In 'A Friend of the Family,' the truth might stick closely to known facts and people's actual experiences. Fiction, however, gives the creator freedom to invent, embellish, or change elements to create a more captivating or unique narrative. Sometimes, the fiction is inspired by the truth but takes creative leaps.
When it comes to 'A Friend of the Family', truth is about the real experiences, feelings, and relationships within the family and with the friend. It's not polished for entertainment. Fiction, on the other hand, might focus on creating an exciting or emotional story. Truth may have gaps in the story because real life isn't always fully documented. Fiction fills those gaps with made - up details to create a more complete and often more exciting narrative. For instance, a real - life family friend's visit might be a normal, uneventful thing in truth, but in fiction, it could be turned into a life - changing encounter.
The fictional elements often enhance the drama. In 'Mindhunter', the conversations between the agents and the killers might be more scripted and intense in the show compared to what really happened. In truth, the real - life interviews were likely more methodical and less filled with the kind of emotional exchanges we see on screen. Also, the physical appearances of some characters may be fictionalized to make them more visually interesting or to fit certain archetypes, while in real life, they might have been more ordinary - looking.
One key difference is the time compression. In reality, the events might have spanned over a longer period, but in the movie, for the sake of a concise narrative, the time might be compressed. Another difference could be in the portrayal of some minor characters. In real life, there could be more complexity to them which is simplified in the fictionalized movie version.
The great truth has a real - world impact and can be verified. Fiction, although it can be influential in terms of ideas and emotions, doesn't have a physical, verifiable existence in the same way. For instance, scientific truths like the law of gravity can be proven through experiments, but a fictional world like Middle - earth in 'The Lord of the Rings' exists only in the pages and in our minds.
In 'The Fabelmans', truth might be the real-life experiences and emotions of Spielberg that inspired the story. Fiction could be the dramatized elements added for cinematic effect. For example, the family dynamics are likely based on real situations but may be tweaked to fit the narrative better.
Well, in the context of Oppenheimer, one truth is his real contributions to the development of the atomic bomb. Fiction might be some of the dramatized personal relationships shown in the movie. For example, the real Oppenheimer's interactions with his colleagues were complex, but the movie might exaggerate some emotional aspects for the sake of drama.
The truth in 'A Beautiful Mind' is based on real events, but the fiction part adds drama and emotional depth. For example, some characters and their relationships might be exaggerated for effect.
The burial truth typically pertains to the actual facts and practices associated with burying the dead. This could include things like legal requirements, environmental considerations in modern burials, and historical burial customs. In contrast, burial fiction can be highly imaginative. It may feature things like ancient burial grounds with hidden treasures or undead rising from graves, which are far from the reality of burial where the main focus is on laying the deceased to rest in a respectful and proper manner.
In Hacksaw Ridge, one truth was Desmond Doss's real pacifist beliefs. He refused to touch a gun in combat. Fictionally, some of the battle scenes might have been dramatized a bit for cinematic effect. For example, the intensity of the fighting might have been enhanced to make the movie more exciting.
In 'The Lost King', one truth could be the historical context it's based on. For example, if it's set in a real place and time. Fiction elements might include some of the characters' relationships that are exaggerated for the story's sake.