Well, old pulp crime stories typically had simple yet engaging storylines. They were designed to capture the attention of a wide audience quickly. The characters in them could be very stereotypical, such as the femme fatale who lures the protagonist into trouble, or the hard - boiled detective who has seen it all. The language used was accessible, not overly complicated. The cover art of these pulp crime stories was also quite eye - catching, often depicting a scene of crime or danger in a very dramatic way, which helped to sell the story even before the reader started to turn the pages.
Old pulp crime stories are known for their vivid and sometimes lurid descriptions. They frequently feature tough - as - nails detectives or anti - heroes. These stories were mass - produced on cheap pulp paper, which led to a certain style of writing that was more about entertainment and shock value rather than deep literary exploration. The settings were often urban, depicting the underbelly of cities filled with vice and danger.
They often have a fast - paced plot. The stories usually focus on crimes like murders, robberies. And they tend to have a noir - like atmosphere with seedy settings and morally ambiguous characters.
Pulp crime fiction often features fast - paced plots. It usually has a lot of action and mystery. The characters can be quite gritty and often operate in the seedy underbelly of society.
Modern pulp crime novels often feature fast - paced plots. They usually have a gritty and noir - like atmosphere, with complex and morally ambiguous characters. The settings are often urban and seedy, reflecting the darker side of society.
Dashiell Hammett was a very popular one. His works like 'The Maltese Falcon' are classic pulp crime stories.
The crime boss from Pulp Fiction, Marsellus Wallace, is a complex character. He is extremely powerful, which is evident from the fact that he has numerous minions and is involved in various illegal activities. He is also very territorial and doesn't tolerate any form of betrayal. His personality is intimidating, and his appearance, with the band - aid on the back of his head, adds to his menacing aura. He is a man of action, not hesitating to send his men to take care of business or take matters into his own hands when necessary. His relationship with his wife Mia also shows his more human side, albeit a possessive one.
Gumshoes in old crime fiction were often tough and resourceful. They were private investigators who had to rely on their wits. For example, Sam Spade in 'The Maltese Falcon' was a classic gumshoe. He was street - smart and could handle the seedy underworld he often found himself in.
They usually have a sharp intellect. They can think quickly and analyze complex situations. For example, they might be able to figure out a criminal's motive just by looking at the crime scene layout and the victim's background. They are also often independent thinkers, not easily swayed by popular opinions or the initial assumptions of the police.
As I don't know the works of this 'crime writer 95', I can't say for sure. But typically, pulp fiction crime works might have elements like a morally ambiguous protagonist, a lot of suspense, and a setting that often includes the seedy parts of the city.
In 'old school cool pulp fiction', the language is often simple yet effective. It doesn't get bogged down in flowery prose. The plotlines are linear and easy to follow. There's a sense of coolness about the whole genre. It might have a noir - ish feel, with dark undertones and morally ambiguous characters. The settings can range from exotic locations to the seedy underbelly of a familiar city. And it often has a fast - moving tempo that keeps the reader engaged from start to finish.
Well, old scary pulp fiction is known for its cheap production quality back in the day, but that added to its charm. The paper was often thin and the print could be a bit smudgy. In terms of content, it frequently involved horror elements like vampires, werewolves, or other supernatural creatures. These stories were designed to give readers a quick thrill, so they didn't waste time with long - winded descriptions. Instead, they got straight to the scares.
They usually build a lot of suspense. Since they are long, the author has more time to gradually reveal clues and mislead the reader. This keeps the reader guessing until the end. Also, long crime stories can explore the psychological aspects of the criminals and the investigators in more depth compared to shorter ones.