I don't really understand the concept in 'a2be a science fiction' as it is an unclear expression. It doesn't seem to follow normal English grammar or usage.
The concept within 'a2be a science fiction' is very much a mystery. It could be that the 'a2' is a placeholder for a word or an idea that was not fully formed. In the context of science fiction, it usually involves concepts that are not part of our current reality, such as warp drives, telepathy, or the existence of parallel universes. However, the 'a2' throws everything off. Maybe it was an attempt at a new term or a very local or personal way of referring to something related to science fiction, but without further clarification, we can't really know for sure.
Metafiction in science fiction is like a self - aware story. It's when a science - fiction work steps back and comments on the very nature of science fiction itself. For example, it might play with the common tropes of science fiction, like time travel or alien invasions, in a way that makes the reader aware that these are typical elements of the genre. It can break the fourth wall and involve the reader in this self - reflective process.
I'm not entirely sure what 'dick science fiction' specifically means. It could be a made - up or very niche term. Maybe it was a joke or a misspelling. Normally, science fiction is about futuristic concepts, space, technology etc. But this 'dick' addition doesn't seem to fit any traditional understanding of the genre.
Symbolic science fiction often uses symbols to convey deeper meanings. For example, a particular alien species might symbolize a social issue in our own world. It's a way to explore complex ideas through the lens of a fictional, often science - based, setting.
Photo science fiction could refer to science fiction works that heavily involve photography in some way. For example, a story where a photograph has the power to transport people to different dimensions or times. It might also be about a future where photography has evolved in extraordinary ways, like being able to capture thoughts or emotions as visual images.
I don't really know what this 'Shakes spear of science fiction' means exactly. It might be a new or local term.
Perhaps 'orange goblin science not fiction' is a term used by a small group of researchers. 'Orange' might refer to a color associated with a particular substance or object they are studying. 'Goblin' gives the idea of something mischievous or hard - to - understand. And 'science not fiction' means it's based on real - world evidence. It could be about a new type of orange - tinted chemical compound that behaves in an unexpected way that scientists are trying to figure out using scientific methods.
Sure. Cognitive estrangement in science fiction is about presenting ideas that are out of the ordinary. It shakes up our usual ways of thinking. Take 'The Matrix' for instance. The idea that the world we think is real is actually a computer - generated illusion is a great example of cognitive estrangement. This concept in science fiction allows us to question our perception of reality.
Maybe it means that for Jean Painlevé, science has an aspect of the fictional in that it often involves creating scenarios and ideas that are not immediately obvious or provable. Just like in fiction, there is a sense of building something new.
Sociological fiction is a genre that combines elements of sociology and fiction. It often explores social issues, structures, and relationships within a fictional narrative. For example, novels like 'The Jungle' by Upton Sinclair are sociological fictions. Sinclair used the fictional story of a Lithuanian immigrant family in the meat - packing industry to expose the harsh working conditions and social inequalities of that time.
An allegory fiction is a type of story where the characters, events, and settings represent abstract ideas or moral qualities. For example, 'Animal Farm' by George Orwell is an allegory. The animals on the farm stand for different social classes and political ideas. The pigs represent the corrupt leaders who manipulate the other animals (the working class). It's a way to convey complex political or moral messages in a more accessible and engaging story form.