Through his use of vivid and unexpected imagery. For example, he might describe a strange creature or a spooky place in a way that makes it seem very real and menacing.
He uses a combination of elements. His characters are sometimes strange and not fully understood. The situations they find themselves in are often precarious or otherworldly. For instance, in some stories, characters might be in a desolate landscape with no clear way out. His word choice is also important. He uses words that have a certain heaviness or mystery to them, which helps build the atmosphere of scariness. His pacing can also be a factor. He might build up suspense slowly, drawing the reader deeper and deeper into the story until they are fully immersed in the scariness.
Silverstein creates scariness by playing with the unknown. He often leaves things unexplained or only partially revealed. This makes the reader's imagination run wild, and our minds tend to fill in the gaps with something scary. Also, his use of dark themes like loneliness or being lost in a strange world adds to the overall sense of scariness. His simple yet powerful language draws the reader in and makes them feel as if they are part of the eerie situations he describes.
Andersen often used the setting to create scariness. For example, in 'The Little Match Girl', the cold, dark, and lonely streets on New Year's Eve set a very desolate and somewhat frightening mood. The poor girl is all alone in this harsh environment, which makes the reader feel a sense of dread.
He often uses the unknown. For example, in 'Coraline', the other world is full of mysteries and things that seem off. Also, he creates creepy characters like the button - eyed people in 'Coraline'.
Through vivid descriptions. He can describe the gory and strange things in great detail, making you feel like you're seeing it.
He uses vivid descriptions. For example, his descriptions of strange settings, like the decaying houses or the desolate landscapes, immediately set an eerie mood. In 'The Pedestrian', the empty streets at night are described in a way that makes the reader feel the loneliness and the potential danger. He also creates unique and often disturbing characters. These characters can be either human with twisted minds or inhuman entities that defy our understanding.
Bradbury creates horror through his vivid descriptions. For example, in 'The Veldt', he describes the lions in the virtual veldt so realistically that you can almost feel their hot breath. He also uses the element of the unknown. In 'The Jar', the mystery of what's inside the jar is what scares the characters and the readers. It's that not - knowing that builds the horror.
Stephen King is a master at creating horror in his werewolf stories. One way is through the element of the unknown. He doesn't always reveal the werewolf right away. Instead, there are hints and strange happenings that build up the tension. The transformation scenes are also crucial. He describes the pain and the grotesque nature of the change in detail. This makes the werewolf not just a monster, but a terrifying force of nature. Additionally, the way he weaves the werewolf into the fabric of the community, like in 'Cycle of the Werewolf', makes it seem like the horror could be lurking anywhere, even among your neighbors. This creates a very unsettling feeling that permeates the whole story.
Through his unique characters. He creates characters that are often on the fringes of society or with extreme psychological issues. These characters bring a sense of unease and horror as we see their abnormal behaviors and thoughts.
By using suspense. He often keeps the reader guessing about what will happen next. He might introduce a strange situation at the beginning of the story and then slowly reveal bits and pieces of information, making the reader more and more anxious as they read on. For example, a character finds a strange object, and as the story progresses, we learn more about its dark powers.
Through vivid descriptions. He makes you see the spooky settings clearly.
Poe creates horror through his use of vivid and often grotesque descriptions. For example, in 'The Tell - Tale Heart', he describes the old man's vulture - like eye in great detail, which is really disturbing. Also, his narrators are often unreliable, which makes the reader question what's really going on. In 'The Cask of Amontillado', the narrator's calmness as he leads Fortunato to his doom is quite terrifying.