Fear can also lead to hatred. In 'Frankenstein', the monster is hated by society because he's different. But in turn, he starts to hate humanity. His initial fear of being alone and rejected turns into hatred, which then drives his actions against the humans who shunned him. So, fear - based reactions can create big haters in fictional stories.
In some cases, it's revenge. For example, Count of Monte Cristo in the novel of the same name. His hatred is born out of being wronged. He was unjustly imprisoned and his hatred for those who wronged him drives him to seek elaborate revenge. So, past wrongs can make a character a big hater in fiction.
Dolores Umbridge from 'Harry Potter' is also a major hater. She hates half - bloods, Muggle - borns, and anyone who doesn't fit into her narrow view of the wizarding world. She uses her position of power to make life miserable for students and teachers alike, showing her extreme hatred through her cruel actions.
Ambition. Macbeth from Shakespeare's play is a good example. His over - ambitious nature drives him to commit murder and cause chaos in order to gain and hold power, making him a menace in the fictional world of the play.
Size descriptions in the story can make a dragon seem big. For example, if the author says a dragon is as large as a mountain, like Smaug. Another factor is their power. A very powerful dragon often gives the impression of being big. Drogon in 'Game of Thrones' was not only large physically but also very powerful. Also, their influence on the story world. If a dragon's actions can change the whole world, like Ancalagon the Black, it seems huge in the context of the fiction.
A large scope often makes a concept the biggest thing in fiction. For example, the multiverse concept in some superhero comics. It implies countless parallel universes, each with its own set of rules, characters, and stories. This idea is so vast that it can incorporate an infinite number of possibilities and versions of beloved characters, which is really mind - blowing.
A character can be considered one of the biggest in fiction if they have a widespread influence. For example, characters like Mickey Mouse are huge in fiction. He has been around for decades and is recognized globally. His image is used in countless products and his stories are loved by children and adults alike. Another factor is the depth of their character. A character like Hamlet is complex and full of internal conflict. His soliloquies are some of the most famous in literature, and his indecision and quest for revenge make him a character that has been analyzed and studied for centuries. Also, a character's ability to transcend their original medium is important. For instance, Batman has been in comics, movies, TV shows, and video games, constantly evolving yet remaining an iconic figure.
One of the biggest characters in fiction could be Sherlock Holmes. He is highly intelligent, with his deductive reasoning skills being renowned worldwide. His character has been adapted numerous times in various forms of media, from books to movies and TV shows. He has a complex personality, often aloof but with a deep sense of justice. Another big character is Harry Potter. His story of growing up in the wizarding world, facing the dark wizard Voldemort, has captured the hearts of millions. His journey from an orphan boy to a hero is truly iconic in the world of fiction. And then there's Gandalf from 'The Lord of the Rings'. He is a powerful wizard, guiding the Fellowship in their quest to destroy the One Ring. His wisdom and strength are central to the story.
For J.K. Rowling, it's the richly detailed magical world she created. It's so immersive that readers feel like they're part of Hogwarts. Suzanne Collins' 'The Hunger Games' has a powerful dystopian concept that reflects on society. John Green writes in a way that really makes young adults feel understood. His characters are relatable, and his stories are both funny and heart - breaking at the same time.
The biggest con often lies in the failure to connect with the readers or viewers on an emotional level. In fantasy, if the characters are just going through the motions of a magical adventure without any real emotional depth, it's a problem. In science fiction, when the technological concepts are so cold and detached that there's no human element to relate to, it becomes a con. Additionally, when the genre tries too hard to be something it's not, like a fantasy trying to be a hardcore political drama without the right foundation, it fails.
Geeks and nerds are a significant part of the biggest demographic for science fiction. They have a deep love for all things science - related and the fictional worlds that are built around scientific concepts. They are often the first to engage with new science fiction books, movies, and TV shows, and they can also be very active in fan communities, discussing and dissecting every aspect of their favorite science fiction works.
Unique ideas. For example, Frank Herbert's 'Dune' had a very complex and unique world with its own ecology, politics, and religions. This kind of in - depth world - building draws readers in.