King incorporates Lovecraftian elements in multiple ways. He often plays with the concept of the unknowable. His characters are faced with things that are beyond their comprehension, such as strange dimensions or entities that don't follow the laws of nature. The use of archaic and esoteric knowledge is also a key part. There are often references to old and forgotten tomes or cults that hold secrets that are better left alone. Moreover, the feeling of being overwhelmed by forces greater than oneself is a common thread. His protagonists are often ordinary people who are suddenly thrust into a world of Lovecraftian horror, and they have to grapple with their own sanity as they face these overwhelming and often indescribable threats.
Stephen King often incorporates Lovecraftian elements like the sense of an incomprehensible, vast and malevolent cosmos. For example, in some of his works, there are ancient, otherworldly entities that defy human understanding, much like Lovecraft's Cthulhu. These elements add a sense of dread and mystery to King's stories.
By using his character archetypes. Stephen King often has the innocent victim, the evil force, and the hero. 'Family Guy' could take these and transform them. Maybe Peter becomes the unlikely hero in a situation that seems straight out of a Stephen King story. They would add their own twists though, like Peter using his clumsy and dim - witted ways to defeat the 'evil' which might be something as silly as a giant chicken that has been given some Stephen King - like horror makeover.
Stephen King's 'It' also has some Lovecraftian elements. The shape - shifting entity 'It' that lurks in the sewers of Derry and has been there for centuries, preying on the fears of the townspeople, is like a Lovecraftian horror that is beyond human understanding.
Some of Stephen King's stories that are considered very Lovecraftian include 'The Mist'. In 'The Mist', there are elements of cosmic horror similar to Lovecraft's work. The unknown creatures lurking in the mist create a sense of dread and the feeling that there are forces beyond human comprehension at play.
Stephen King has said that his dreams can be a rich source of inspiration for his stories. Maybe his subconscious mind weaves together various elements during sleep, like strange characters, eerie settings, and unique plot ideas. Then, when he wakes up, he can recall and start to develop these dream - inspired concepts into full - fledged stories.
Stephen King uses Maine's local lore and history. There might be old legends or real - life historical events in Maine that he weaves into his fictional tales. This gives the stories a sense of authenticity. He also uses the changing seasons in Maine. The long, cold winters can add a sense of desolation and danger, while the summers might hold their own kind of hidden threats.
Similarities between them are quite a few. They both tend to set their stories in small - town America, which provides a familiar yet disturbing backdrop. Both Lovecraft and King are masters at creating a sense of impending doom. Their works often feature characters who are ordinary people thrust into extraordinary and terrifying situations. Moreover, the idea of an overarching, dark force that pervades the world is present in both their writings.
The presence of an otherworldly, often malevolent entity that defies human comprehension is a key factor. For example, in 'Pet Sematary', the force that brings the dead back in a wrong way is such an entity. It's something that goes against the natural order and induces a sense of dread.
Stephen King often starts with a unique idea or concept that intrigues him. Then, he builds the story around it, developing characters and plotlines as he goes.
Stephen King typically lays out his novels by first establishing a strong central conflict. He then weaves in multiple subplots and character arcs to add depth and complexity. His settings are vividly described to immerse the reader. He also pays attention to pacing to keep the readers engaged throughout.