One way to identify them is by their popularity among a niche group of readers. For example, if a book has a small but extremely passionate fan base that constantly discusses and analyzes it, it might be a cult classic. Also, books that break traditional literary norms, like 'Infinite Jest' by David Foster Wallace. Its length and complex narrative style make it stand out and attract a cult following.
One way is to look at their influence. For example, 'Don Quixote' has influenced countless works since its publication. Its unique take on chivalry and delusion is a mark of a great classic. Another factor is the universality of its themes. 'The Odyssey' deals with themes like homecoming and the hero's journey that are relevant across cultures.
Look at its influence over time. A cult novel often has a long - lasting impact on literature or society. It might inspire other works, or change the way people think about certain topics. Take 'To Kill a Mockingbird' for instance. It has influenced how people view racism and justice. Also, the uniqueness of its style or themes can be an indicator. If it presents something new and different like 'Infinite Jest' by David Foster Wallace with its complex structure and exploration of modern life.
Excessive control over members' lives is a sign. For example, dictating what they wear, what they eat, and who they can interact with.
Reviews and critical acclaim play a huge role. If well - respected literary critics consistently praise a European novel, it's a good sign. For instance, 'The Name of the Rose' by Umberto Eco received a great deal of critical attention for its complex plot, rich historical setting, and deep exploration of themes like knowledge and power.
You can identify the best plotted novels by the way the author builds suspense. In 'Rebecca' by Daphne du Maurier, the mystery surrounding the first Mrs. de Winter keeps the reader on the edge of their seat throughout the book. Also, the development of characters in relation to the plot is important. In 'The Picture of Dorian Gray', as Dorian's character deteriorates due to his immoral actions, the plot thickens and becomes more complex. The ability of the plot to hold your attention from beginning to end is a key indicator as well.
Sentences that convey deep emotions are often among the best. In 'The Catcher in the Rye', Holden's rants about phoniness show his inner turmoil and disillusionment. These kinds of sentences that cut to the core of a character's feelings are really special. They make you understand the character on a deeper level and can also make you feel the same emotions as the character.
One way is to check if the flashbacks enhance the overall theme of the novel. In 'The Kite Runner', the flashbacks about Amir's childhood in Afghanistan are crucial in highlighting themes of guilt, redemption, and friendship. If the flashbacks seem out of place with the main theme, it's not a well - crafted flashback novel. Another aspect is the pacing. In 'Gone with the Wind', the flashbacks are timed well, not slowing down the main story but adding more context. If the flashbacks disrupt the pacing too much, it's not likely to be among the best.
First, consider the author's intention. If the author is clearly aiming to convey Christian messages, it might be a good Christian novel. For example, C.S. Lewis in his books like 'Mere Christianity' was very intentional about sharing Christian ideas. Second, look at the impact it has had on the Christian community over time. Books that have been read and cherished for generations, like 'The Imitation of Christ' by Thomas à Kempis, are often among the best. Also, the moral lessons taught in the novel, if they are in line with Christian teachings, are a sign of a great Christian novel.
Look for novels with strong visual elements in their descriptions. For example, if a book vividly describes a setting like a grand castle or a bustling city street, it could be a good candidate. Also, novels with complex and engaging characters tend to be more cinematic. A character with a distinct personality and a strong arc can be easily translated to the screen. Plot is another key factor. A story with a clear beginning, middle, and end, along with twists and turns, is often more likely to be made into a great movie.
One way is to look at the language. If the prose is rich, detailed, and engaging, it's likely a well - written novel. For example, in 'Moby - Dick', Herman Melville's elaborate descriptions of the whale and the sea are a sign of great writing.