To effectively portray agent narcissistic abuse in fiction, the author should focus on the power dynamics. The agent, being in a position of some power in the literary world, can use it to abuse. They might isolate the author they represent from other potential contacts in the industry. This can be shown by the agent discouraging the author from attending networking events without them. The author can also describe the agent's excessive need for admiration. For example, the agent might constantly demand praise for deals they make, even if those deals are not in the best interest of the author. And the internal thoughts of the agent can be a great tool. The author can show how the agent justifies their actions as being for the good of the author, while really it's all about their own ego and control.
The author can show it through the relationships the agent has. The agent might surround themselves with people who they can control and manipulate. They could be very charming on the surface but then use emotional blackmail when things don't go their way. For instance, if an author they represent wants to change publishers, the agent might say things like 'I made you who you are, and if you leave me, no one will ever work with you again.' This kind of emotional manipulation is a key aspect of narcissistic abuse. In addition, the author can describe the agent's reactions to criticism. A narcissistic agent would likely not take it well, perhaps lashing out or trying to undermine the person who criticized them.
An author can use dialogue. For example, the narcissistic agent could constantly interrupt others, talk over them, and always steer the conversation back to themselves. This shows their self - centered nature. Also, through actions like taking credit for others' ideas or work.
One example could be 'Gone Girl' by Gillian Flynn. The female character in the book shows some narcissistic traits and her actions can be seen as a form of abuse within the relationship depicted in the story. Another could be certain characters in some classic noir fiction where power - hungry and self - centered characters manipulate others in ways that resemble narcissistic abuse.
An author can use vivid descriptions. For example, describe the setting in great detail during this 'last opportunity' moment, like the weather or the place. This can set the mood. Also, slow down the pacing of the narrative.
To portray love, an author can show characters' small acts of kindness and consideration. For example, a character making a special meal for their beloved. For obsession, the author can describe repetitive thoughts or stalking - like behavior. In 'Twilight', Edward's over - protectiveness of Bella can be seen as a form of obsession at times.
When writing children in fiction, think about their dreams and fears. Make their characters relatable and charming. And don't forget to show their growth and learning throughout the story.
Using dialogue with other characters. For instance, if he has a conversation with Nico and he just breaks down while talking, saying things like 'I can't do this anymore' or 'I'm so tired of trying to be strong'. The interaction with another character can highlight the emotional intensity of his breakdown and how it affects those around him.
An author can use vivid descriptions. For instance, describe the approaching enemy in a battle scene in detail, their menacing looks and weapons. This makes the danger clear.
The author can use physical cues. For example, Kuroko might clench his fists tightly, a rare display of emotion from him. His normally calm blue eyes could narrow and become more intense. Another way is through his dialogue. He could speak in a sharper tone than usual, with shorter, more forceful sentences.
Well, start by making their ideas seem radical and ahead of their time. Have them disregard ethical boundaries. And don't forget to show how their madness affects those around them.
To portray women well in fiction, focus on their inner lives and emotions. Show their growth and development over the course of the story. Also, avoid stereotypes and give them agency and independence.
Attend literary conferences and events. There, you might have the chance to meet and network with agents. Also, follow literary blogs and forums for agent recommendations.