In asexual fictional stories, the plot doesn't rely on sexual tension or romantic - sexual arcs to drive the story forward. They can be more about the internal world of the characters. For example, a story may be about an asexual artist who is more interested in expressing themselves through their art and their relationships with their fellow artists or mentors in a non - sexual way. These stories also tend to have a more inclusive view of different types of relationships and identities. They might include a diverse range of characters, not just asexual ones, but also those from different sexual orientations, genders, and ethnicities, all coexisting and interacting in a world where asexuality is just one of the many valid identities.
One characteristic is that they often focus on non - sexual relationships such as deep friendships, family bonds, or platonic partnerships. For example, in stories like 'The Raven Cycle' by Maggie Stiefvater, the relationships between the characters are complex and not centered around sexual attraction. Another characteristic is that they may explore self - discovery in terms of identity without the traditional sexual awakening. Asexual characters might be more concerned with their own personal growth, hobbies, or goals in the story.
Asexual fictional stories typically de - emphasize or completely omit sexual content. Instead, they concentrate on other aspects of the human experience. They might showcase a character's journey in understanding their lack of sexual attraction, like in the case of some autobiographical - inspired fictional works. Also, these stories often promote the idea that love and connection can exist without sexual desire. For instance, a story could revolve around an asexual character who finds fulfillment in a queerplatonic relationship, which is a very close, non - sexual bond. This helps to expand the definition of relationships in fiction and in real - life understanding.
Asexual characters in novels often focus on non - sexual aspects of life such as friendships, personal growth, and achieving goals. For example, in 'Pride and Prejudice', Mr. Darcy's character development is mainly about his pride, his relationship with Elizabeth in terms of mutual understanding and respect, not sexual attraction at first. His character is more complex with his social status, family values, and his own moral code playing important roles.
One characteristic is that the focus is more on emotional connection rather than sexual attraction. For example, in 'Let's Talk about Love', the characters build a relationship based on shared interests and mutual understanding.
Asexual graphic novels often focus on non - sexual aspects of human experience. For example, they might center around themes like friendship, family, personal growth, and adventure. They can be enjoyed by a wide range of audiences, including younger readers who may not be ready for sexual content.
Another characteristic is that it can explore different types of relationships. Asexual characters may form deep platonic relationships or queerplatonic relationships. In books like 'Tash Hearts Tolstoy', we see how the asexual protagonist forms relationships that are not based on sexual attraction but are still meaningful and complex. These stories also tend to break down the common stereotypes associated with asexuality.
They also tend to address the misunderstandings that asexual people might face in society. In many of these novels, the asexual character has to explain their identity to friends or family, which shows the lack of awareness in the real world. 'The Art of Saving the World' does a good job of this by highlighting the protagonist's struggle with being accepted for who they are.
In asexual Sherlock Holmes fanfic, the absence of sexual content allows for a more in - depth exploration of Sherlock's character. His asexuality can be used as a tool to highlight his uniqueness. These fanfics may also have a different take on the traditional Sherlock Holmes story elements. For example, the way he approaches crime - solving might be related to his asexual perspective. He may see things more objectively as he is not clouded by sexual desires or relationships. This can lead to some really interesting and unique plotlines that deviate from the more common interpretations of the Sherlock Holmes stories.
A key characteristic is the exploration of non - sexual forms of intimacy. In these novels, the gay characters may show love through gestures like holding hands, spending time together in a non - sexual way, or just being there for each other. They build a relationship that is more about companionship, loyalty, and emotional closeness. This is different from more traditional gay romance novels that might have a significant focus on sexual relationships.
One great asexual fictional story is 'The House in the Cerulean Sea' by TJ Klune. It has a diverse cast of characters, and while it focuses on many relationships, it also subtly includes asexual themes. Another is 'Asexualities: Feminist and Queer Perspectives' which is more of an anthology that explores asexuality in fictional and theoretical ways.
Sure. Asexual individuals can still have emotional or aesthetic attractions to fictional characters. It doesn't necessarily mean it's a sexual kind of attraction but could be based on other factors like personality, appearance, or the story.
One asexual horror story could be constantly being pressured by others to engage in sexual activities despite clearly stating one's asexuality. For example, in a relationship, a partner might not understand or respect the asexual person's boundaries and keep pushing for sex, making the asexual person feel violated and scared in their own relationship.