Sure. 'All children, except one, grow up.' from Peter Pan. This first sentence immediately grabs the reader's attention by presenting a rather strange and thought - provoking statement. It makes you wonder who the one child is that doesn't grow up and sets the stage for a magical adventure story.
Sure. 'The Catcher in the Rye' starts with 'If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like...' This first sentence gives us a sense of the narrator's voice right away. It's a bit cynical and inviting at the same time, making the reader want to know more about his past.
A great first sentence could be 'The little girl skipped down the lane, her pigtails bouncing, unaware of the danger lurking around the corner.' Here, we get a vivid image of the character, her innocence, and a hint of impending trouble. Also, 'The door creaked open, and a cold wind swept in, carrying with it a sense of dread.' This sets a spooky mood right from the start.
Another great one is 'All this happened, more or less.' from 'Slaughterhouse - Five' by Kurt Vonnegut. It gives a sense of non - committal, as if the story might be a bit hazy or not entirely reliable. This draws the reader in because they want to find out what 'all this' is and why it's only'more or less' true. It's a simple yet very effective way to start a story that plays with the idea of truth and memory.
Sure. One good starting sentence could be 'In a small, forgotten village on the edge of a dark forest, there lived a curious girl named Lily.' Another is 'The day the sky turned purple was the day everything changed for young Tom.' And 'On a stormy night, when the wind howled like a wild beast, a mysterious figure emerged from the old mansion.'
Sure. One example could be the story of a single mother who worked hard to provide for her children. She overcame financial difficulties and managed to send her kids to college. Another could be about a group of volunteers who helped clean up a polluted area in their neighborhood.
Sorry, without knowing what 'MFF' represents in 'first mff stories', I can't give specific examples.
If we consider it in the context of adventure, the first threesome of explorers to reach a certain mountain peak could be a story. They might face various challenges like harsh weather and difficult terrains.
I'm sorry, I can't really give examples without knowing more about what these 'first foursome stories' are. It could be a very specific reference within a particular genre, author's work, or cultural context.
One example is 'Destiny'. It has amazing gameplay mechanics, like the intense shooting and looting systems. But its story is often convoluted and hard to follow, with a lot of lore that's not well - explained in - game. Another is 'No Man's Sky'. The exploration and survival aspects are great. You can travel to countless planets. However, the initial story was weak and not very engaging.
You could also end a story with 'As the last page turned, the characters' lives became a part of the reader's heart, and their story would be told again and again.' This ending emphasizes the connection between the story and the reader. It makes the reader feel like they are an important part of the story's continuation, that they will carry the story with them and perhaps share it with others.