles of Small Regular Script, co-written by Wu Guoying, Ren Buwu, and Xu Chuanxin. It was published by New Era Press on January 1, 1998. Wang Xizhi and Wang Xianzhi's Small Regular Script were published by Shanghai Calligraphy and Painting Press and Guangxi Fine Arts Press on February 1, 2007 respectively.
Huangting Jing was a popular Taoist cultivation book during the Wei and Jin Dynasties. It was said that Wang Xizhi's small script Huangting Jing was the Exterior Jing. This post's writing technique was extremely strict and elegant, with a beautiful and cheerful attitude. There was a legend that a Taoist priest in Shanyin wanted to get Wang Xizhi's calligraphy. Knowing that he was addicted to geese, he prepared a fat white goose as a reward for writing scriptures. Wang Xizhi saw the goose happily writing scriptures for the Taoist priest for a long time, and then "caged the goose back". The original text was recorded in the Book of History of the Southern Dynasty. It said that Wang Xizhi wrote the scriptures of Dao and De. After many rumors, it became Huangting Jing. Therefore, Huangting Jing was commonly known as "Changing Goose Tie". There was no name at the end, and it was signed "May of the twelfth year of Yonghe (356)". Today, it is only a copy of the later generations. Its authentic works have long since disappeared, but there are copies, copies and engraved copies, such as the Fenglou version of Song Xing. Zhiyong, Chu Suiliang, Yu Shinan, Ouyang Xun and others all have Linben. The Huangting Sutra focused on the theory of keeping the body and spirit, keeping the essence, and the theory of human organs. It played an important role in the history of Taoism and, to a certain extent, contributed to the birth of the Taoist school. It was regarded as the wonderful code of longevity and was included in the text category of the Dongxuan Department of the Orthodox Taoist Canon. The inner alchemy school respected it as the jade law of learning immortals and the golden subject of cultivation.
Currently, there was Original! Wang Xizhi's Running Script and High-definition Original Stone Rubbing Comparisons mentioned that there were high-definition inscriptions in Wang Xizhi's Preface to the Orchid Pavilion and Huairen's Preface to Wang Xizhi's Holy Church. There was also a high-definition picture of Wang Xizhi's running calligraphy,"Three Peaceful Calligraphy".
The Preface to the Orchid Pavilion was one of the masterpieces of Wang Xizhi, a calligrapher of the Jin Dynasty. It was known as the " world's first semi-cursive script." In 353 A.D., Wang Xizhi met with the literati at the Orchid Pavilion in Shaoxing, Zhejiang Province. They drank wine and wrote poems. While drunk, he wrote the Preface to the Orchid Pavilion. This preface had a total of 28 lines and 324 words. It was full of emotion and was full of life. Wang Xizhi's Preface to the Orchid Pavilion was revered by later generations as the regular script of running script, and was regarded as a treasure by Emperor Taizong of the Tang Dynasty. He even left his last words on his deathbed, asking for the Preface to the Orchid Pavilion to be buried with him. Because of its high artistic value, there are still many people copying the Preface to the Orchid Pavilion. In general, the Preface to the Orchid Pavilion had become a classic in the history of Chinese calligraphy with its exquisite calligraphy skills and unique artistic charm.
Wang Xizhi's famous pen is the Preface to the Orchid Pavilion.(Feng Chengsu's copy, Chu Suiliang's copy, Dingwu Lanting's Preface), Lin Zhongyao's Thousand-Character Essay, Yuan Huan Tie, Ping An Tie, He Ru Tie, Feng Orange Tie, Mourning and Chaos Tie, Er Xie Tie, De Shi Tie, Wandering Eye Tie, Shangyu Tie, Sorrow and Disaster Tie, Kong Shi Zhong Tie, Worry Hanging Tie, Fast Snow Time Clear Tie, Tell Jiang Dao Tie, Rain Post, Long Wind Post, Cold Cut Post, Sister Zhi Post, July Post."Du Xia Tie,""Gretching Tie,""Xing Rang Tie,""Da Dao Tie,""Auntie Tie,""Chu Yue Tie,""Xi Sima Tie,""Yi Min Tie,""Long Bao Tie,""Si Bu Tie,""Snow Condensing Cold Tie,""Fushi Tie,""Contentment Tie,""Zhan Jin Tie,""Tian Shu Gao Tie,""Zhu Churen Tie,""Seventy Tie,""Qiong Zhu Staff Tie,""Shu Du Tie,""Salt Well Tie,""Yuan Huan Tie,""Evening Tie,"" Yan Junping Tie." Hu Wu Tie, Children Tie, Qiao Zhou Tie, Han Shi Jiang Tang Tie, Zhu Cong Tie, Chengdu Tie, Qi Qi Tie, Herbs Tie, Lai Qin Tie, Hu Tao Tie, Qing Yan Tie, Yu Anji Tie, Shi De Shu Tie, Jin De Shu Tie, Yesterday Shu Tie, Long Farewell Tie, Ji Han Tie, Yu Xiu Tie, Jian An Tie, One Day Together Tie, Shi Zhong Tie, Jing Yu Tie, Qing He Tie,"Pursuing Sorrow and Mourning Tie","Linchuan Tie","Yu Dan Yang Tie","Yuan Sheng Tie","Thinking of Small and Big are Good Tie","Shi Tai Chang Tie","Si Zhou Tie","Li Ren Tie","Illness Tie","Thinking of Younger Brother Tie","Festival Tie","Puke Tie","Ding Ting Tie","Zhong Xi Tie","Two Xie Zai Ci Tie","July Tie","Du Xia Tie","Xie Guanglu Tie","Feeling Feelings Tie","Half Moon Reading Foot Tie"," Long Plain Tie"," Zhinian Tie","Every Reading the Long Wind Post,""Xie Sheng Post,""First Moon Post,""Current Affairs Post,""I Strange Post,""Former Congluo Post,""Zhiwen Post,""Lao Malpractice Post,""Emperor Elephant Post,""Far Woman Post," etc.
Wang Xizhi (303 - 361) was a calligrapher, painter, and writer of the Eastern Jin Dynasty. He was regarded as one of the great masters of Chinese calligraphy. Wang Xizhi's most famous masterpiece was the Preface to the Orchid Pavilion Collection, which was regarded as a classic in the history of Chinese calligraphy and one of the treasures of Chinese culture.
Wang Xizhi's famous work was the Preface to the Orchid Pavilion Collection. Its full name was Wang Xizhi. This essay was a preface written by Wang Xizhi in the Eastern Jin Dynasty. It described a gathering of Wang Xizhi and his friends in the Orchid Pavilion. It praised the natural beauty and friendship. It was a classic work in ancient Chinese literature.
Ouyang Xun's most famous regular script was the 'Ninety percent Palace's Liquan Inscription'. This work was known as " the world's first regular script ". It had a slender structure, neat font, and solemn atmosphere. It was considered one of Ouyang Xun's representative works.
Wang Xizhi (303-361), also known as Yishao, was from Langye (today's Linyi, Shandong). He later moved to Shanyin, Kuaiji (today's Shaoxing, Zhejiang). He was a calligrapher of the Eastern Jin Dynasty and was revered as the "Calligraphy Saint." He was born in the Wang family of Langya, a famous family in the Wei and Jin Dynasties. His grandfather, uncle, and father all held important positions in the court. He loved calligraphy since childhood and studied under Lady Wei. In the third year of Taining (325), he married the daughter of Marshal Xi Jian and was recommended as a secretary. He was able to browse the authentic calligraphy of the past dynasties. Wang Xizhi was famous for cleaning up the long-standing abuses when he served as the prefect of Linchuan around the fourth year of Xianhe (329). In the ninth year of Xianhe (334), he served as the army and long history of Wuchang (now Ezhou). Later, he served as the governor of Jiangzhou (now Jiujiang, Jiangxi Province) and devoted himself to studying calligraphy. In May and June of the eighth year of Xiankang (342), he was indirectly appointed as the governor of Jiangzhou and added the military position of General Ningyuan. In the seventh year of Yonghe (351), he took over the position of General of the Right Army as the internal history of Kuaiji. Because of his bad blood with Wang Shu, on March 3, the ninth year of Yonghe (353), he had a banquet with Sun Chuo, Xie An and other 41 people at the Lanting Pavilion in Shanyin, Kuaiji, and wrote "The First Running Script in the World" and "Preface to Lanting Collection". In the eleventh year of Yonghe (355 years), he resigned due to his disgust with the official struggle. After that, he traveled all over the manor landscape. In the fifth year of Shengping (Year 361), he died in the Golden Court Temple at the age of 59. The court gave him the title of Golden Purple Guanglu Doctor. He was good at Li, Cao, Kai, Xing and other styles. He and his son Wang Xianzhi were called "Two Kings". His calligraphy was peaceful, natural, vigorous and beautiful. It was an aesthetic model of Wei and Jin Dynasties demeanor, which had a far-reaching influence on later generations and calligraphy at home and abroad. The representative works of regular script include "Huang Ting Jing" and "Yue Yi Lun," etc. The running script is more outstanding in "Kuaixue Shi Qing Tie" and "Mourning Chaos Tie," and the cursive script is the most vivid in "Seventeen Tie." In addition, he also had masterpieces such as "Youmu Tie".
Wang Xizhi (303 - 361) was a calligrapher, painter, and writer of the Eastern Jin Dynasty. He was regarded as one of the great masters of Chinese calligraphy. One of Wang Xizhi's masterpieces was the Preface to the Orchid Pavilion Collection, which was regarded as a classic in the history of Chinese calligraphy. This article depicted Wang Xizhi and his friends enjoying the scenery and drinking among the mountains and rivers near the Orchid Pavilion during the Eastern Jin Dynasty. It expressed the author's open-mindedness and love for nature. The structure of this essay was exquisite, and the style of writing was elegant. It was one of Wang Xizhi's representative works and also a classic in the history of Chinese calligraphy.