In dystopian novels, the freedom artist often shows up as a character who resists the oppressive regime. For instance, in 'The Handmaid's Tale' by Margaret Atwood, Offred, the protagonist, is like a freedom artist in her small acts of defiance. She secretly remembers her past life and tries to hold on to her identity, which is a form of freedom in a world where women are severely restricted.
Often, the freedom artist in dystopian novels is someone who tries to preserve the truth. In a world where the government or the ruling power distorts or hides the truth, like in 'Animal Farm' by George Orwell, the few animals who realize the true nature of the pigs' regime are like freedom artists. They try to make others see the reality behind the false propaganda, which is a fight for freedom of thought and knowledge.
One well - known dystopian novel related to the idea of a 'freedom artist' could be '1984' by George Orwell. In this novel, the main character Winston can be seen as a sort of 'freedom artist' in his small acts of rebellion against the totalitarian regime. He tries to maintain his own thoughts and feelings, which is a form of freedom in a world that suppresses individuality.
In Chinese novels, 'intertwine' can be seen in various ways. For example, the fates of different characters often intertwine. In a historical Chinese novel, the destinies of a hero and a villain may be closely related. The hero's journey to achieve his goals might be constantly affected by the actions of the villain, and vice versa. Their paths cross and re - cross, creating a complex web of relationships.
The existence of the concept theme of the work could be reflected through the thoughts, emotions, values, etc. in the work. Specifically, the concept of the theme of the work could be reflected in the following aspects: 1. The ideas and values in the work. The works could be reflected through the protagonist's thoughts and values, as well as the characters and plots in the works. For example, a romance novel could show the true meaning of love through the protagonist's love story and the protagonist's attitude and values towards love. 2. The emotions and characters in the works. The works could be presented through the emotions and characters of the protagonist, as well as the storyline and dialogue in the works. For example, a horror novel could show the charm of horror through the protagonist's emotional state and character image, as well as the horror plot and dialogue in the work. 3. The worldview and outlook on life in the works. A work could be presented through the world view and outlook on life in the work, as well as the storyline and character relationships in the work. For example, a science fiction novel could show the charm of science fiction through the worldview and outlook on life in the work, as well as the scientific and technological exploration and human destiny in the work. The existence of the concept theme of the work could be reflected through the thoughts, emotions, values, etc. in the work.
Possession is also manifested through the control of knowledge. A character may try to keep certain information from their partner, or vice versa, as a form of possessing that knowledge and the power that comes with it. In Byatt's works, knowledge often equates to power in relationships, and this form of possession can have a significant impact on the dynamics between characters.
Often, it manifests as an abandoned or desolate cityscape. For example, in some post - apocalyptic hollow city novels, the city is empty of most of its former inhabitants, with crumbling buildings and overgrown vegetation. It gives a sense of hollowness as the life and energy that once filled the city are gone.
In dystopian novels, the 'glass' can represent transparency of oppression. For example, in a society where everyone is constantly watched through surveillance cameras (like glass eyes), the citizens are aware of being monitored but can't escape it. It's like they are in a glass cage.
It can also be seen in their appearance. Sometimes, characters descended from divinity in novels have unique physical features, like glowing eyes or a mark on their body that indicates their special status. Their behavior might also be different, they could be more noble - minded or have a natural sense of justice. In the story, they often face a great destiny related to their divine origin, such as saving the world or restoring a lost divine realm. They may also have a special connection to certain sacred places or objects that are related to the divine world.
It often shows through their caring actions and close interactions. Penguins might share special moments or do things to protect each other, showing love in a cute and simple way.
Well, manifest destiny in science fiction can be a really interesting concept. It can be reflected in how we imagine future human societies expanding beyond our planet. It might be in the form of a galactic empire where Earthlings feel they have a right to rule other star systems because of some sort of superiority complex similar to the original manifest destiny idea. Or it could be a more benevolent expansion where we share knowledge and resources with other alien races, but still with that underlying sense of an inevitable spread of human influence, which was also a part of the idea of manifest destiny.
In book fictions, 'Munchausen by Proxy' often shows through a character who creates or exaggerates illnesses or problems in another person. For example, in some mystery novels, a character might make others seem sicker than they are to gain attention or control.