We can start by keeping the plot tight. Avoid long, drawn - out descriptions of settings or characters that are not essential. For example, if writing a short story about a character's journey, don't spend pages on the long road but focus on the key moments of the journey.
To apply this idea, focus on immediate actions and reactions. In a short story, there's no need to create a long - distance build - up to a conflict. Instead, introduce the conflict quickly and show how the characters deal with it right away. Also, use concise language and avoid long - winded explanations. For instance, if a character is in love, don't go into a long history of how they met years ago but rather show their current feelings and actions.
When applying this concept, consider the pacing. In short stories, every word counts. So, rather than having a long - distance progression in the story where things slowly develop over time, make things happen swiftly. For example, if you're writing a mystery short story, don't have the detective slowly following leads over a long period but rather have the clues come together quickly. Also, focus on the essence of the story. If it's about a friendship, don't waste time on long - distance backstories but show the current state of the friendship and how it's evolving in the immediate situation.
It's a rather unclear statement. Maybe it means that in the context of short stories, the concept of long distance (perhaps in terms of emotional or physical separation in the plot) no longer exists. For example, in modern short stories, authors might be using techniques to quickly bridge any gaps that would traditionally be considered 'long distance' in a story.
One way is in writing emails. Instead of writing long paragraphs filled with unnecessary details, we can be brief and to the point. Also, when giving advice, we don't need to give a long backstory. Just state the advice clearly. In meetings, we should focus on the main issues and avoid going off on long tangents.
By being brief. For instance, when giving directions, just say the essential steps instead of adding a lot of extra details.
We can apply it by staying calm when facing new or unexpected situations, just like when we encounter a complex plot in a novel. Don't rush to conclusions or overreact.
One approach is to play with the language. Use alliteration, like 'Peter Piper picked a peck of pickled peppers' in your story. It makes it more memorable. Another is to use symbolism. For instance, a broken mirror could symbolize a broken relationship in the story. And use short, punchy sentences for action scenes and longer, more flowing ones for emotional parts.
We should be more patient. Since life isn't a short story, we can't expect instant results. For example, if we're working towards a fitness goal, we know it won't be achieved overnight just like a short - term plot in a story. Instead, we keep at it day by day.
To apply the principles, start by being honest about your experiences. Then, structure your story with a clear beginning, middle, and end. Make sure the events are related in a way that makes sense.
We can start by seeing ourselves as the authors of our own stories. This means taking responsibility for the choices we make, as these are like the plot - driving decisions in a story. For example, if we choose to study hard, it's like adding a positive plot development in our life story.
To apply the idea of 'life between life stories' in our daily lives, we need to change our perspective. Consider the time between waking up and starting work. Instead of rushing through it, we can make it a time for self - care like having a proper breakfast, doing some light exercise, or just sitting quietly and preparing mentally for the day. By doing so, we are acknowledging that these in - between times are not just filler but an important part of our overall well - being and life experience.
First, look for inspiration. It could be from a recent event, a person you met, or even a dream. Just find something that catches your interest.