Religious influence is a big characteristic. In many Old England historical fictions, the Church played a major role in people's lives, as seen in 'The Canterbury Tales' where the pilgrims' stories are often influenced by their religious beliefs.
They also tend to focus on the cultural aspects. Things like the traditional feasts, clothing styles, and language usage are all carefully depicted. For instance, in some novels, the archaic English language used gives a very authentic feel of the Old England period.
One great 'Old England' historical fiction is 'Ivanhoe' by Sir Walter Scott. It's set in medieval England and features knights, battles, and courtly love. It gives a vivid picture of that era's society.
Complex characters are also common. They are often shaped by the historical context. In 'Les Misérables', the characters like Jean Valjean are products of the social and political situation in post - revolutionary France. And the plot usually reflects the major historical events, such as battles, revolutions, or social reforms. It's like how 'Roots' by Alex Haley tells the story of slavery in America, with the main character's journey mirroring the historical development of slavery.
A good historic fictional book often has accurate historical details. It weaves real historical events into the fictional narrative seamlessly. For example, if it's set in the Victorian era, it should get the social norms, clothing styles, and architecture right.
One characteristic is the use of detailed settings. Old England short stories often describe the cobblestone streets, the foggy weather, and the old buildings. Another is the complex characters with deep - seated morals and values. They are usually influenced by the strict social hierarchies of the time. For example, in 'Pride and Prejudice' (which can be considered in the realm of short - story - like with its episodic nature), the characters' actions are highly influenced by class and propriety.
There's no real difference in essence. Both refer to books that are fictional but set in a historical context.
A historic novel often has accurate historical settings. It takes place in a specific period of history, like the Victorian era or the Middle Ages. The characters' actions and behaviors are influenced by the social norms and values of that time.
One characteristic is that it can offer insights into the sexual attitudes and taboos of the past. By reading historic erotic fiction, we can see how different cultures and time periods dealt with sexual relationships. It may also use historical events or figures as a backdrop to the erotic elements. For example, a story set during the Renaissance might involve a love affair between two characters against the backdrop of political and cultural upheaval of that time. This adds an extra layer of complexity and interest to the erotic narrative.
Many historic Chinese novels often have a large number of characters. For example, in 'Romance of the Three Kingdoms', there are numerous heroes, strategists, and emperors. They also usually carry strong moral and ethical messages. In 'Water Margin', the heroes' actions are often judged based on loyalty and righteousness.
One characteristic is a strong sense of place. Irish historic novels often vividly describe the Irish landscapes, from the rolling green hills to the bustling city streets of Dublin. Another is the exploration of Irish identity, which has been shaped by centuries of foreign rule, rebellion, and cultural preservation. For example, many novels deal with the struggle for Irish independence.
They also tend to explore the intersection of personal identity and social norms. Historic gay novels show how the characters either conform or rebel against the expectations of their time. In 'Giovanni's Room', the main character is caught between his love for Giovanni and the traditional values he has been brought up with.