Perhaps it means that the actions and deeds of conquerors are what end up being remembered and recounted as 'the story'. Conquerors often have a more visible and powerful presence. Their exploits, whether good or bad, are what are passed down. In the African context, this could refer to how the stories of different conquests, like those by European powers, have been told over time, with the conquerors' perspectives being the main ones presented in traditional historical accounts.
The quote might mean that conquerors are in a position to write history. Since they have the power through conquest, they can decide what aspects of the story are told. Maybe it's a reflection on how the stories of African conquests have been presented, with the focus on the conquerors rather than the conquered. In many historical accounts, the voices of the native Africans were silenced, and the conquerors' tales became the dominant ones.
It could imply that conquerors are the ones who get to shape and tell the narrative. When a group conquers another, they often impose their version of events, values, and history. For example, colonial conquerors in Africa might have told stories that favored their own actions and motives, while suppressing the true experiences and stories of the African people.
One example is during the colonial era in Africa. European conquerors told stories of 'civilizing' Africa. They presented themselves as bringing progress and order, but in reality, they were exploiting resources and suppressing local cultures. Their version of the story was that they were doing a noble thing, while the real experiences of the Africans, such as the destruction of their traditional ways of life, were not part of the main narrative.
This quote implies that the quality and appeal of the story being told determine success. It doesn't matter who you are or where you come from; if your story is the best, you win. It could refer to competitions, or just in general social or creative settings.
This quote emphasizes the power of visual representation. Every picture has a narrative. A picture of a dilapidated building might tell a story of a once-thriving place that has fallen into disrepair due to various reasons like economic decline or natural disasters. It can make the viewer wonder about the past, present, and future of that place.
One characteristic is the use of expressive body language. Dancers use their whole bodies to convey the plot, like using their arms to show the flight of a bird in a story about nature. Another is the rhythm. The specific rhythms often match the mood of the story, for example, a fast rhythm for an exciting hunt story.
It's a profound statement that makes you think about the impact of people's lives and how their stories are passed on.
One example is the Zulu war dance. It tells the story of the Zulu warriors' bravery in battles. The movements are energetic and mimick combat actions.
It means that something doesn't convey or communicate a narrative. For example, a picture with just a single color might tell no story as there are no elements to form a sequence of events or a plot.
One way is through symbolism. The body can stand for the self or the soul. For example, if the body is said to be 'on fire' in a Rumi quote, it might symbolize a passionate spiritual awakening.
It could mean a quote from the Shrek movies followed by the phrase 'end of story', perhaps indicating that the quote is conclusive or final. For example, Shrek might say something like 'I'm an ogre, and that's how I like it. End of story.'
This statement implies that dresses are not just pieces of clothing. They carry memories, emotions, and cultural significance. A traditional ethnic dress can tell the story of a community's heritage, its craftsmanship, and the values it holds. A little girl's first ballet dress can be a story of her dreams and the start of her passion for dance. Every stitch, every fabric choice in a dress can be a part of the story it tells, whether it's about the designer's inspiration or the wearer's personal journey.