The Analysis of Zhao Wuniang's Character Image
Zhao Wuniang was an important character in The Story of Pipa. Her image was portrayed as a kind, simple, self-sacrificing, hardworking and filial woman. She stayed at home alone to serve her in-laws and bear all the burdens of the family. During the famine, she left relief food to her in-laws, but secretly ate the chaff herself. After her parents-in-law passed away, she cut off her long hair, sold it on the street in exchange for a coffin, and used a hemp skirt to wrap soil to build a grave for her parents-in-law. Although life was unfair to her, she always adhered to her beliefs and responsibilities, silently endured all hardships, and dedicated everything to her family and in-laws. The image of Zhao Wuniang showed the excellent qualities of women in China's feudal society, such as simplicity, kindness, diligence, perseverance, and responsibility. At the same time, it also reflected the important values of filial piety and family responsibility in Chinese traditional culture. She was a typical image of a virtuous and filial woman. She used her own actions to interpret the true meaning of filial piety and family responsibility. At the same time, she showed the weakness and tenacity of women in feudal society.
Zhao Wuniang's Joke of Eating Chaff
Zhao Wuniang Eating Chaff was one of the traditional plays of Qin opera, also known as Zhao Wuniang's Description of Appearance. The plot of the play originated from the Southern Song Dynasty drama "Zhao Zhennu Cai Erlang". Later, in the Jin and Yuan Dynasties, there was the "Cai Boyu" courtyard version, and in the Ming Dynasty, there was the legend of Gao Ming's "Pipa" and "Zhao's Xianxiao Baojuan"(also known as "Pipa Baojuan"). The specific plot described that after Cai Yong, a poor scholar from Chenliu, went to the capital to take the examination, he was forced to marry into the Prime Minister's mansion. His hometown was in a drought for years, and his wife, Zhao Wuniang, had to eat her own chaff in order to support her in-laws. Later on, when Zhao Wuniang's parents died, she sold her hair to bury her parents and went to the capital to look for her husband. Prime Minister Niu said that after Emperor Wen of Ming Dynasty, Cai, Zhao and Niu returned to their hometown to build graves to worship their ancestors. Zhao Wuniang's play of eating chaff was often performed alone, including the play of the same name,"Zhao Wuniang Eating Chaff."
Zhao Wuniang eats chaff script
The script of Zhao Wuniang Eating Chaff was from the traditional Shaanxi opera, Zhao Wuniang Eating Chaff. The play was about Cai Yong, a poor scholar from Chenliu County. After he went to the capital to take an examination, his hometown suffered from famine. His wife, Zhao Wuniang, could only eat chaff to support her in-laws. Later, her parents-in-law died of hunger. Zhao Wuniang cut her hair and sold it to bury her parents, and went to the capital to find her husband. In the script, there was also the help of the neighbor Zhang Guangcai and the kindness of Niu Guixiang. Finally, Cai and Zhao were reunited. For the specific content of the script and lyrics, you can refer to the relevant Shaanxi opera and Beijing opera scripts.
An Analysis of Lenahu's Character Image
Lenahu's character image was complex and multi-layered. He was a smart fox who could quickly make decisions and find solutions to problems. He was brave and fearless, displaying fearless courage and tenacious perseverance. He was a helpful person with a strong sense of justice and compassion. He was willing to help those in trouble. He was very loyal to the people he trusted and cared about. However, there was also a negative side to the Lenafox. He wantonly bullied and killed weak animals and showed extreme contempt for the working people of the lower class. He was good at teasing the powerful and feudal rulers, but he also deceived the weak animals with sweet words. In general, Lenahu's image was both a representative of the citizen class and a manifestation of the dual nature of the citizen class. He was a warrior of the townsfolk, but he was also a bully of the townsfolk.
An Analysis of Xiangzi's Character Image
Xiangzi's character image was analyzed as follows: Xiangzi was a young man full of justice and compassion. He was kind, brave and responsible. He treated friends and strangers sincerely and warmly. In Alive, Xiangzi was a character with a strong sense of belonging. He was passionate about the people around him, especially those who were in trouble. He was full of care and help. He was willing to risk his life to help those who were exploited and oppressed, and at the same time, to protect his friends at all costs. Xiangzi was also a tenacious and tenacious person. Although his life was very difficult, he never gave up the pursuit of freedom and justice. He continued to struggle and struggle, not backing down even in the most difficult moments. His courage and perseverance made him a hero in the novel. In general, Xiangzi was a very three-dimensional and rich character. He had a strong sense of justice and sympathy, but also had a tenacious and tenacious quality. His image was not only profound but also infectious. He was an indispensable and important character in the novel.
Liu Hongmei, Zhao Wuniang Eating Chaff
Liu Hongmei was a famous Qin opera singer. She sang the song "Zhao Wuniang Eating Chaff". This song described the scene of Zhao Wuniang holding a chaff bowl with tears rolling down her face. Liu Hongmei's singing skills and acting ability were highly praised. Her voice was sweet, her words were clear, and her voice was full of emotion. This song was a pearl on the Qin opera stage and was deeply loved by the audience.
Analysis of Gao Jueming's Character Image
Gao Jueming's character could be analyzed from several aspects. First of all, he was one of the main characters in 'Home' and ran through the entire story. Jueming's image was that of a steady and gentle second brother. He had gradually grown and changed in life. Secondly, Jueming had a contradictory personality. He was impacted by the new ideas and gradually underwent a " transformation." Jueming's image could also be seen from his actions and determination. He was a new youth with a sense of progress. He didn't want to compromise like his eldest brother Juexin, nor did he want to be as aggressive as his third brother Juehui. In general, Jueming's character was a gentle and tenacious character who played an important role in the story.
Analysis of Zhou Puyuan's Character Image
Zhou Puyuan was the main character in Cao Yu's play " Thunderstorm ". He was a capitalist with strong feudal characteristics and a representative of the ruling forces in a semi-colonial and semi-feudal society. He was a stubborn and autocratic parent in his family. Through his wearing of the official gown, his cold eyes, the sneer at the corner of his mouth, and the thumb ring, he showed his strong feudal, autocratic, and dictatorial aura. Although he had studied in Germany, he still respected old morals and was hostile to new ideas. He was cold and heartless to his wife, and the harm he had done to Lu Shiping was infuriating. However, he also had a human side to him, such as his nostalgia for Lu Shiping. Zhou Puyuan was the culprit behind this tragedy. He was the seed of "sin". His character image revealed the sad reality that human nature was swallowed by powerful social ethics.
An Analysis of Yan Qing's Character Image
Yan Qing was a character in Water Margins. He was Lu Junyi's servant and had a unique personality and talent. Yan Qing was good-looking, versatile, skilled in martial arts, and intelligent. He was loyal to his master, Lu Junyi, and the Liangshan cause. He was not afraid of danger. Yan Qing's personality was one of his most important traits. He was forthright, loyal, and brave. He was full of loyalty and justice. He was good at using bows and arrows. His archery skills were superb, and he was accurate in battle. He could quickly defeat the enemy and made great contributions to the victory of the Liangshan heroes. Yan Qing also had some admirable qualities. He was broad-minded and treated people sincerely. He never favored one over the other. He and Li Kui, Shi Jin, and the other Liangshan heroes had established a deep friendship. They took care of each other and fought against foreign enemies together. In short, Yan Qing was a loyal, brave, and upright character. His image left a deep impression on people.
An Analysis of Mr. Fujino's Character Image
Mr. Fujino was a diligent teacher with a tireless spirit. His rigorous and down-to-earth style showed that he was a true gentleman. He was a person who dressed casually. Sometimes, he would forget to bring a bow tie and only wear an old coat in winter. Mr. Fujino was extremely serious about his work. He even used a red pen to make changes in the lecture notes, even pointing out the position of the blood vessels that had moved. His tireless teaching of Chinese students and his equal treatment of students formed a sharp contrast with the contemptuous attitude of Japanese students towards Chinese students, reflecting that he was a true gentleman. Mr. Fujino was a character written by Lu Xun. He was a noble and upright gentleman who had no national prejudice and was passionate about academics.
An Analysis of Fan Xian's Character Image
Fan Xian was a complicated and realistic figure. He had a dark side and was a true schemer, but in the eyes of the audience, he was a man of affection and righteousness. Fan Xian's ultimate goal was to realize his dream of marrying a beauty, settling the disputes of the royal family, and resolving the hatred of the older generation. He dared to face the majesty of the imperial power. He did not kneel down and could be indifferent to his noble status. His story triggered the desire of modern people to change the decaying old world. Fan Xian was a complex and lively character. His character image in the play displayed modern values and resonated with the audience.