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What makes a concept the biggest thing in fiction?

2024-10-31 23:56
2 answers
2024-11-01 04:18

If a concept has a far - reaching impact on the characters and the plot, it can be considered the biggest thing in fiction. Take the idea of time - travel in many science - fiction stories. It allows characters to visit different eras, change the past or future, and thus completely alters the course of the story. It also creates complex moral and ethical dilemmas for the characters, which makes it a very significant and 'big' concept in the world of fiction.

2024-11-01 02:39

A large scope often makes a concept the biggest thing in fiction. For example, the multiverse concept in some superhero comics. It implies countless parallel universes, each with its own set of rules, characters, and stories. This idea is so vast that it can incorporate an infinite number of possibilities and versions of beloved characters, which is really mind - blowing.

What could be considered the biggest thing in fiction?

1 answer
2024-11-01 06:45

The Force in 'Star Wars' is a huge concept in fiction. It's an energy field that binds the galaxy together and has the power to influence the destinies of individuals, entire planets, and the balance of good and evil. It's so big in the context of the 'Star Wars' universe that it shapes the entire narrative, from the Jedi and Sith's use of it in combat to its role in the political and spiritual fabric of the galaxy.

What makes the dragons the biggest in fiction?

1 answer
2024-12-04 13:26

Size descriptions in the story can make a dragon seem big. For example, if the author says a dragon is as large as a mountain, like Smaug. Another factor is their power. A very powerful dragon often gives the impression of being big. Drogon in 'Game of Thrones' was not only large physically but also very powerful. Also, their influence on the story world. If a dragon's actions can change the whole world, like Ancalagon the Black, it seems huge in the context of the fiction.

What makes characters the biggest haters in fiction?

2 answers
2024-12-04 17:22

In some cases, it's revenge. For example, Count of Monte Cristo in the novel of the same name. His hatred is born out of being wronged. He was unjustly imprisoned and his hatred for those who wronged him drives him to seek elaborate revenge. So, past wrongs can make a character a big hater in fiction.

What makes characters the biggest menaces in fiction?

1 answer
2024-11-09 14:10

Ambition. Macbeth from Shakespeare's play is a good example. His over - ambitious nature drives him to commit murder and cause chaos in order to gain and hold power, making him a menace in the fictional world of the play.

What makes a character one of the biggest in fiction?

2 answers
2024-10-25 13:08

A character can be considered one of the biggest in fiction if they have a widespread influence. For example, characters like Mickey Mouse are huge in fiction. He has been around for decades and is recognized globally. His image is used in countless products and his stories are loved by children and adults alike. Another factor is the depth of their character. A character like Hamlet is complex and full of internal conflict. His soliloquies are some of the most famous in literature, and his indecision and quest for revenge make him a character that has been analyzed and studied for centuries. Also, a character's ability to transcend their original medium is important. For instance, Batman has been in comics, movies, TV shows, and video games, constantly evolving yet remaining an iconic figure.

What makes these the biggest names in young adult fiction?

2 answers
2024-12-07 06:58

For J.K. Rowling, it's the richly detailed magical world she created. It's so immersive that readers feel like they're part of Hogwarts. Suzanne Collins' 'The Hunger Games' has a powerful dystopian concept that reflects on society. John Green writes in a way that really makes young adults feel understood. His characters are relatable, and his stories are both funny and heart - breaking at the same time.

What makes something the biggest con in fantasy and science fiction?

1 answer
2024-12-07 23:35

The biggest con often lies in the failure to connect with the readers or viewers on an emotional level. In fantasy, if the characters are just going through the motions of a magical adventure without any real emotional depth, it's a problem. In science fiction, when the technological concepts are so cold and detached that there's no human element to relate to, it becomes a con. Additionally, when the genre tries too hard to be something it's not, like a fantasy trying to be a hardcore political drama without the right foundation, it fails.

What makes a thing the most evil in science fiction?

3 answers
2024-12-01 08:37

Power combined with a lack of morality. For example, if a powerful alien race in science fiction uses its advanced technology to enslave weaker races just for fun or to gain more resources without any ethical consideration. That's pure evil. They could be doing it on a large scale, across galaxies perhaps, and not care about the suffering they cause.

What makes 'the thing the torch fan fiction' unique?

2 answers
2024-11-11 08:06

The creativity of the fans writing it also contributes to its uniqueness. They bring in their own perspectives, experiences, and ideas. For example, they might introduce new relationships between characters or alternative endings to the story in 'the thing the torch'. This can make the fan fiction stand out from the original and other fan works. In addition, the fan community's shared passion for 'the thing the torch' often leads to a certain style or tone in the fan fiction that is distinct to this particular fan base.

What makes a concept new in dystopian fiction?

2 answers
2024-12-10 20:57

A concept can be new in dystopian fiction if it presents a unique take on power dynamics. For example, if it shows power not just in the hands of a government or a few elites, but spread in unexpected ways, like power held by a group of AI entities. This flips the traditional understanding of who holds sway in a dystopian world.

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