In non - adult fictional stories, becoming a rubber doll can be a way to show the transition from freedom to restriction. Consider a story where a free - spirited adventurer is cursed and becomes a rubber doll. This change can be used to highlight the contrast between his previous life of exploration and the new life of being confined and static, while also exploring ways he might break free from this new, restricted state.
It can be used as a metaphor for conformity. Just as a rubber doll has a set shape and appearance, a character becoming a rubber doll could represent the pressure to conform to society's standards. For example, in a story about a young girl in a strict school, she might feel like she's turning into a rubber doll as she's forced to dress, act, and think in a certain way.
One way is in the context of horror stories. A tentacle - abduction can be a terrifying event. For instance, a tentacle - monster from the deep sea might abduct a sailor, pulling them into the inky depths. The horror lies in the unknown nature of the tentacle - being and the helplessness of the victim. This can create a sense of dread and suspense for the readers.
In fantasy stories, timestop can be used for character development. A young wizard who discovers the timestop spell could use it to reflect on his actions and decisions. He can stand in the stillness of the stopped time, think about his mistakes and how to improve himself. This gives the character a chance to grow and evolve in a different way.
The doll house can be used to create a sense of nostalgia. Writers can describe the details of an old, dusty doll house in an attic, triggering memories for the characters. For instance, a character might remember happy times playing with it as a child.
In a fantasy story, 'time stop' can be a magical power. A hero might use it to save a village from an approaching disaster. As time stands still, the hero can move the villagers to safety, one by one, and then prepare defenses against the oncoming threat. This use of 'time stop' not only showcases the hero's power but also their selfless nature.
The concept of 'living gloves' can be used as a plot device. For instance, the gloves could be a gift from a mysterious character that later turns out to have a special power. This power could help the protagonist in their quest, like allowing them to climb walls if the gloves have suction - like abilities.
Well, in such stories, a frequent theme is the contrast between the former human state and the new rubber doll state. There can be a lot of focus on the physical changes, like becoming smooth and shiny like a doll. Also, there might be themes related to the powerlessness that comes with being a doll. For example, being at the mercy of those who handle the doll, unable to move or act on one's own.
She could be a friendly helper in a neighborhood. For example, her liquid rubber form allows her to stretch and reach things that are difficult for others. She could help kids retrieve their kites from tall trees or fix broken toys by using her unique body properties in a non - sexual and positive way.
In a non - erotic story, a fembot could be a sidekick or a helper to the main character. It could use its technological abilities to solve problems or assist in a mission. For instance, a fembot could be a detective's assistant, using its advanced data - processing skills to analyze clues. This would add an interesting technological element to the story without any erotic undertones.
The quivering pulsating belly can be used to show the alien's connection to its environment. For example, if the alien is in a place with a strong magnetic field, the belly might pulsate in response to that. This helps to build a more immersive world for the reader and shows how the alien is integrated into its surroundings. Also, it can be used to show the alien's growth or development. As the alien matures, the pattern of the quivering and pulsating might change.
A '3 sum' in a story about community building could be three individuals from different backgrounds. One is a young entrepreneur, another is an old - timer with a lot of local knowledge, and the third is a social worker. They come together to revitalize a neighborhood park. The entrepreneur brings in resources, the old - timer provides historical context and community support, and the social worker organizes the community participation. Their combined efforts transform the park into a vibrant and inclusive space.