A great paragraph from '1984' is when Winston writes in his diary 'Freedom is the freedom to say that two plus two make four.' This paragraph is significant as it represents Winston's small act of rebellion against the totalitarian regime. It shows his struggle to hold on to the truth and his own thoughts in a world where the Party tries to control everything.
In 'To Kill a Mockingbird', the paragraph where Scout stands on the Radley porch and sees the world from Boo's perspective is excellent. It's a moment of great realization for her. The description of the simple things she notices, like the street and the neighbors' houses, but with a new understanding, makes it a standout. It shows how empathy can transform one's view of the world around them.
In 'Pride and Prejudice', 'It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.' This line is excellent as it sets the satirical and social - commentary tone of the novel. It shows the society's preoccupation with marriage and wealth in a humorous way.
One of the best quotes is 'It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.' from 'Pride and Prejudice'. It's great because it sets the stage for the story's exploration of marriage and social status in a witty way.
One of the best first lines is 'It was a bright cold day in April, and the clocks were striking thirteen.' from George Orwell's '1984'. It immediately sets an off - kilter mood. The idea of the clocks striking thirteen in a world where we expect twelve strikes creates a sense of unease and signals that this is a world that doesn't follow the normal rules we are used to.
One of the best sentences could be 'It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.' from 'Pride and Prejudice'. It's great because it sets the stage for the whole story about marriage and social status in that era.
The top 100 novels can vary depending on who's making the list. Different critics and readers might have different opinions. However, some perennial favorites like 'To Kill a Mockingbird' and '1984' often make the cut due to their powerful themes and excellent writing.
Some of the best postmodern novels include 'Slaughterhouse-Five' by Kurt Vonnegut and 'One Hundred Years of Solitude' by Gabriel Garc铆a M谩rquez. They're considered great for their unique narrative styles and unconventional structures.
Effective opening paragraphs often set the tone for the whole novel. Consider 'Dracula' by Bram Stoker. '3 May. Bistritz. - Left Munich at 8.35 P.M., on 1st May, arriving at Vienna early next morning; should have arrived at 6.46, but the train was an hour late. Buda - Pest seems a wonderful place, from the glimpse which I got of it from the train and the little I could walk through the streets.' This matter - of - fact, journal - like start sets a somewhat eerie, anticipatory tone as if the narrator is unknowingly walking into danger. It makes the reader anticipate something bad is going to happen.
Well, one way is through the emotional impact they have. If a paragraph makes you feel deeply, like cry or laugh out loud, it could be a great one. For example, in 'The Fault in Our Stars', there are paragraphs that are so heart - wrenching about the characters' battle with cancer that they really stick with you.
One of the best opening paragraphs is from 'Pride and Prejudice' by Jane Austen. 'It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.' This immediately sets the tone for a story centered around marriage and social status in 19th - century England.
One of the best ending paragraphs can be from 'To Kill a Mockingbird'. 'He turned out the light and went into Jem's room. He would be there all night, and he would be there when Jem waked up in the morning.' This simple yet powerful ending shows Atticus's love and protection for his son, and also gives a sense of comfort and stability after the events in the story.