In short stories, the origins of the family can be presented through the family's traditions. These traditions, whether it's a special holiday celebration or a particular way of passing on knowledge, can give clues about how the family came to be. For example, a family that has a tradition of storytelling might have started as a group of people who valued communication and connection, and over time, this became an important part of their family identity and origin.
In short stories, the origins of the family can often be traced back to cultural and social norms. For example, in many traditional stories, families are formed through marriage arranged by families or communities. This reflects the importance of family honor and social status in those cultures.
The family stories in Shameless are bold and unapologetic. They expose the flaws and strengths of each family member, creating a compelling narrative. The show uses these stories to explore themes like loyalty, survival, and growth within a dysfunctional family unit.
In short stories, time can be presented in various ways. It could be linear, where events unfold in a chronological order, like morning to night or from one day to the next. For example, in many classic short stories, the author might start with the beginning of a character's day and follow it through to the end, showing how different events during that time shape the character's experience.
Conflict in short stories can be presented in various ways. It could be a person vs. person conflict, like two characters fighting over a limited resource or having a disagreement in beliefs. For example, in many detective short stories, the detective is in conflict with the criminal. Another type is person vs. society, where a character goes against the norms or rules of the society they live in. In some dystopian short stories, the protagonist rebels against the oppressive society. Person vs. self is also common, where the character struggles with their own inner demons, like in stories about a person trying to overcome their fear or self - doubt.
In short stories, the abstract space can be presented through the use of vivid descriptions of settings that are not strictly real - like dreamy landscapes or surreal cityscapes. For example, in some magical realism short stories, the space might be a blend of the real and the fantastical, with characters moving between ordinary streets and mysterious, otherworldly alleys.
Well, in 'Origins of the Underclass and Other Stories', it might explore how historical events have shaped the underclass. For example, if there were periods of mass unemployment or discrimination in the past that led to a group of people being marginalized and gradually forming an underclass. It may also touch on cultural aspects that either help or hinder the progress of this group. Additionally, it could discuss how policies, whether good or bad, have influenced the development of the underclass.
Family taboos can be presented through the characters' reactions. For example, if a family has a taboo about discussing money problems openly, when a character accidentally brings it up at the dinner table, the shocked or angry expressions of other family members can show the existence of this taboo.
In short stories, facts can be presented as details about the setting, like the time period or location which are objective. For example, 'It was a cold December night in London.' Opinion can be shown through a character's view, such as 'She thought the city was the most beautiful place on earth.'
In some short stories, it might be presented through a character's internal monologue, where they are reflecting on their own sexual desires and the act of masturbation. This gives a very private and personal view of the experience.
In Urdu short stories, the theme of sex is sometimes presented through the use of symbolism. For example, the blooming of a flower might symbolize the awakening of sexual feelings. Also, the way characters dress can give hints about their sexual allure or modesty.