A short story that becomes a novel might have a certain open - endedness in its short - story form. For instance, 'The Yellow Wallpaper'. The short story left a lot of room for interpretation and exploration. If it were to be developed into a novel, one could go deeper into the psychological state of the narrator, explore more about her relationship with her husband and the social context of her situation. There could be more backstories added, and the overall themes of female oppression and mental health could be explored in greater detail.
They usually have a strong core idea. For example, in 'The Great Gatsby', which had some short - story - like elements in its origin. The core idea of the American Dream and the hollowness of the upper class was very strong from the start.
One characteristic is their brevity. They can convey a complete plot, characters, and theme in a relatively short space. For example, in 'The Most Dangerous Game' by Richard Connell, the entire story of a man being hunted on an island is told concisely. Another characteristic is the focus. They often center on one main idea or conflict. In 'An Occurrence at Owl Creek Bridge' by Ambrose Bierce, the focus is on the man's impending execution and his brief escape in his mind.
One characteristic is the use of vivid language. In short stories, for example, authors often use concise yet powerful words to quickly draw the reader into the story. In novels, they have more space to develop the language and create detailed descriptions. Another aspect is the plot structure. Short stories usually have a simple yet impactful plot, while novels can have complex, multi - layered plots that unfold over a longer period of time.
Books that are novels often have a large word count. This allows for a more elaborate narrative. There can be a lot of description, dialogue, and internal monologue. They can be divided into chapters, which helps in structuring the story. Short stories in book form are much shorter in length. They need to be more focused. They might start right in the middle of the action and end quickly, leaving a strong impression. For example, a short story might be about a chance meeting between two strangers and how that one encounter changes their perspectives, while a novel could be about an entire family's history over generations.
The short stories in Dubliners often feature complex characters. They are set in Dublin and explore the daily lives, hopes, and disappointments of the people there. The stories are known for their detailed descriptions of the city's social and cultural environment.
Short stories are often concise and focused. They usually have a single main plot or idea and can convey a powerful message in a relatively short space. For example, many short stories have a twist at the end that makes the reader reevaluate what they've just read. Urdu novels, on the other hand, often have a more elaborate setting. They can explore a wide range of characters and their relationships over a longer narrative arc. They are deeply rooted in the Urdu culture and can depict the social, political, and cultural aspects of the Urdu - speaking regions.
English short stories often focus on a single incident or a brief period in characters' lives. They are concise yet can convey deep emotions or ideas. For example, in 'The Lottery', a short story by Shirley Jackson, it uses a simple village lottery to explore the dark side of human nature. English novels, on the other hand, are more complex. They usually have multiple storylines and a large number of characters. Take 'War and Peace' as an example. It depicts the lives of many characters during the Napoleonic Wars, exploring themes like war, love, family, and society.
They are great at using symbols. In 'Young Goodman Brown' by Nathaniel Hawthorne, the forest is a symbol of the unknown and the place where Goodman Brown's faith is tested. Also, the short stories of famous novels usually have a well - crafted plot structure. For instance, in 'An Occurrence at Owl Creek Bridge' by Ambrose Bierce, the story seems to be a straightforward account of a man about to be hanged, but then it takes a twist into his dream - like escape before bringing the reader back to the harsh reality of his execution.
Novels around 1900 tended to be long - form works that built detailed worlds. They often had a large cast of characters and multiple sub - plots. For instance, Leo Tolstoy's 'Anna Karenina' which was published earlier but still had an influence on the writing of the time. Poems were becoming more experimental. Poets were starting to break free from traditional forms. Symbolism was starting to emerge in poetry. Short stories were a great medium for exploring human nature in a short span. They could capture a moment or a character's transformation effectively, as seen in Anton Chekhov's short stories.
They usually have vivid character descriptions. Since the focus is on the relationship, the characters need to be well - drawn so that readers can understand their motives and actions in the context of the amorous relationship. For instance, in a good amorous short story novel, you can clearly see how the characters' personalities affect their love story.
Most of them are concise. They can convey deep emotions or complex ideas in a relatively short space.