In a great prose fiction, even within 'an page', the language is likely to be evocative. For instance, in 'The Catcher in the Rye', Salinger's prose on each page can make you feel Holden Caulfield's angst and alienation through his unique use of words.
If by 'an page' you mean in general terms, a great prose fiction often has engaging characters. In just one page of a great work, you might meet a character that draws you in immediately, like Elizabeth Bennet in 'Pride and Prejudice'.
I'm not sure there is a well - known prose fiction specifically with the phrase 'an page' in it. It might be a rather unusual or misphrased reference. However, if you like great prose fiction in general, 'Pride and Prejudice' by Jane Austen is a classic. It has beautifully written prose that vividly portrays the society and characters of its time.
Well, prose fiction typically has detailed descriptions. It could be descriptions of the characters' appearances, their emotions, or the surrounding environment. It also usually has a theme or multiple themes that run through the story, such as love, friendship, or the search for identity. And the language in prose fiction is important. It can be simple and straightforward or highly elaborate and literary.
Prose fiction typically presents a fictional world that readers can immerse themselves in. It might incorporate elements of surprise, conflict, and resolution. The style of writing can vary greatly, from simple and straightforward to highly elaborate and literary.
Good prose in fiction often has vivid descriptions. It can make the settings, characters and actions come alive in the reader's mind. For example, in 'To Kill a Mockingbird', Harper Lee uses detailed prose to paint a vivid picture of the small town of Maycomb, from the dusty streets to the unique architecture of the houses.
Modern prose fiction often has complex characters. It focuses on exploring human nature deeply. For example, in many modern novels, characters are not simply good or bad, but a mixture of various qualities.
One characteristic is its brevity. It can convey a complete idea or story in a relatively short space. For example, Edgar Allan Poe's short prose fictions often have a single, intense mood that is created and maintained within a few pages. Another aspect is its focus on a particular moment or theme. It doesn't have the room to meander like a novel. It might explore a relationship, a moral dilemma, or a unique event very precisely. Also, short prose fictions can be quite experimental in style. Writers can play with different narrative voices, structures, and literary devices more freely compared to longer works as they don't have to sustain a complex plot over hundreds of pages.
One of the main characteristics is the use of prose. It allows for detailed descriptions, whether it's of the setting, the characters' emotions, or the events. Prose fiction novels can cover a vast array of themes, from love and friendship to more profound topics like the meaning of life or the struggle against society. Another aspect is the narrative voice, which can be first - person, third - person omniscient, or third - person limited, and this greatly affects how the story is told and the reader's connection to it.
One characteristic is its use of prose to tell historical - inspired stories. It often has detailed descriptions of historical settings, like the architecture, clothing, and social customs of the era. For example, in some historical prose fiction set in medieval Europe, you'll find elaborate descriptions of castles and the feudal system.
Fiction prose stories often have vivid characters. For example, in many classic novels, the characters are complex and well - developed. They also typically have a plot that unfolds, with a beginning, middle, and end. The setting is important too, as it can create the mood. For instance, a story set in a spooky old house will likely have a different feel than one set in a sunny meadow.
These books can cover a wide range of genres. They can be mysteries where the mystery unfolds within a shorter span, or they can be character - driven stories. The limited page count forces the author to be more economical with words, resulting in a more concentrated and sometimes more impactful read.